Day of the Wacko
Day of the Wacko
| 07 June 2002 (USA)
Day of the Wacko Trailers

It is a bitter story about a middle-aged man, who hates his life and other people, including himself. Adam Miauczynski, the character known from director Marek Koterski's previous films, is a 44 year-old teacher, who reads poetry during school lessons and later goes home swearing and calling his neighbours' names. The worst pain for him is the next 5 minutes of living. He doesn't accept himself and even everyday contacts with others cause his aggression. Though constantly dreaming of a romantic love, he is not bold enough to make his dreams come true. The desperate Miauczynski personalizes our own fears and obsessions, which have become so visible recently.

Reviews
evabraunscervix

This movie offers nothing to its audience. The user comments on here paint an overwhelmingly positive picture of this film, but it is worthless. "Day of the Wacko" lacks intelligences and puts no faith in the intelligence of the viewer. Every character in this movie is an exaggerated caricature, especially the main character. This is supposed to be a character study of Adam and his dysfunctions, but there is absolutely nothing to latch onto. His problems are centered on the fact that he has OCD and has to carefully measure his every move, but instead of a detailed, subtle examination of a complex person, we're given a stereotype that falls somewhere between Psych 101 and a cartoon. If this wasn't bad enough, the audience is further insulted by the fact that nearly every moment of this film is filled with Adam's narration that explains his motivations for everything in the most simplified terms. As a novel, the narration would lack subtlety and depth; as a film technique, it's unforgivable. As for the supposed humor, none of it works. Half of the jokes come from awkward and unnecessary vulgarity (and mind you, my favorite director is John Waters), and the other half are intended to stem from the character, only there is no actual character so there are no actual jokes. All the exchanges between Adam and the people he meet are forced and unrealistic. Don't look to this film for insight, entertainment, or social commentary. If you want a shocking satire on modern angst, check out something like Happiness or Man Bites Dog instead.

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Dominika

I personally disagree with the last comment from Vancouver. I myself came to Canada just a few years ago and I feel that the movie Dzien Swira is an interesting and comical take on the serious issue of depression. The fact that the protagonist uses unusual and sometimes unethical ways to deal with his anger and anxiety makes the movie more realistic. When dealing with inner turmoil people do not always make right choices, they often push people away. As viewers watch the movie, they begin to feel a connection to this lonely and depressed man. Maybe the Vancouver viewer really did not understand the "poet's neurotic excretions" as she says, for she misses the main point of the movie, its message. The fact that this man is Polish is just that ..his ethnicity is not the point of the movie but rather his personal struggle. I do not feel that there were so many stereotypes, because as many of us Poles know the writer of this movie plays the son in it. That in itself breaks the mold. Simple minded individuals watch dzien swira and do no analyze it. One must watch and think about why he does he do the things he does. As a polka, I feel this movie is not only very funny but one that leaves the audience thinking K*rwa.

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orbit991

I'm not sure what some get so uptight about nitpicking some small details and missing the whole big picture and the wonderfull moments of the film. I also left Poland as a child in 1979 and one thing I had to live through is bad Hollywood films:P This movie can be crude, but why shouldnt it be. If your life turned out like this you would be extremely unhappy and likelly using rather colorfull words when you reached the boiling point as the main character has. The film is simply art, it had no typical pre-fabricated way of telling the story, it was simply a day in life of an angry man with a life time of regrets and love that he yearned for. It also had some critisisms of Poles in general and I have to agree, sometimes there was to many "me me me" when I have visited insted of "we". I think the prayer at the end summoned it up. Most of all it is a satire, it is taken to extreme in places, thats what satires do, so dont take this to literally, just enjoy and try to understand that it is not you regular moron proof hollywood movie where everything is laid out in front of you and overexplained so the dimmer amongst us dont ask to many questions. To me its one of the best films I have seen in the last ten years, a pleasant surprise.

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yidele

Dzien Swira ( Day of the freak) is Koterski's latest addition to an already impressive portfolio. Like his other semi-autobiographical move titled Nic Smiesznego ( nothing funny), Dzien Swira records the inner dialogue & the prose of a single day in the life of Adam Miauczynski, a character based on M. Koterski. Miauczynski, like Koterski, is an compulsive-obsessive, excentric, bitter & disillusioned individual caught in Poland's post communist reality, a reality as Ill suited to him as the communist one was. One of the reasons why Koterski's work is either loved or intensly disliked by Poles, is the painfully acurate description of polish hell, made all the more vivid by his insistance on showing the trivial & at the same time essential moments of daily life in excruciating detail. life is all the more hell when the damned are aware that life could be different, and this is what makes Miauczynski's suffering all the more real. A number of the scenes are classics, unequalled by any of Koterski's contemporaries, especially the scenes depicting Miauczynski's relationship with his son, the senate, train toilet and street demonstration scenes.It is unfortuante for the western viewer that the context & language of the film make it very difficult to translate adequatly, refering as it does to polish classical literature, contemporary culture and nigh-untranslatable street slang, the contrast being all the more vivid, since Miauczynski is a Polish literature lecturer obsessed with what he percieves to be the decay of the language he loves.If I were to compare Koterski to any western director, it would be to Britain's Mike Leigh. An insane Mike leigh with an infectious sense of humour & a penchant for social commentary.All in all, This is Koterski's finest work to date, perhaps the finest Polish film in the last 5 years. My rating is a solid 8/10

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