As said in my recent view for 'Vice Squad' (to me a very enjoyable film while not making me jumping out of my chair), if one looks at my other reviews, one would be very much forgiven if they thought that 'Deadly Force' wouldn't be my style or something that would typically be watched by me.Once again, as said, actually my taste aims to be very diverse in film and television alike, spanning all genres and decades with a wide interest in actors, actresses and directors with no bias intended. There is certainly no bias against action crime/drama, there are some great films out there as well as some bad ones. 'Deadly Force', which was seen by me in the first place for Wings Hauser after such an amazing performance as one of the nastiest pieces of work in film in 'Vice Squad', is more a mediocre example than a bad one. It has its moments but its relative obscurity is understandable.Starting off with the good things, Hauser while nowhere near as good as he is in 'Vice Squad' acquits himself well, he is very charismatic and gives his all. It is not his fault at all that his character here is not very interesting and is rather obnoxious, the blame lies squarely on the writing. The acting is mostly not very good, but two of the better performances come from Al Ruscio and Paul Shenar who also do a decent job making the most of their characters.'Deadly Force' starts off reasonably well and is slick visually, although it does look a little too much like a made for television production. The rat roulette stuff is interesting.Unfortunately, the rest of the cast don't make much of an impression. Joyce Ingalls is bland in a role that didn't strike me as particularly necessary with scenes felt like padding. On the other side of the acting spectrum, there is the very annoying Leon Kilpatrick in a role that is little more than a stock character spouting the oldest clichés in the book and the less said about Estelle Getty's truly bizarre cameo the better. The characters are not very interesting, ranging from the annoying (Stoney and Otto) and very sketchy (the villain/killer, and when one says sketchy they mean really sketchy).The story is also a big issue. It's both overly simplistic and confused, while there is a lot of padding (especially the whole subplot with Stoney and Eddie which could have been cut out entirely because very little really is done with it and it was essentially padding) and the second half especially drags in a film that just doesn't have anywhere near enough content for the running time and often things happen far too conveniently. There is a lot of violence and action, but some of it is gratuitous and never that exciting or tense. It also comes at the expense of story and character development, while the climax is incredibly ordinary.Editing can be chaotic and the direction is pretty sloppy. The dialogue is laughably cheesy, enough to probably not hold up that well in the 80s even. The music score just doesn't gel, constantly sounding like it was intended for another project entirely, and takes one out of the film, not even passing as a good score on its own because it sounds pretty cheap.On the whole, has its moments and there are certainly far worse films that have more exposure but the film's title is not an appropriate one for one that lacks force. 4/10 Bethany Cox

What we have here is a typical run-of-the-mill eighties crime/action/thriller from the somewhat lower budget regions. The plot involves a (very active) serial killer running amok in L.A. One of the apparently random victims, being killed at the very start of the movie, is the granddaughter of an ex-thief. Granddaddy then calls in the help of Stoney Jackson Cooper (Wings Hauser), a former hard-boiled cop from the L.A. police force who doesn't like playing by the rules. When he arrives in L.A., the authorities, local criminals as well as his (soon-to-be) ex-wife are not too happy with his return. But Stoney doesn't care. He's got a job to do and a promise to keep: track down the vile killer and put a stop to his activities.The story bounces to the left & the right at an uneven pace, but still manages to be quite coherent and even turn in a twist at the start of the third act (albeit one you'll probably see coming). Wings Hauser is in top shape in this one and pretty much owns the movie. One scene has him relaxing in a bath tub, and then going after the killer butt-naked after the whole loft has been shot to pieces during the killer's surprise attack. Even a pretty decent but obviously very standard climax is added to the mix (Wings vs. the killer, after his true identity is exposed). Other forms of entertainment, aside from shooting & killing, are included also, like a soft-core sex-scene (Wings & Joyce Ingalls) and an obligatory car crash/explosion. Yes, "Deadly Force" does its best to play it right.Sadly, one of the worst aspects of "Deadly Force" is the musical score. The main theme - if you can call it that - doesn't work at all. It's too rocky & funky and is used too often & inappropriately (even during the climactic fight & chase scene at the end). It gives the film a much sillier & dated vibe than it should have. A more gritty & tense analog synth score would have worked wonders, I'm sure. But in the end, "Deadly Force" is much more entertaining than it's poor rating on here would lead you to believe. And it's mainly thanks to Wings Hauser and a typical B-movie script that at least tries to make things work.

Don't listen to the IMDb philistines who knock this film. This is quite possibly the best movie ever made. Former soap hunk Wings Hauser stars a no-nonsense retired NY cop thrown into L.A.'s seedy crime underworld on the desperate heels of a crazed serial killer. A fist-full of cinematic fury all the way to its bitter, inevitable conclusion, "Deadly Force" offers uncompromising acting talents, a blistering soundtrack and a directorial style primarily inspired by French New Wave and Italian Neo-Realism. This film brilliantly explores the philosophical paradox of what it's like when the "hunter becomes the hunted." A must see.

This is Wings Hauser's follow-up to his star making role in VICE SQUAD (1982) but with him playing the cop this time. Ex-cop Stoney Cooper (Hauser) returns to L.A. to track down the X Killer, whose latest victim was an old friend's granddaughter. Immediately upon his arrival Stoney runs afoul of his old enemies - cops and killers alike - and his ex-wife. The plot is a bit convoluted and full of convenience but the film moves at such a quick pace you hardly have time to contemplate things. Hauser exudes on screen charisma (the opening cliché bit where he disarms someone in a standoff is really good) and it is a shame he never got any further in theatrical vehicles. Surprisingly, not a lot of the supporting actors are well known. Lincoln Kilpatrick does show up as the angry police Captain and Estelle Getty has a bizarre 5 minute cameo as a foul mouthed cabbie.