There is a reason why people love Spaghetti Westerns. Most of the time, the movies that came out of this era were a little bit more realistic then its American counterpart, in the way, the films are made. Most of the men have sun-scorched, dirty, sweaty, unshaven faces clothes in these films as it look like what an violent, anarchic wild west settling would look like. It doesn't look like the typical Hollywood movies at the time with clean-shaven, clean clothes, romantic boy-scout good guys VS evil guys. Most of the characters in a Spaghetti Western would probably have a shade of grey to their character. If you're a fan of Spaghetti Westerns like me, then this movie is a must-watch and it's pretty watchable. Death Rides a Horse is a very interesting movie, as it somewhat become more popular due to another way popular film call Kill Bill (2003). There are several influences from and reference of Death Rides a Horse in Quentin Tarantino's movie. Some good examples are this, both stories are really similar. The story of Death Rides a Horse, is about Bill Meceita, (John Phillip Law), a man who as a child, witnesses the slaughter of his family, is now a young adult bend to sets out to track down the outlaws that kill his family from the clues he remembers from that night. Whenever, Bill encounters one of the bandits that kill his family. The footage of the bandit attacking one of his family member in the past, is superimposed over Bill's face showing anger and memory. The same thing happens in Kill Bill whenever the Bride confronted one of the Deadly Vipers in that film. The scene where the young boy, Bill watches his family being killed off, in-part is reenacted in the animated scene of Kill Bill with a few changes like skull necklace is depicted as a skull ring, worn by the man who kills O-Ren's father. The theme song by Spaghetti Western legend Ennio Morricone is even use in Kill Bill when it relates to the relationship to the Bride character and O-Ren character. It's seem like they have a connection to each other. While, Bill search each member of the gang, Ryan (Lee Van Cleef), just got released from prison, is on the same trail like Bill to search for those bandits that has robbed and double-crossed him. What starts as a rivalry turns into a deadly cooperation, and the discovery of their linked pasts, and both hunters find himself having more in common, then they want to know. Like, Ryan and Bill; both Kill Bill and Death rides a horse has similar things to each other, and find themselves more in common, then it does seems to be. Directed by Giulio Petroni, Death rides a Horse has lapsed into the public domain and can be found anywhere from Youtube, libraries to DVDs. It's not too hard to find like the other Spaghetti Westerns due to its new found popularity with cult followers. Just be warn, that like other westerns of the time, the title of the film might be different depending where you live, as it had to be copy and translate back into English speaker language. Other names that this movie goes under is Viva Django, Man to Man or Two Deadliest Guns Alive. The original name for the film was 'Duel in the Wind', but Lee Van Cleef came up with the Italian title while discussing the movie with co-star, John Phillip Law who thought of the movie as a 'man to man' story by Luciano Vincenzoni. Hints why it's sometimes call 'Man to Man', but the title was subsequently retitled to 'Death Rides a Horse' to the English market. The English dubbing is pretty awful, as you can see people still talking in German or Italian in the background. Worth noting, the movie is a bit lengthy, but if you get the Italian version, it runs six minutes longer than the complete English assembly. There seem to be some scenes cut in the English version like when the Sheriff talks about Betsy. We never see Betsy in the English version of the film. The movie is far from perfect, as it has a clutter of clichés such as the one kill shots, and a high death count: 49 if you're counting. Why do some shooting victims have to do a little dance when they are dying? It just takes away from the realistic of the film. The intro was forgettable, and there were some bit boring parts toward the middle of the film, but it get better toward the end. I do like the sandstorm/ fort showdown, even if parts of it was a bit silly with identical shoots use multiply times. I don't know, why the villains took so long to attack them after retaking the fort. There were a few other problems, I notice as the movie scenes cut from day to night, back to day, and back to night. A good example of this is when Ryan is dumped by the bandits after the night of the robbery on the road to be captured by the Sheriff. Then the scene cuts back to the night of the robbery. What is going on here? I have to say that John Phillip Law's acting is mediocre. It kinda sank the picture in my opinion whenever they did a close up on his face and he reads his line out like a cardboard cut out. I do have to say, I did like the 'Revenge serve cold' speech between Ryan and Bill. Lee Van Cleef really made the film stand out. Overall: good movie at the time, and a lot better than some of the other films, I have saw. It's still have a few mistakes that hurt the film. This is truly a movie about revenge, and there is nothing sweet about it.

After Lee Van Cleef scored in the Clint Eastwood spaghetti western films and after years of support he became a star on his own. Not exactly leading man material, Van Cleef became a kind of lower case Lee Marvin for the rest of his career. His first starring vehicle was Death Rides A Horse where he plays an old outlaw who has a score to settle with an outlaw gang that betrayed him.Also having a score to settle is young John Phillip Law who as a child saw the same band murder his parents and sister. One of the outlaws feeling sorry for him, carried him from a burning building. This is hardly an original plot and has been done in American and spaghetti westerns a Gazillion times best known as the storyline in Once Upon A Time In The West. Still veteran westerner Van Cleef and Law carry it off with aplomb.I'm not a big fan of spaghetti westerns, but this one is all right.

Two Italian guys who once made some good movies about a guy who stands around and sometimes shoots people decide that they are going to do another movie about a guy who stands around and sometimes shoots people.For the guy who stands around and sometimes shoots people they selected John Law. My understanding of this decision is that they saved money by hiring a model since he wasn't going to be acting anyway.So the guy who stands around and sometimes shoots people decides that the next people he shoots are going to be other guys who shoot people.To help him out he finds another guy who stands around and sometimes shoots people. The Italian guys cast Van Cleef in that role, because he built a career out of standing around and sometimes shooting people. Plus he's bald, which makes it a lot easier to tell which guy standing around and sometimes shooting people is which.The Italian guys decide that the plot is going to be the same basic plot as their big hit -- but they put a big twist in it. Oh, my.The twist is that Van Cleef isn't the Bad. This time, he is the Ugly.He lives up to it.Oh, and the guns sound just like the guns in the Italian guys hit movie. You know, the one with the plot and the good actor.

This movie started off with a great opening scene with a bad storm and a family who gets slaughtered this is typical for SW movies a revenge for a slaughtered family theme. I liked how it showed four men masked and each man shows the boy some distinguishing feature to help him later in life identify each of the culprits with the exception of one who loses the bandanna around his face and is an easy spot. Another man comes in and saves the boy from the fire. Its a great western of two men who both have a score to settle with the same men. It is director Guilio Petroni's best western by most critics, I have yet to see his Night of the Serpent which is told to be a great second of his work. Lee Van Cleef gives a great performance in this one and the famous Ennio Morricone gives another brilliant score. I actually always have enjoyed the villain roles of Anthony Dawson and he is good in this one as well.