From Noboru Iguchi, director of F for Fart in The ABCs Of Death segment, you probably have an idea now what you are in for. This film is as cheesy as hell in the most entertaining way and experience you will ever have in watching a (chessy) movie. The GORE here is sickly creative and twisted in the style of Japanese perverse culture and are very bloody, yet not so realistic most of the time. The SCARE here is probably seeing some of the comedic performances that is so absurd, well-acted, and twisted that makes me feel like throwing up in some scenes. I did burst out in tears twice from laughing though. Overall, Dead Sushi is a very funny over the top cheesy horror/comedy film that gets crazier and make less and less sense as it goes and it's well aware of that. So if you are in for a sickly delicious crazy fun time and lots of crazy surprises, then this is a movie that will go beyond all your expectation! >>A-<<

You should know one thing: This is OTT high camp, that only has one goal: To be as crazy as it can be. If you read the outline, you know what you let yourself into. Fun and silly, nothing more and nothing less. We shouldn't talk too much about acting in this movie of course. I think for a comedy of this sorts, it's more than decent. Something you can expect to see in here.If this is the first Japanese over the top movie you're going to watch, you're either in for a treat or you will very soon find out that this isn't your cup of tea (or sake for that matter). Of course I'm not suggesting you should get drunk for this ;o) (though that might be an idea for a sequel .. Dead Sake!)

I have to admit – I am not particularly a fan of outlandish Japanese films. Machine Girl, RoboGeisha… I just don't find them entertaining for anything outside of a quick Youtube clip. Yet, I cannot deny that their cultish popularity. As the audience began amassing inside the theatre for the Toronto After Dark Festival screening of Noboru Igushi's Dead Sushi, the excitement was more palpable than for any other film in the very successful Festival in 2012. Groups of all ages huddled in cliques discussing the wonderful array of colors and absurdity that was about to be presented on screen. And of that, they were well quenched quite satisfyingly.Directed by Noboru Iguchi (the aforementioned Machine Girl and RoboGeisha), Dead Sushi is a not so serious action/horror/comedy about Keikio (Rina Takeda) who runs away from home and takes up residence in a quaint inn renowned for its sushi plates.There a couple of laughs, chuckles and head scratching moments that lead us to a former employee from a Pharmaceutical company who has a serum that turns sushi into human flesh hungry monsters. What happens after the serum is given to the sushi dishes is something that needs to be seen to be un-believed. Sushi zombies (or is it zombie sushi?), flying squid and even thousands of baby sushi that come courtesy of two pieces of sushi engaging in some kind of sexual act are all part of the fun.The audience at the Toronto After Dark Film Festival knew exactly what they were about to revel in and they did so with an unwavering glee. They clapped, cheered and laughed and seemed to be having more fun Frank the Tank at a Kegger. We, well, we were mildly entertained more by the audience reaction than anything else. If the same film was given to us as a screener for home, we are not sure we would have gotten past the first few chapters of the DVD let alone laugh along with the prevailing crowd from credit roll to credit roll.It would be hard for us to recommend this film to anyone that is not already a fan of Noboru Igushi's work. It a packed house, you will surely laugh along with the crowd, but would this be a movie you would pull off the DVD shelf on a rainy day. Maybe. Just not us.www.killerreviews.com

The daughter of a sushi chef, Keiko (Rina Takeda), tries to live up to her father's demanding training in both martial arts and sushi making, but it proves too much for her and she runs away. She finds a job as a waitress at a remote resort hotel that caters to special groups, such as the president and some of his associates running a major pharmaceutical company. Unknown to them, Yamada (Kentaro Simazu), a former researcher at the company who was framed and jailed on trumped-up charges, is living in the area - and he's angry! His research had involved bringing dead things back to life, and he uses his knowledge now to create.... killer sushi! Set loose amongst the guests and workers at the hotel, only Keiko and former sushi chef Mr. Sawada (Shigeru Matsuzaki) have what it takes to fight back, with the help of little dead/alive egg sushi, Eggy, of course....This is one of those highly entertaining, completely nonsensical and over-the-top gory and funny films that the Japanese seem to have a lock on these days; at one point a character says "this has finally reached a point where it makes no sense any longer" and the audience wonders how it managed to take that character so long to come to that conclusion! My favourite line in the film is from disgruntled researcher Yamada who, at one significant moment, states that "I have been reborn as tuna!" An immortal line in anybody's book, I think. What keeps this film from flying all the way apart is its gonzo spirit and absolute commitment to its absurdity, and there are also some excellent martial arts sequences, particularly from Keiko - Rina Takeda is a rising martial arts star, and she was still a teenager when she made this film. Some people might object to the excessive blood-letting, but it's done in such an extreme fashion that it's really just hilarious, not nauseating.If the FantAsia International Film Festival needs a descriptive film to show what it's all about, "Dead Sushi" is perhaps that very film, and it is really only right and proper that it had its World Premiere at this festival. The film was introduced by its director and co-writer Naboru Iguchi, and Ms. Takeda was also on hand to demonstrate some of her martial arts moves live; Mr. Iguchi encouraged the packed auditorium to yell out "danger!" or "sushi!" at appropriate moments, and the FantAsia audience took him up on it with great enthusiasm. Easily my favourite film of FantAsia 2012 so far, and one that I hope gets a wide distribution because it has to be seen (and guffawed at) to be believed!