Dinner with Friends
Dinner with Friends
| 11 August 2001 (USA)
Dinner with Friends Trailers

A husband and wife reevaluate their marriage after their closest friends, another couple decide to split up after twelve years.

Reviews
Syl

Donald Margulies' play, "Dinner with Friends," was adapted and filmed for HBO in 2001. The story of two middle aged couples played by well-known actors (Dennis Quaid and Greg Kinnear) and actresses (Andie MacDowell and Toni Collette). I didn't see the stage play before. The film doesn't make me want to see it much more. The two couples experience a change when one couple splits up after twelve years of marriage and two kids later. The actors and actresses do a fine job and even the scenes in Martha's Vineyard helped enhance the romance. The subject of marriage and divorce is the main subject of the film and relationships with others. Donald Margulies does a fine job in actual writing as being realistic and believable The film is an overall satisfactory drama where couples and friends bicker. One couple (Quaid/MacDowell) appear all but perfect while (Kinnear/Collette) are falling apart. How do you pick up the pieces in the aftermath? How do you go on?

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Sklanskyjr

After having seen this movie about four times I have to say that this movie is a biting look into the life of 4 friends that may make you uncomfortable, or hit you right where it hurts. Quaid and MacDowell and Kinnear and Collette are two married couples who have been friends, shared lives, stories and the raising of their families for 12 years. Collette drops the bomb, alone, on Quaid and MacDowell, that Kinnear is leaving her. The movie unravels the friendships by exposing that neither Quaid or MacDowell like Kinnear and Collette very much,individually, after their secrets and lies are exposed. I think true friends overcome, and real friends fall by the wayside, as in this movie.Great acting, dialog, direction, etc..But a intense, deeply emotional film that may cause you to look at your friends and your spouse differently. And ask the question: Could it all fall apart?

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jotix100

Having seen Donald Margulies' play when it opened in New York, I was interested in what Norman Jewison, the director, had done with it for the screen version. It helps that Mr. Margulies did his own adaptation, although, it appears to this viewer, the stage version was more satisfying. Not that there's anything wrong with the film, it's just that the cast in the play was far superior than these well intentioned actors we see in the movie. Mr. Margulies has tried to open his play, but it just doesn't go anywhere.The basic premise, and a caveat to good friends, is to stay away from "fixing up" prospective marriage partners, as things in life are a bit more complicated than a good ending in a book, a play, a movie, or human relations. Karen and Gabe are happily married. They conjure to arrange a meeting with Beth, a painter, and Tom, a lawyer. Basically, the idea of having mutual friends meet one another, might not be bad, but in reality things should be let alone and let nature takes its course. The bright idea back fires on Karen, who, upon hearing at the beginning of the film that her best friend, Beth, is divorcing Tom, is visibly upset. She feels betrayed by these two people she was instrumental in bringing together.It's hard for both, Gabe and Karen, to think where they went wrong in their match making roles. They never take into consideration that Beth is totally wrong for Tom, and vice versa. The problem is that this couple don't think that Beth and Tom have found new partners in what appears to be a much solid relationships than what they had together. Karen and Gabe are crushed, but in reality, not everything is perfect in their own marriage. We get hints that yes, they are not completely happy, but they have decided to stay in the marriage out of decency and out of duty to their two boys, which is what Beth and Tom have failed to do. Call them old fashioned, but one has to give Karen and Gabe a lot of credit for at least trying to stay together as a family.Andie MacDowell is Karen; she is a beautiful woman. In the movie, Ms. MacDowell appears a bit distant. She loved to bring people together and resents their friends separation. Ms. MacDowell's Karen comes across as a hard and judgmental person. Dennis Quaid tries hard to give Gabe warmth. Perhaps he comes across as the best of the four principals. Toni Collette's Beth is an enigma until her confrontation with Karen at the restaurant, then, we see a woman that is not shy in telling her best friend off as she embarks in a new relationship. Greg Kinnear is Tom. He is perhaps the weakest link in the quartet, as he is perhaps, not treated fairly by Karen, or Gabe.The movie remains a bit theatrical, but Norman Jewison has done wonders with the material.

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Dan

I haven't seen a movie this talky since "My Dinner with Andre." There the similarity between the two movies ends, though, because the dialogue in this movie is stilted, banal, predictable, and most of all, deadly dull. I don't think that either McDowell or Quaid were up to these roles; though I don't think the best actors imaginable could have breathed a lot of life into them. But these two come off almost as automatons, shifting emotional gears right on cue, just the way you expect them to. Like it's...it's...you know what it reminded me of? Tim Allen and Patricia Richardson in one of their "serious" moments in "Home Improvement." "OK, first 13 seconds of anger, then 22 seconds of self-defense, then a quick joke, 18 seconds of resolution, another joke, a hug, a kiss, and...CUT! And that's a wrap." I can only be glad that Quaid and McDowell don't talk to an avuncular next-door neighbor over a fence.Clearly we're supposed to see the friends who are split up as the outwardly "perfect" people, charming, good-looking, bragging about the great sex with their new partners, rich, insisting that they're happy, but clearly we're supposed to identify with McDowell and Quaid, the introspective, homey couple who wonder if the fires have gone cold, but see, it's the very wondering that proves the fires *haven't* gone cold. I think.And after all of the wrangling and the wrenching revelations and the anguished talk and the furrowed brows and the bitten lower lips, the whole thing is resolved by Quaid climbing on top of McDowell and the lights go out. All they needed was a little old-fashioned, introspective, homey sex. Not the wild, exotic, enjoyable kind, just the dull routine kind. In the picture-perfect bed in the picture-perfect bedroom of their picture-perfect cottage in picture-perfect Martha's Vineyard, with their picture-perfect sons asleep and all's well with the world. What seemed like acute marital appendicitis proved to be just a bit of gas.Burp.

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