Crossworlds
Crossworlds
PG-13 | 03 February 1997 (USA)
Crossworlds Trailers

College good guy Joe is drawn into a battle to save the world from arch-enemy Ferris. Joe's heirloom pendant just happens to be the key to the staff that opens doors to the Crossworlds. When Laura shows up to check on the key and Ferris' goons begin their assaults, they run to semi-retired adventurer A.T. for help and guidance.

Reviews
Leofwine_draca

Yet another indistinguishable sci-fi thriller from the reliable Rutger Hauer, who once again is the best thing in this film which substitutes oodles of action in place of a real script. This is a shame, because the film's plot is quite an interesting and original one, and they just don't make enough films about alternate realities these days. CROSSWORLDS comes off as an empty, wasted opportunity which could have been like THE MATRIX: an intelligent, science fiction thriller with great action, but instead turns out to be another forgettable B-movie with nothing much to distinguish it from many others.The cast is probably a big problem in this film; the majority of them are hopeless. Rutger Hauer once again finds himself typecast as an ageing mentor-type bloke who acts as the film's indestructible hero; opposing him is the British villain Stuart Wilson whose ham just doesn't cut it. Josh Charles (a young, untalented Ted Raimi lookalike) acts as the film's audience, finding himself caught up in the unexplained events; his dim-witted, moaning character soon becomes grating, which is a shame because he dominates every scene. If Charles had been a little bit more heroic instead of acting like an idiot all the time, this film might have been easier to bear.Don't get me started on Andrea Roth's performance of the female lead, either; she's just been put there for the purpose of "eye-candy" and is pretty hopeless. Also appearing is a dwarf sidekick who disintegrates in one of the film's more impressive special effects scenes, while modern cinema goers might get a kick from seeing a pre-fame Jack Black before he went on to bigger (although not necessarily better) things.The script gives our lead characters ample room for situation comedy, which soon becomes boring. It also centres heavily around action and has only a few major plot points to string along. Many things that happen are left unexplained and are confusing. This film's action is also below-average; endless scenes of suited men running around with Uzis are silly in the extreme and make a mockery of the whole film. Also, due to the PG-13 rating in America, there aren't even any on screen deaths or violence to speak of, only of the bizarre computer-generated variety.Which leads me to the special effects, which are as cheap and cheerful as you might expect. Some of them appear to have been stolen from the television series SLIDERS. None of them convince for an instant, as they just look like they've been drawn up on a computer, and they're pretty nondescript too; pretty rings appear on screen, people vanish and appear, and only one scene stands out as impressive: two characters falling from a roof turn into "pixels" about halfway down, which then tinkle down onto the pavement. The one impressive action scene, at the very end, when our hero battles the chief villain across a variety of locations, has also been ripped off from SHOCKER. In all, while CROSSWORLDS isn't the worst film ever made, I for one would certainly give it a miss.

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thecursor2002

Honestly, most B-Movies are terrible. The sudden, sad trend among movie fans to purposefully exalt crap films just for a laugh has become a "lowering of the tone" for snobs such as my self. Is Troll 2 unintentionally hilarious? Yeah. Does that mean it's "Brilliant"? No, it sucks and for many B-Movie fans, the line between satire and reality has been blurred. Face it, the joke is over. The vast majority of the B-films or Direct to DVDers are awful and unwatchable.But every now and then, you find a B-movie that has enough heart and soul to transcend that. Every now and then you see a movie that has enough gumption to spit in the eye of their low budget and no big name. Crossworlds is one of those movies, it shows a panache you don't normally find on late night cable and plays the hand it's dealt.The budget is so low you'd expect the sets to be made of duct tape, the plot is a bit out there, and the names of the characters are out right weird and yet...you find yourself realizing that if this had a bigger budget it would be a hit film. If this had some studio support, a slightly tighter story, and better SFX, it would be a modest box office coup.The film is, dare I say it, rather fun and compared to Transformers or Avatar or some other over indulgent crap masquerading as a blockbuster.In a just world, this film would've been a real movie instead of a cult classic but then again, it probably would've have been as good if had been made at a major studio.

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Drew-82

The description of the movie depicts a series of epic battles across the universe. I wanted a refund - there were no battles and for what there was, the word "epic" was certainly an overstatement. I am a fan of B grade sci-fi flicks but this one doesn't even qualify for a B grade.

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suzdal

A small, low budget (but not B-more like an HBO film) Rutger Hauer film. better than I expected it to be, kind of feels like a pilot, since it's set up for sequels but with a heavy introductory feel. Decent leading characters with Rutger Hauer is his weary mentor role. A lot of fun and I will be looking out for the sequel.

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