Deceiver
Deceiver
R | 30 January 1998 (USA)
Deceiver Trailers

The gruesome death of a prostitute brings suspicion on one of her clients, James Wayland, a brilliant, self-destructive and epileptic heir to a textile fortune. So detectives Braxton and Kennesaw take Wayland in for questioning, thinking they can break the man. But despite his troubles, Wayland is a master of manipulation, and during the interrogation, he begins to turn the tables on the investigators, forcing them to reveal their own sinister sides.

Reviews
donaldking

This has hints of Abel Ferrara about it (esp. the welcome appearance of the late and lamented Chris Penn from Ferrara's 'The Funeral.') I've seen this twice now, and am still not quite sure who really murdered Elizabeth. It doesn't really matter, I suppose, but there's a sense here in which style predominates a bit too strongly over substance. Michael Rooker & Tim Roth overact a bit - so the steadying presence of Chris Penn is helpful here. I'd liked to have known more about Roth's upbringing and so forth than we're granted. The scenes of him with his parents & friends are some of the best - all that baloney with lie detectors in dimly lit rooms becomes a bit dreary after a while.Nice to see 1) Michael Parks (one of the nastiest villains in Twin Peaks) - here confirming one's idea that psychiatrists and psychologists are easily more strange and conflicted than their patients, and 2) Mark Damon - most famous in American cinema from Roger Corman's Fall of the House of Usher way back in 1960! Worth an outing if you should ever get bored with the Pittsburgh Penguins, but hardly worth all the effort you need to expend in an attempt to 'work out the story.' (By the way, are all American police really like this?)

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Vincent

This film has a very simple story, a murder is committed with only one suspect and the police are using a lie detector to try and prove he did it. The film is interesting mainly due to the performance of Roth as the suspect who is determined to prove his innocence, whether true or not, by whatever means necessary.This is a dark and smart film with both Roth and Rooker giving excellent performances. The pace is quick with tense interrogations being broken up by flashbacks and background showing a little of the problems faced by each character.The ending is a little off, it is too convenient and not as good as the rest of the writing. A good if flawed film.

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Straightforward

I love a movie that will capture me from the beginning and never let go. This movie was like that for me. This is the movie that made me a fan of TIM ROTH. He is fascinating to watch, and the character he plays is fascinating to watch.The movie goes into the psychology of each of the lead players, and I found myself collecting ever more answers -- with always a few more questions with each answer.It's not one of those kinds of films that tries to make sure you know the answer to anything -- yet lets you see most everything -- and still find yourself wondering. It's got little action, yet is continually stimulating and thought-provoking, interesting and fun to watch.I've seen this movie more than once and it's one of those rare films I know I will enjoy watching again and again -- and I think that every time I watch it I have new answers -- and new questions. Anyone interested in psychology will love this film. The acting are all excellent, the cinematography wonderfully mood-setting, the direction superb. I gave it 10 stars.

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Philip Van der Veken

It isn't too hard to understand why this movie wasn't a great success at the box office. Most people expect to see an average Hollywood version of a cop movie and they will be very disappointed when seeing this one. No, it isn't about the good cop chasing the bad guys, making a beautiful little hole in the forehead of everyone that doesn't obey the law. This movie is much more subtle and probably a lot harder to understand for a lot of people.In fact, the whole movie is created around only three actors. But not just three actors, we are talking about Chris Penn, Tim Roth and Michael Rooker, who all did an excellent job. Trust me, never have I been more fascinated by three men in a darkened room, pushing each other to their mental and physical limits.This is how the story goes: A prostitute has been murdered and there is one suspect. He's an extremely intelligent, epileptic alcoholic who is able to deceive everybody, even the polygraph. His investigators try to make him confess the murder by playing little mind games, only to see that he outsmarts them time after time.The dialogs are fascinating, the use of flashbacks very interesting. Add some tense interrogation scenes with a lot of psychological war fare and a huge plot twist at the end of the movie and you know you have something special. I guess those psychological games will not be understood by everybody, but you'll love it if you are intelligent enough to understand them. I know I did and I give this movie an 8/10.

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