Dinner Rush
Dinner Rush
R | 01 September 2000 (USA)
Dinner Rush Trailers

One unlucky evening, Louis Cropa, a part-time bookmaker, discovers that his restaurant has become a hotbed of conflicting characters. In addition to having to please a whiny food critic, Louis must fend off a hostile takeover from a pair of gangsters, to whom his sous-chef is in debt. Further, Louis has an argument with his son, the star chef, whose culinary creativity has brought success to the business.

Reviews
betty dalton

"Dinner Rush" stars Danny Aiello as the lead character who plays a lauded chef close to retirement. He doesnt want to pass on his restaurant to his son however, and for the biggest part the movie focusses on this father/son theme. The other theme comes with a "warning:" eat before you start watching this movie, because the other theme of this movie is the love for food. This movie WILL make you yearn for food, so unless you wanna pause the movie halfway through, I strongly suggest you eat beforehand or have food ready while watching it.Nowadays you get bombarded with tv series about food, but back in 2000 this media food hype was just starting to devellop. This movie whizzes through the kitchen as if the camera was one of the chefs. The frenetic energy, the shouting, the praise and whining of the snobistic clientele, everything that comes along running a high powered famous kitchen is being filmed excellently.Acting is paramount in any picture, but who better then Danny Aiello could perform the portrait of a wise old chef! This actor is to die for. The director seems to be in the restaurant business himself so the love for food in "Dinner Rush" didnt come from a stranger.But there is MUCH more to this picture than just another great energetic portrait of an italian top restaurant with a father hesitant to let his son take over the business. The story rather slowly does become a tale with a surprising thrilling climax in the very end. Give this picture some time is my advice. You will be rewarded in the end. To avoid spoilers I wont go into details but let me assure you, that this movie won over my heart by this powerful unexpected emotional climax near the end."...Revenge is a dish, best served cold..."

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Ed-Shullivan

The only negative comment I could make about this superbly crafted (and casted) movie gem would be the movie's title DINNER RUSH. If I was the producer I would have re-titled the picture "A TABLE JUST FOR YOU". Why this title name change? Because I actually felt like I was sitting in the New York Tribeca area restaurant named Gigino's. What a fantastic job by Director Bob Giraldi to make everyone feel as if they were actually having a meal at this fine Italian eatery. (Apparently Bob Giraldi actually owns the restaurant where the film was shot.) So what makes this movie rate a 9 out of 10? Heck, I would have given it a 10 but the only thing Giraldi could not pull off was to provide me with just one of the hundreds of beautiful meals prepared throughout the movie. I could almost smell and taste the authenticity of the food all the cooks were preparing in the kitchen. mmmmmmmmAs for the acting I can't say enough about this all star cast. Danny Aiello, a personal thank you for bringing the character of Louis Cropa to life. As the owner of Gigino's, Louis Cropa loses his business partner early in the movie as a result of a cold blooded murder. Thus setting the stage for the criminal element to demand a table at Gigino's with the intent to extort a big piece of the ownership away from Louis Cropa the sole survivor owner.Also wonderfully cast as Louis's son and his head chef Udo, is Edoardo Ballerini. Controversy and tension between father and son plays out due to the head chef's menu choices. Udo prefers to wow his dinner guests with flare and presentation whereas Udo's father Louis recognizes the traditional fare of tomato sauce and meatballs which made his restaurant a mainstay in the Tribeca area. Also coming between Udo and his father Louis, is the Sous Chef named Duncan, who is a habitual gambler, played to perfection by Kirk Acevedo. His performance stands out because of the challenges he faces between mentoring some of the new chefs, preparing the fabulous meals he is known for, his relationship with the hostess who he loves, and the demons that keep him gambling well above his means to pay his debt to the gangsters who are sitting upstairs waiting to devour more than just their freebie nine course dinner.There are so many great characters in this film, too many to mention. The ending of the film is one of the best I have seen. I would hate it if someone spoiled it for me so suffice to say the ending "is a dessert best served cold." This movie rates a 9 out of 10, but if Giraldi brings me a meal, I will give it a 10. Bon appetite! Enjoy!

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blanche-2

"Dinner Rush" is a 2000 film starring Danny Aiello, Edoardo Ballerini, John Corbett, Polly Draper, Kirk Acevedo, and Sandra Bernhard, directed by Bob Giraldi, and written by Rick Shaughnessy and Brian Kalata.The story concerns a very trendy Soho restaurant owned by Louis Cropa; his son Udo (Ballerini) is the popular chef, who makes nouvelle cuisine with an Italian slant. The place is packed to the rafters every night, though Louis doesn't really approve of these dishes, which are not straight down the line Italian. Udo wants to take over the restaurant but so far, his father is resistant.We learn the history of the place early on -- Louis and his partner were low-level bookies using the restaurant as a front, and when some thugs from Queens wanted a partnership in the restaurant, Louis' partner refused them and is later killed on the street. Louis no longer takes bets and has turned legitimate. However, he can't control Duncan (Acevedo), who works at the restaurant and is a compulsive gambler, now into these same guys for $13,000. On this particular night, the queens thugs come into the restaurant on the invitation of Louis; but he has also invited a police detective (Walt MacPherson) and his wife to be his guests for dinner.What makes this film is the atmosphere, a very typical one for an upscale restaurant with repeat, high profile clientèle. The wait staff is incredibly gracious to some very demanding customers, and there are many perks if you had to wait too long in line or if the boss knows you.The kitchen, however, is like the wild west, with all kinds of screaming and throwing things, and Udo losing his temper. It's all absolutely perfect and really makes you feel as if you're there.The performances are excellent, from Aiello's underplayed, honest performance, to John Corbett relaxing at the bar and talking to a woman there to meet someone who doesn't show, to Ballerini's intense, artistic Udo, proud of his accomplishments, and finally to Aceveda's messed up Duncan, working and trying to listen to a race at the same time, realizing it's another bad bet, and meeting his girlfriend for stolen moments on the fire escape.The end of the film, though I expected some of it, changes the atmosphere drastically in seconds.Truly fantastic film that took me through something I experienced many times while living in New York. Highly recommended.

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claes-bertilson

This is really a hidden gem that should have had a major impact at the cinemas everywhere. It truly is a loss to anyone who misses it.The characters are charming, obnoxious, familiar, unexpected and with a great many stereotypes this offers a fascinating mix played out at a weird and wonderful pace that switches easily between relaxed and frantic. The character gallery on its own is reason to see this film but the various tracks of the story offers added value not seen as comfortably intertwined in other films for many years. The stories are steered by an amazing screenplay based on non-stop dialogue that places you right at the centre of affairs, or indeed inside the restaurant where 90% of the film is set.If you enjoy the witty repartee of Smoke or Clerks (although nowhere near as vulgar) then you must see this film.Danny Aiello is brilliant, so are the majority of the not so well known cast and the supporting role of John Corbett offers a new perspective on an otherwise strong stereotype, almost worth the ticket price itself.

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