One of George Arliss's best known stage roles was portraying the title role in the Louis N. Parker play Disraeli. This is not a biographical film per se, it fictionalizes Disraeli's acquiring the Suez Canal. It was quite the diplomatic coup d'etat in its day, but this version brings in a lovely lady spy in Doris Lloyd in the service Czarist Russia.Throughout the 19th century it was a paradigm of British foreign policy that the Russians were constantly looking to undermine British interests in India. The same theme was found in Rudyard Kipling's Kim.In this film Disraeli has an opportunity to acquire the canal from the Egyptians and the French company that built it which has financially gone belly up. Hidebound banker David Torrance of the Bank of England won't give him the money, he considers Disraeli a disreputable foreigner because of his Jewish ancestry. He goes to a private banker Harry Meyers (Rothschild)played by Ivan Simpson for the money.A lot of games, financial and political, get played out before foxy old Benjamin Disraeli gains the canal for the United Kingdom. Dizzy proves quite up to the challenge at the same time worried about the health of his beloved wife Maryanne, played her by George Arliss's wife Florence.There's also a small romantic subplot involving Disraeli's aide Anthony Bushell and young Joan Bennett. The couple are an attractive pair.This was the second version of this story, Arliss had made a silent version in the early Twenties that was well received.George Arliss won the third Academy Award for Best Actor given out with this performance. Though by today's standards some might consider it hammy, Arliss was of the Victorian classical school of acting and I for one appreciate the care he took in presenting one of his most acclaimed roles of the day.Disraeli is dated and it's hardly history, but it is a fascinating performance nonetheless.

"Disraeli" is a fictional story about Benjamin Disraeli's efforts to have the Suez Canal (called "a ditch covered in sand" by a skeptic) purchased for Britain. The story has a number of interesting turns as Disraeli's aspirations are antagonized by people around him, including Russian spies. There are great moments of tension when it seems Disraeli's aspirations have become impossible or other times such as when he receives a telegram near the end of the film regarding his wife's health. Whether or not you agree with Disraeli's imperialist aspirations, you will find yourself engrossed in Disraeli's struggle and hoping for his success.The film features a solid cast, but the focal point of the film is George Arliss' portrayal of Disraeli. Arliss gives an excellent performance in all aspects: the speech, mannerisms and even the look of Disraeli. Today Disraeli is well known for is witty repartee, and this film includes that with a number of humorous lines from Disraeli. It also shows Disraeli as a forceful man of conviction that relentlessly pursues his design to purchase the Suez Canal despite skepticism and even prejudice against him for being Jewish. "Disraeli" is worth seeing for George Arliss' strong performance as Benjamin Disraeli and its engaging story.

Don't be put off by the age of this film....it is magnificent. And the reason is George Arliss! This is his show and his alone. Granted, the film is talky and basically uses 2 sets BUT listen to the dialogue and watch Mr. Arliss spin his magic as he immerses himself in the Benjamin Disraeli character. Bringing his stage interpretation to the screen, it translates surprisingly well......that is not always the case in screen adaptations. What a fantastic face he had....certainly not pretty but very expressive. He won a well deserved Oscar for this role. He had a string of movies in late silent and early talking films and now, unfortunately, he seems to be forgotten except by us film buffs who treasure him. So if you wish to be entranced by the acting skills of a master, see this film. You won't regret it!

London, 1874. The old man sits in the great office, endlessly plotting & planning, benevolently scheming for the good of Queen & Empire. Although not too busy to further the romance of two young persons he loves, he puts all his talents & force of will into keeping Russia from dominating Asia & British India. This can only be achieved by thwarting a wily female spy & secretly purchasing control over the Suez Canal from the corrupt Egyptian khedive. Will he fail & suffer political disaster, or triumph & forever make famous the name of Prime Minister Benjamin DISRAELI?Reveling in his most famous film role, George Arliss gives an Oscar-winning acting lesson. Endlessly fascinating to watch, his every twitch of eyebrow or turn of hand is capable of great humor or emotion. He becomes Disraeli, inhabits the fellow, and presents him before our eyes. It's a shame that Mr. Arliss has become obscure & almost forgotten to modern movie fans. It is their loss.Although George Arliss is the main reason to watch any George Arliss film, he is given good support here from Florence Arliss, his real-life wife, playing Disraeli's wife Mary. Also appearing are Doris Lloyd as Mrs. Travers, the convivial spy; Joan Bennett & Anthony Bushell as the two young lovers; and Ivan F. Simpson as a Jewish financier.If the production appears rather stiff & stagy, it must be remembered that this is a very early talkie, and that directors & performers were still adapting to the demands & restrictions imposed upon them by that new tyrant, the microphone. Just keep your attention on Arliss - his acting skills transcend the limitations.It must be mentioned that the film distorts historical reality in two very significant areas. Opening in 1874, it portrays Disraeli as a very happily married man with a loving, elderly wife. The marriage had indeed been an outstanding one, but Mary had died of cancer in 1872. Also, financier Hugh Myers, who bankrolls the Suez scheme, is fictional. It was the Rothschild family who came to Disraeli's aid.