Stacy Keach and Faye Dunaway give Good Performances as "Doc" Holiday and Katie Elder, and is Central to, Yet Again, a Movie about those mostly Mythological Personalities, Wyatt Earp and "Doc", Climaxing, Yet Again, with The Gunfight at the O.K. Corral.The Point in this one is to Demystify to a Degree about the Motivation and Moral Certitude of the often Predictable Personas of these "Shootist". It's a Gloomy, Murky, Soft Spoken Style with most of the Acting done with the Eyes and a Whisper. Thought Provoking and it does Dusty Duty Covering things with a Haze of Grit. The Tense Atmosphere is Realistic and the Suspense Builds with much Philosophizing and Reflection. The Film certainly has it Moments as well as its Detractors. It is more of an Intellectual Introspection of Famous/Infamous Men. Wild Men, who had to be to Survive, in the Wild West. Some of these Folks had Visions of Civilizing the Frontier. Witness Wyatt's (Henry Yulin) Speech after the Gunfight and "Doc's" Final Act of Violence. Overall, Atypical Western in the Traditional Sense but Typical for its Time Period. Underrated and Worth a Watch.

There is something to be said for watching a film out of its time, specifically 45 or so years after its debut. DOC is many things besides not historically factual. True, it is a revisionist western. It may be a comment on Viet-Nam at the time or it may be a metaphor on American cultural icons having feet of clay. Other reviewers have dissected the film with keener insight than I. Having never seen the film until this weekend, there was something about the relationship scenes between Doc and Wyatt that felt uncomfortable for me: The touching, the caring, the glancing, the prolonged camera shifts between the eyes of these two friends who once had a "history" (unexplored), a separation (also unexplored), and now a reconciliation of sorts (semi-explored). There's no love, or even, like lost between Wyatt and Katie. Wyatt watches his friend and a woman move into their "honeymoon cottage" with a knowing sorrow. There's a femininity that pervades this film that doesn't just come from Dunaway's Katie Elder. Even the roll-on-the-ground fight scenes are somehow less than violent. The camera lingers just a bit too long on the wrestling Earp brothers scenes at the ranch. The fight between Ike and Wyatt reminded me more of gay-bashing incidents in NYC that I've read about than any "street-fight" I've witnessed in a HS corridor over the years .... Film history is replete with subtle nods to non-heterosexual sublimity. Hollywood even made a documentary to that effect. I suppose if you know you're going to revise western history you may as well do it with panache ...

'Doc', from 1971, is an odd take on the famous Gunfight at the OK Corral in Tombstone, Arizona Territory, in 1881. It is more ambiguous than usual, and you really don't think that Doc Holliday was that willing to go along with his Earp friends in this version. It's vague and subdued and has some low-key acting, but I thought it was better than average and not a bad find.Faye Dunaway's added as a trollop domestic love interest of Doc Holliday.One thing to point out is that Wyatt Earp is portrayed by the characteristically unhandsome, "bug eyed" actor Harris Yulin ( Scarface (1983), Night Moves (1975), Clear and Present Danger (1994)). He's a bit odd and doesn't have the necessary power or gravitas to give him that punch that the character so richly deserves. Stacy Keach is fine as Doc Holliday, a bit of a rambler here.The "Cowboys", the Earps' enemies, are the weak link, as they are just basically rude and not very interesting.Still, it's worth a look.Also recommended: Gunfight at the O.K. Corral (1957) Hour of the Gun (1967) Wyatt Earp (1994) Tombstone (1993)

Stacy Keach, who plays Doc Holliday in this film, made some incredible films between 1968 and 1974 and this is a Western epic (where he's the lead for a change) and kicks some Western butt on an old legend about Wyatt Earp and Doc Holliday, the west and Faye Dunaway plays Kate. Check out this early 70's GOOD FILM about America.Harris Yulin (who nobody knows) did plays and other films with Keach in the good old days - I'm not even into westerns since The Wild Bunch and The Man With No Name fllms, this script was Pretty Much on the mark about these cats! The old west, no guns allowed in Tombstone (SAYS WHO?) These guys, with worthy adversaries, and great dialogue in a movie nobody saw (unless, in 1971, you were a revisionist like Squint Eastwood did 20 years later in Unforgiven (a great film). Anyway, if you can find it (and Judy Collins' kid brother plays Billy in this) the Gunfight at the O.K. Corral will never be the same (no matter what your fantasies are concerning Western fact). Keach was the man for seven years. Trust me - I saw him on stage in New York and London. Well worth your time (Keach, Dunaway, and Harris Yulin fans), especially if you like Westerns cutting against the grade (even then); highly recommended (resembles The Hired Hand by Peter Fonda).