Don't Look Back
Don't Look Back
| 03 June 2009 (USA)
Don't Look Back Trailers

Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

Reviews
kanabuma

Metamorphosis of a woman into someone else. Not only her, but also people surrounding her, including inanimate objects. What an original and unique plot! A gripping plot, without any dull moment! Both Sophie Marceau and Monica Bellucci have acted excellently, without any flaw. I love fantasy and surreal movies. This is a fine example of how a fantasy movie should be. Even though this movie has been classified under horror genre, there is no horror element in this movie. After watching this movie, I had both feelings of understanding the movie as well as not understanding the movie. It's a unique feeling. I enjoyed every bit of this movie. This movie has been clearly underrated by people who don't understand fantasy/surreal movies. Kudos to the director for making such an extraordinary movie.

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mariachiguitar_mexico

A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry. Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating – or indoctrinating – citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue into the language of the viewer. Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement. The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photo-play and flick. A common name for film in the United States is movie, while in Europe the term film is preferred. Additional terms for the field in general include the big screen, the silver screen, the cinema and the movies.

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p-stepien

The beautiful Jeanne is a successful biography writer, who is intent on writing an autobiographical novel based on her childhood. A childhood she does not remember due to a car accident in Sicily. Her book is however rejected by her publisher, as a story too focused on countless descriptions, but void of any emotion. Coincidentally Jeanne starts to have troubles with perception - photographs, cameras and mirrors begin to show things that Jeanne remembered totally differently. She stops recognising her house, her husband, her two kids and in the end she no longer knows the person she sees in the mirror...Unaware of Marina de Van's previous work I picked this movie up due to it's Cannes credentials. Told with some very competent and tight storytelling (although not devoid of slight plot holes or unnecessary scenes added just for eeriness) this French movie never cops out on it's promised delivery. Also instead of your typical American shock twist you are treated with a much more subtle, intelligent and down-to-earth ending, which logically evolves from the beginning to an at least satisfying finale. Although horror fans may be disappointed by the relatively unshocking solution - at times the movie promises to frighten keeping the viewer on the verge of something horrific, but concludes without a single frightening moment. All in all de Van had a story to tell and she did that expertly - emotionally dragging you in and also keeping the tension sharp as a razor throughout the movie.Both Sophie Marceau and Monica Belucci do an expert job conveying the story and it is self-explanatory why they are widely held as two of the best actresses of their generation in Europe. Both actresses give award-worthy performances, but it'ld be hard to decide which of them should win the prize, as they basically play the same character and you would be forgiven if you forgot that two actresses played the same role. There is almost no way to tell at what exact moment Marceau is exchanged for Belucci.In this case it is quite evident that they were hired for much more than their looks. Nonetheless both are ravishing in this movie, albeit age looks to be creeping up on Belucci much faster than on Marceau. Fortunately for them their class acting should keep them busy until they are both over 80. Supporting cast is also spot on, although this movie focuses so heavily on Jeanne, that you hardly notice their presence and input.In the end you may however feel slightly underwhelmed by the movie, which although nicely told does not always feel deserving of a full length feature. Also some of the cinematography seemed detached from the story and the viewer was unable to really notice the changes that occurred in Jeanne's surroundings. Were it not for Jeanne's weird behaviour you would be forgiven for not noticing anything wrong. That said they were some beautifully done sequences where faces of people change around her, but that has more to do with the make-up and special effects crew, than the DOP.

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Milan

"Ne te retourne pas" was a quite of surprise to me. Psychological drama, with touch of a "Twilight Zone"-type fantasy, moved me in strange directions, and paths the movie so meticulously followed throughout it's course. The story of a parallel reality between the past and the present, told in a narrative style that resembles a dream, focuses the viewer on constant change of pace with twists and turns until the answer is found. Main roles beautifully portrayed by Sophie Marceau and Monica Belluci, two of the most exquisitely beautiful actresses of this day and age, are right on the spot of the story and we follow the plot to satisfying conclusion that gives a perfect explanation to it all. Of course this movie does not appeal to Avatar audiences that expect movies which don't provoke thinking.This is a first film by Marina de Van that I had a chance to watch, and this young lady is in my humble opinion the future of French and world cinema. Such neatly constructed, no nonsense, cerebral film, which gels as a meticulously structured mosaic is hard to come by these days. Watching it is a fulfilling pleasure. Fantastic!

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