Throughout the history of Asian horror many film makers have tried their hand at the sensitive ghost story. And the genre has been done with varying degrees of success. With Dorm, Director Songyos Sugmakanan elevates the genre to pinnacle not yet reached by previous attempts, creating a film that is simultaneously tragic, and creepy.Dorm tells the story of Chatree, a twelve year old with family issues, who begins the seventh grade at a new boarding school. The school itself is depressingly creepy, and is run by a ambiguously macabre teacher named Ms. Pranee. Chatree soon becomes bully fodder for the other students, until he meets Vichien, another boy with similar problems. As the two become close friends, Chatree finds himself drawing nearer to a dark and terrifying secret.The secret of Dorm's success is how seamlessly Sugmakanan juggles the creepy atmospheric vibes that are typical of Asian horror, with the tragedy of Asian dramas. One of the films creepiest -and tragic- qualities is the school itself. The sterile shots of the dormitories, dining halls, pools, and washrooms help reflect the films feelings of alienation and loneliness. Feelings that all twelve year old boys with displacement issues would be familiar with, and are represented well under Niramon Ross' expert cinematography.Along with the cinematography the film features an excellent (and subdued) score. It features slow moving orchestral pieces and haunting piano ballads. Although, this is typical of the genre, the score helps to heighten the films dramatic sense.Couple those qualities mentioned above with Charlie Trairat's nuanced portrayal of Chantree, and you've got yourself a damn good film. In fact, you'd be troubled to find fault with any of the actors in this film. Which is saying a lot when most of your cast is young boys. And it's not just the kids that hold their weight as thespians, Chintara Sukapatana is excellent(if not sadly underdeveloped) as the scarily sympathetic Ms. Pranee.To be truthful, while Dorm does have it's strength's it also has it's share of weaknesses. The films first 45 minutes are incredible and touches on the universal themes of childhood fear and angst. Then the film slows down to a snails pace and doesn't come back strong until the last 20 or so minutes. Also, the film has it's share of Asian ghost story cliché's but... that being said, it remains original enough in it's initial premise and delivery that the good qualities outweigh the bad.Bottom Line- Dorm is a well done sensitive ghost story with brilliant cinematography, acting, and score. While it does have it's clichés and faults, the premise and delivery far outweigh the faults.

In Thailand, the young Ton Chatree (Charlie Trairattana) is sent to a boarding school by his father to be more disciplined, study harder and have less entertainment with television. Once in the school, Ton feels outcast and misses his family and friends. He becomes scared with the ghost stories his new schoolmates tell about a boy that died in the swimming pool and a young pregnant woman that committed suicide. He becomes a close friend of the also lonely boy Vichien (Sirachuch Chienthaworn), and later Ton realizes that Vichien is the boy that drowned in the swimming pool, and his death repeats every night. Ton tries to find a way to help his friend to rest in piece.When I bought "Dorm" on DVD, I expected to see another Asian horror movie, my favorite genre. However, this good movie, in spite of having a ghost, is actually a dramatic supernatural story. The solid screenplay is supported by a great direction and excellent performance of the boy Charlie Trairattana, very credible in the lead role of Ton Chatree. This film has been promoted as a horror movie and I believe that many viewers may be disappointed, expecting to see a frightening and scary story. My vote is seven.Title (Brazil): "Dorm – O Espírito" ("Dorm – The Spirit")

This film has just won the 'Generation' Children's Film prize at the Berlin Film Festival where the panel of young judges were very impressed with the tension filled plot and the acting of the young leads."This film depicts with unbelievable tension how a close friendship is possible between 2 boys from different worlds. This film is very special, not least due to the convincing actors." This was the quote from the jury members who awarded the film 1st prize.The plot is set around ghostly goings on at a boarding school in Thailand. The sinister headmistress clearly has a secret. Why does she cry alone in her room after looking in a desk drawer? Who is the mysterious boy whom only Chatree (the lead character) can see? The twist ending is slightly derivative of the 'Sixth Sense' but don't let that put you off.A DVD (with English subtitles) is available from Hong Kong retailers.

