Filmed in London, this is a story about the possibilities of a terrorist group detonating a "dirty bomb" in a major city. As the film goes on to show, the politicians responsible for showing leadership when it comes to planning for such a disaster have other concerns which seem more immediate and important to them. As a result, quite often funding for disaster preparedness takes a backseat to more pressing issues of the day. The acting was pretty good all around but I especially liked Koel Purie who played a detective named "Sameena Habibullah" who seemed to give the movie more depth as the Arabic interpreter. Even so, while the movie definitely had its share of suspense, I thought it released the tension too soon and as a result it was a bit unsatisfying in that regard. Still, it's a decent movie all the same and I think most people will enjoy it. Accordingly, I rate it as slightly above average.

Dirty War is absolutely one of the best political, government, and well written T.V. Drama's in the 25 years.The acting is superb, the writing is spectacular.Diry War reveals the true side of why we are not ready to respond to a Nuclear, Biological, and Radiological Terrorist Attack here on American soil.Dirty War should be made into a major motion picture - It's that good! I highly recommend this great drama to everyone who desire to know the truth.This T.V. drama reveals how British Intelligence (MI5 & MI6) attempt to expose a terrorist plot and conspiracy to destroy innocent victims -because of England's involvement in the Iraq War.The scenes of different parts of London, England are also spectacular.Dirty War is a must see!!!

The BBC and HBO teamed up to create "Dirty War", a 90 minute TV movie about a terrorist "dirty bomb" attack in London. The film gets down to business quickly as it packs both the terrorist and the government anti-terrorist efforts into the film leaving little room for human interest subplots. On the terrorist side we follow the bomb from the smuggling of radioactive materials to assembly to deployment to detonation. On the government side we see PR and training exercises, intelligence gathering and analysis, interdiction, post-detonation response, and follow up. The film also imparts a sense of how Al-Qa'ida type terrorist cells are organized, the radical Islamic terrorist mentality, and terrorist strategies. A sort of anatomy of a "dirty bomb" incident, "Dirty War" will answer many questions lurking in the minds of a public becoming ever more aware of this insidious threat. (B)

Anyone remember the docudrama THREADS ? It's a drama documentary which shocked Britain in September 1984 . Whilst not exactly wholly entertained by Mick Jackson's nuclear holocaust horror film I could respect it . Unfortunately I can't respect this docudrama broadcast 20 years later which deals with terrorists letting off a radioactive dirty bomb in the centre of London The problem I have with it is that director Daniel Percival production values are far too good when in fact this would have benefited from rather cheap production values . The cinematography is superb but in this type of speculative drama do we need superb and well lit Oscar standard cinematography ? What we certainly don't need is a musical score as the survivors of the blast slowly stagger out of the smoke . Neither do we need vaguely well known cast members . Did anyone else sit there asking themselves " Hey what was he in ? I know that face " several times ? I know I did and it's very distracting . Perhaps the biggest production flaw with DIRTY WAR is that someone decided to make it a docudrama with too much stylistic emphasis on the drama . In THREADS the action cuts away from the action in Sheffield umpteen times and becomes an edition of HORIZON on the effects of nuclear war before cutting back to the fictional protagonists again and THREADS is very effective because of this . Here the information presented suffocates the drama which drowns in expositional and totally unconvincing dialogue . The characters in the teleplay aren't really characters they're just cyphers there to inform the audience what happens when radioactive material is exploded . It would have been better for the action to cut to captions to convey this type of information ala THREADS . The worse thing is that director Daniel Percival used the same technique as seen in THREADS a couple of years ago with his docudrama about smallpox . He should have used the same style with DIRTY WARI should also lay my cards on the table and state that while I don't consider most Muslims are terrorists I am getting slightly fed up of TV productions like THE HAMBURG CELL , THE GRID and DIRTY WAR having to point out this fact to me by whalloping me over the head with it which is somewhat typical of patronising PC attitudes in TV companies nowadaysI managed to miss the studio debate that Bob mentions here but I have also heard it discussed elsewhere and I can't help thinking it makes better viewing than DIRTY WAR itself with its heated arguments between differing factions of the political spectrum . If DIRTY WAR is remembered twenty years from now ( Highly unlikely I know ) it may well be remembered for the discussion it caused more than anything