More than a bit corny but Lana Turner was exceptional I thought as was Artie Shaw playing himself. No only was that a great band with Buddy Rich on drums but Artie was such a handsome guy and pretty good as an actor as well. A couple of years later he married Lana so she must have noticed him! She certainly bought a fresh beauty to the screen! She also acts very well and brings a sense of realism to the story that would otherwise be lacking. She certainly is impressive.As usual with these films one of the really good reasons for watching it these days is the Artie Shaw band but they don't get a lot of time without having dialogue over them so its hard to realise how well they sound even by 21st century standards. This sort of big band has a wonderful sound and I love it.

Lana Turner is a "Dancing Co-Ed" in this 1939 film also starring Ann Rutherford, Richard Carlson, Arte Shaw and his Orchestra and Monte Woolley. When one-half of the famous movie dancers, the Tobius', announces she's pregnant, the studio is talked into launching a Scarlett O'Hara type search in colleges to find a partner for the couple's next film. In order to make sure they cast the right person, a young actress at the studio, Patty Marlow (Turner) is sent to college with her friend from the studio, Eve Greeley (Ann Rutherford). However, the head of the college newspaper, Pug (Richard Carlson), thinks the contest is rigged. Patty quickly becomes Pug's assistant in uncovering a fix (becomes Holmes never suspected Watson of a crime). A complication arises when the two fall in love.It's hard to understand how people can consider Lana Turner a terrible and wooden actress, though it's possible these critics haven't seen her early films. Talk about a camera loving an actress, and talk about an actress with "star" written all over her beautiful face, Lana was it. Beautiful, fresh, energetic, with a warmth and a sweetness about her, Lana walked away with these early films, including "Slightly Dangerous," "These Glamor Girls" and many others. She did lose some of these qualities as the years went on, sadly, but here, she's wonderful. Ann Rutherford is excellent too, with an expressive, pretty face and a charm all her own. What could have been a routine film is really lifted by these actresses and the supporting cast. Highly recommended as a light '30s film that will leave you with a smile on your face.

Part of the fun in watching DANCING CO-ED is seeing just what a fine line-up of supporting players were available at the time of the studio contract system.For example, here LANA TURNER is given RICHARD CARLSON, ARTIE SHAW, MONTY WOOLLEY, LEON ERROL, ROSCOE KARNS, ANN RUTHERFORD and LEE BOWMAN--all passing the time in a so-so programmer that is livened up by Lana's cheerful presence (and some nice hoofing) while Artie Shaw and His Orchestra provide some musical highlights in 1940s style.The story is formula stuff about the misunderstandings between a showgirl planted at a college so she can win a dance contest taking place there. Despite some amusing situations along the way, nothing can keep an audience from knowing that a happy ending is around the bend.It gives Lana Turner a chance to display her ample charms in some brief and very sexy dancing outfits while at the same time enjoying herself in a refreshing comedy role peppered with some romance. Richard Carlson does nicely as her college boyfriend and Artie Shaw keeps things humming along with some nice big band music.It's strictly by the numbers but Turner's fans will all agree she's quite a knockout here. Turner at the height of her pulchritude was something the camera loved.

A year after they appeared together in "Love Finds Andy Hardy", Lana Turner and Ann Rutherford were paired up in two 1939 films: "These Glamour Girls" and "Dancing Co-Ed". Beyond having a college setting (with Turner playing an outsider) and the same Director (S. Sylvan Simon) there was little similarity between the two films. Although not as ambitious, "Dancing Co-Ed" is a much more entertaining film. It is probably Turner's best performance and is indisputably her most timeless. She gets to show off her dancing and her surprising ability to do comedy. Plus she looks great in a charming girl-next-door way, playing a character that gets to smile a lot (she has a great smile-too bad so few of her roles utilized it). The story revolves around a nationwide hunt to find a new female dance partner for a well-known dancer, a radio program runs a contest to select this partner from aspiring college students. But it is more publicity stunt than actual contest as vaudeville dancer Patty Marlow (Turner) has been pre-selected, she has enrolled in a university just to be technically eligible. Her agent's secretary (Rutherford) enrolls with her to make sure everything runs smoothly. Complications arise when Pug (Richard Carlson), a reporter for the Porcupine (the student newspaper), begins to investigate the legitimacy of the contest. Carlson would became the king of 3D science fiction films in the 1950's. "Dancing Co-Ed" has a lot going for it. Turner and Rutherford have excellent chemistry, their scenes work very well and you really believe that they are friends. It is a slick and funny script. The supporting cast actually has something to add to the production, particularly Monty Woolley as pompous Professor Lang and Leon Errol as Patty's vaudeville father.Artie Shaw and His Orchestra are featured extensively and provide some great swing music. They are even in a parade with a college marching band featuring baton-twirling majorettes (who would have thought they had that kind of stuff way back in 1939).Then again, what do I know? I'm only a child.