I am a Chinese, living in Malaysia. Why do I start my review with that? Simple. I am not a racist, and I believe that a movie transcends race, religion, and culture. It is a work that brings together the elements of human nature and human ingenuity, both the best and the worst, into film, to weave a story that has a meaning and a reason, that gives us clues to how to live a better life. This is what a movie means to me.With that said, I must state here that the recent movies that I have seen these few years were, to say the least, disappointing. Dorm, is better than them. Period. The best movie I have seen still remains to be Donnie Darko, but Dorm comes very close. Very close. You can put it up there with Stand By Me and The Sixth Sense. The movie touched me in so many levels that after the movie, I started talking to myself about life and beyond. I know what you are thinking by now. I bet you are thinking that this reviewer is crazy. Maybe I am. But do read on. The first thing that I want to state is that, this is not a horror movie. It doesn't scare you. It doesn't make you jump. It doesn't make your hair stand on ends. No, this is not that kind of movies. As some reviewers already stated, this is a coming of age movie, one where the character learns about himself and grows. This is a supernatural movie about ghosts and friendships, about sacrifice and childhood, about a father's sin and a son's journey into becoming a man, a better man. I gave this movie ten points, so the first two points go to the story. This is a tried and tested method. A linear and chronological story that has no branches, no what-ifs, and no shocking endings. Hence, no screw-ups. The story was coherent, and the plots were all properly placed (albeit a bit flat), and the characters well-developed. The climax was justified, and the story was properly wrapped up before closing. This movie doesn't give you nonsense like a kid transferring to a new school and then bumps into a ghost for no good reasons. No, the father had an affair with the maid, the son saw it, and was shipped to a boarding school to keep the secret safe. The son suffers for the father's sin. As we later found out, this was not the case. The father in fact did it for the good of his son, but being a child, it wasn't easy for him to come to terms with the fact that the father was doing what was best for him. Dealing with domestic issues in a supernatural thriller is uncommon, but effective here as the father later deals with his adultery with his son. I used to be a school teacher myself, and the scene that grips me most was the headmistress seeing one of her own child drown at the bottom of the pool. I believe one could go crazy from a tragic accident like that. The Boy Who Cries Wolf was illustrated perfectly here in the movie, so kids, take heed. The best thing that I like the most, is that in this movie, the ghost is not a vicious, nasty, ugly, blood-thirsty, flesh-hungry, brain-dead, decomposing slab of meat that goes around haunting people for no good reasons. Why did Sadako do it? Why don't we ask how she did it with a tape? In this movie, the ghost is a little boy who had an unfortunate accident, who lives on to suffer the consequences of his own actions. Although his character was not very well developed, and you can practically tell he is the ghost 30-minutes into the movie, you won't actually mind at all. You will sympathize for him. You will feel for him. You will love him as if he is your son. And it was this friendship, a kid making his first friend in a new school (who happens to be a ghost), is what struck me the most. We remember all too well that first day in that new school, and that first person who came to talk to you who eventually became your best friend. Their friendship goes to such a level that a mere child was willing to risk his life to save the soul of not one, but two persons. One of the dead and one of the living. The story did not do the smart thing (like the ghost took over the boy's body as with we have seen in The Skeleton Key) or leaving the story wide open for a sequel. No, the boy saved the ghost, but therein lies the dilemma. Not only did he has to put his own life on the line, he also had to let the ghost leave. And then he told the headmistress the truth, and thanked her. The story didn't do the smart thing, but the right thing. And why did the ghost haunt the kid? Who asks the new kid to go to the toilet in the dead of the night? He was asking for it! Unfortunately, my lamenting has caused me to run out of words, so I'll be brief on the rest. The directing was good, except for the oversight on Ton's hair length. The music was superb, especially the ending song. The special effect was good, and the cinematography is brilliant on the use of colors and lighting. Lastly, the acting. One word: superb. Charlie is even better than Haley, hands down. The scene where he had his first meal with tears in his eyes, my heart bleed. I wish IMDb would give me more words, cause there are so much more I want to talk about this movie!