"Divine Intervention" is not a perfect film. Certain scenes go on too long. Some of the metaphors and symbolism are overdone and over-emphasized, and I'm still not sure how I feel about a crucial scene towards the end of the film, but overall when registering my vote for the film I, again, simply couldn't vote less than 10. It's hard to do so with such a unique film, and one which I feel is quite important and special, regardless of my own personal connection to the film and its subjects (like most of my father's family the filmmaker is a Palestinian Christian from Nazareth).The film's tone is one of detached, bitter irony. It's an absurdist look at the conflict, at life under Israeli occupation. A far cry from many Palestinian (or Israeli) films, especially the likes of "Paradise Now" (a great film in its own right), with their emphasis on examining the conflict itself, the solutions available and the morality of the actions taken by desperate people on both the Israeli and Palestinian sides, "Divine Intervention" is ultimately about minor miseries and absurdities, an uncanny portrayal of the mundane, monotonous nature of living in Palestine- you're always at a checkpoint, even if you're not actually at one.Checkpoints play a big part in the film. So do hands, eyes, footballs, balloons, post-it notes, Israeli authority figures, colorful language, and various other things. The opening half of the film is largely in a classic comedy tradition: sight gag after sight gag, with some uproariously (as far as I'm concerned) hilarious exchanges of dialogue, sadly some of this is lost in translation, but the film's humor is so overwhelmingly visual that this doesn't matter so much. The first time I saw the film some of the jokes didn't work for me and some did. Three viewings later it's easily one of the most satisfying comedies around.The film's latter half is more intent on surreal, symbolic imagery. Imagery which retains the bitter irony and absurdist tendencies of the first half, but will surely be harder to swallow for most, especially as some of it can easily be misunderstood and misinterpreted. The more ambitious set-pieces are also more visually problematic, with dated CGI mixing with Suleiman's wonderful portraits of Jerusalem. Most of the film's flaws are still in sequences I wouldn't dream of cutting out of the film. These scenes don't have the perfect timing and delivery of the comedy in the first half, which is much more subtle in its metaphorical and symbolic value than the latter half, but the film wouldn't work without them. It's a very odd film to say the least, and while I can complain about certain things I wouldn't have any suggestions on how to make them better. "Divine Intervention" remains one of very, very few films to really capture what it means to be Palestinian and to have a Palestinian mindset. More interestingly the film is almost entirely from the perspective of Christians (I don't believe hijab is seen at any point in the film), eliminating the ever-present Jews vs. Muslims debate and focusing on Palestinian identity and Palestinian life. As a document of Palestinian life, absurd yet believable and shockingly realistic, it is invaluable. Yet the film achieves more. It has depth. It works as a comedy first and foremost, but always has significance and importance, something more to say. The film is, ultimately, a collection of sketches, but they're brought together so well into a fairly cohesive whole that I can't understand the complaints about this aspect of the film. Some of the scenes are absolute classics, unforgettable even. The film has a wonderful visual sensibility, Suleiman's detachment extending beyond the writing and perspective to his camera which views these lives from a distance, static and observant, letting things play out against strikingly beautiful shots of Nazareth and Jerusalem. When Suleiman does go for motion it's for good reason. These shots tend to be ambitious and crucially important and are consistently well-realized by him and his crew. Something of a forgotten film, opening to mixed reviews and an extremely limited run in North America, "Divine Intervention" remains one of the most deserving Jury Prize winners at Cannes. It's not surprising that the Europeans were more receptive, it's just a shame that this movie is such a tough sell to fellow North Americans, even film buffs, mostly because it's so relatively unheard of. Too bad, it's really great.

'Divine Intervention' is not your average political commentary film. Although many may see it as "boring," it is in fact teeming with metaphors and symbols. Those who enjoy abstract art and are very familiar with the conflict and the region will find this movie a masterfully done work of art. If you prefer straight forward movies, i would suggest looking elsewhere. It is a bit choppy at the beginning, but in order to appreciate the movie, don't give up and watch the entirety of the film. The film smooths out, and more of the director's intentions and symbols become apparent. There are some very amusing scenes, and some that are painful to watch, but after all the movie is a commentary on love, pain, war and life.

Whoever thought it was boring missed an important point: The movie itself (the rhythm, the structure, "no point") is a metaphor for the lives of those people. If it were any more lively or "entertaining" it would have been completely inconsistent.It is not just the (very funny) jokes that make the movie interesting, but the attitude it emanates. The individual scenes (which are ALL linked to others by the way) express the feeling of indifference developed by the characters after years of living in a land torn by conflict. But they can't just stop living. On one hand, the immensely amusing daily situations prove that they're alive. But on the other hand, everyone in the movie seems to have grown immune to humour. This movie not only unites strong elements, like hidden symbols, attractively filmed shots, great music, and occasional bursts of humour and action. It also paints a subtle portrait of characters that may or may not reflect reality. It conveys a certain mood with remarkable coherence. The state of mind of people who are living surreal lives but can't take it any more. When will the boiler explode? How long can this go on?Divine intervention contains poignant scenes of humiliation, defiance, love, insanity, and also scenes of simple mundane living. All that with as little words as possible. I saw it for the first time at a European film festival in Beirut two years ago. I've seen it three times since, and every time I laugh less, but my admiration grows a little for this rich movie.

It is a difficult film to analyze. There are so many disconnected episodes. If the scenes are meant to be humorous, they are so subtle the humour escapes me. I am more aware of a feeling of frustration..of inactivity..of not being able to get things done. Not being an Arab or a Jew, I possibly see things differently...perhaps there is a funny side to senseless activities such as building a concrete wall and then smashing it down when it is solid.Greeting people in a friendly manner as you drive down a street and calling them the most abominable names under your breath is a form of humour I suppose...especially for the person involved. As for dumping garbage on a neighbour's property and then being upset when he chucks it back might be considered quirky humour.There is very little dialogue in this film, but much is made of the sound effects...the shoveling of wet concrete, the rattle of empty bottles. the sudden cessation of barking dogs. There is one character who says little but when he speaks he uses the number six in all his sentences. An interesting phenomenon for a psychiatrist but hardly hilarious.There is one scene I find more interesting, almost funny in fact. It concerns a red inflated party balloon with the head of Arafat printed on it. It floats about above the rooftops and is suddenly spied by soldiers at the checkpoint. They are so absorbed in the correct procedure to be followed that two lovers in a car go undetected through the checkpoint. This surely must be a strong case of divine intervention.There are a few interesting episodes with a degree of originality but equally there are some boring ones too when the characters remain static for far too long. If a sense of humour is required to provide a resolution of the long standing difficult Israeli-Palestinian relationship, I am afraid this film is not the one to do it.