Doc of the Dead (2014) *** (out of 4) Did we really need another documentary about zombies? Well, yes, actually because this one here looks at the zombie film from a new perspective. Over the past five years or so the zombie movies and television shows have become more popular than any other monster so this documentary takes a look at the recent phenomenon and asks why.Of course, we also take a quick look at zombie history where we learn about WHITE ZOMBIE, I WALKED WITH A ZOMBIE and of course how everything changed with NIGHT OF THE LIVING DEAD and DAWN OF THE DEAD. From here we see clips from THE RETURN OF THE LIVING DEAD and the current crop of things like The Walking Dead. George Romero, Bruce Campbell, Greg Nicotero, Alex Cox, Tom Savini, Joanna Angel, Stuart Gordon, John Russo, Simon Pegg, Judith O'Dea and Robert Kirkman are just a few of the people interviewed.Overall this is a pretty good look at the recent zombie movement. If you're unfamiliar with some of the older movies then you're going to get a good education on them. The highlight of this is just the debates about whether it's better to be a slow or a fast zombie. Then we get some nice discussions about zombie walks and even zombie weddings. If you're a fan of zombies then you'll find yourself entertained.

Why are zombies popular right now? How did they get so far? This is what this documentary is about. So if you expect to see many bits from horror movies, you'll be disappointed. This also isn't a history of zombie movies in general and you won't find much about the games here either. One omission I really thought should've been in there, is the "bath salt" thing that happened. Something that the media connected with zombies for some crazy reason. This might be in the extras on the DVD though, as the director said at Frightfest, where the documentary was playing.One of the surprising things watching, was Romeros stance on zombie walks (another phenomenon that keeps getting bigger and bigger). The "Godfather of the zombie genre" (as he is called by many, with Fulci not available obviously for comments) has a big part in this. He is as normal as always, bedazzled/surprised himself about the success his undead (he wanted to call them Ghouls initially) have right now. Not the best documentary made, but if you like to look a bit behind the current hype (with not much knowledge beforehand), you could do worse

In the last decade or so zombies have left the underground and become mainstream. It's a somewhat strange state of affairs and one that this documentary tries to explain. It looks at zombies in two main ways – their evolution in the movies and their appearance in recent culture. The film history part is the more interesting. It looks at the old style somnambulist zombies of the 30's and 40's typified by the likes of White Zombie, through to the more modern incarnation invented by George A. Romero with The Night of the Living Dead. It would only be fair to say that this latter film is truly the year zero in how the vast majority of people in western culture understand zombies, i.e. shambling, rotting, flesh-eating ghouls who attack humans at every given opportunity and can only be killed by a bullet in the head. The old-style Haitian type of zombie is much less seen these days, nor the Japanese variant which…hops! No, its Romero all the way these days, which is what makes it rather a strange phenomenon to become embraced by mainstream culture considering how grotesque and frightening his concept for the living dead actually is. While the film history part is the strongest it doesn't have time to reference a lot of the most loved entries in the genre, particularly the work of Italian director Lucio Fulci. But the reason is simply that the focus is on the zombie idea in general and not just on the movies and there simply isn't time.It did lose steam a bit once it leaves the film history side of things though and moved onto the wider cultural impact. It becomes a bit bitty and spends time looking at aspects that aren't terribly interesting. Not only that but, a very brief passing reference aside, it inexplicably fails to focus on the one true moment when the zombie truly tapped into mainstream culture, namely Michael Jackson's Thriller video. Chronologically it's all over the place and there isn't a feeling of understanding the progression from how we really got from NOTLD to the recent craze for zombie walks. I don't really believe in the assertion that it's to do with the September the 11th terrorist attacks which was suggested. But, whatever the case, the documentary does show that zombies really are everywhere now. It is a fun, if flawed, film. There are several very funny moments too. But unlike the undead themselves, it doesn't have a single purpose it relentlessly pursues and instead kind of splits its focus too much.

The definitive zombie culture documentary? Brought to the screen by the makers of "The People vs. George Lucas".My biggest issue is that this film seems to want to cover both the zombie culture and the film history. There are segments where a first-person camera angle has a man in a zombie outbreak that was completely unnecessary.The film says we all "collectively agree" the zombie film started with "White Zombie" (1932). That seems a bit late to me, but I cannot think of an earlier example. There is some good discussion of Haitian zombies, though it might have been nice to have a clip from "Serpent an the Rainbow".As we all seem to agree, George Romero changed everything, even though his creatures were introduced as "ghouls" and not zombies. His creature introduced the idea of being turned by a bite. And, of course, "Dawn of the Dead" is the pinnacle of zombie film. And we must recognize the parallel between Bub (Howard Sherman) and Frankenstein's monster (Boris Karloff). Sadly, he went downhill after that.One commentator suggests the idea of a widespread apocalypse got more popular after 9/11 and Hurricane Katrina. Is this true? Perhaps. But I think it also just became more and more affordable to make films as we have switched to cheap digital.Another reviewer pointed out there is a complete lack of Italian horror in this film. Good point. How influential they were to the overall culture today is debatable, but certainly Fulci's "Zombi" is among the biggest of its time and worth mentioning alongside Romero.