Cigarette smoking, though legal, is looked upon as an ugly vice with ugly consequences (lung cancer, premature aging, second-hand smoke, etc.) To make a satire of it takes courage and adult sitcom savant Norman Lear ("All In The Family", its many spin-offs, "Sanford & Son", "One Day At A Time", "Mary Hartman, Mary Hartman") did it in the form of the scatter shot, brilliantly cruel yet honest fable "Cold Turkey". If you know Mr. Lear's work, you know the battlefield. If not, hold on to your seat.P.R. man Mervin Wren (an underhanded Bob Newhart, a bit away from his first sitcom) convinces his mute, feeble, wheelchair-bound employer, Hiram C. Grayson (comic character actor Edward Everett Horton, his last role here), the head of the Valiant Tobacco Company, to do good things, despite being a producer of bad things, a la dynamite and Nobel Prize creator Alfred Nobel. The "capper", as Wren calls it, is to offer $25 million to any US town if its citizens can quit smoking for thirty days. This puts the company's board of directors in a ****-fit, but Wren calms them down with the fact that no group can go "cold turkey" and they approve of the deal.However, they didn't count on the 4,006 citizens of the dying Iowa hamlet, Eagle Rock, taking the challenge. Led by the religiously ambitious yet vain Rev. Clayton Brooks (Dick Van Dyke, miles away from his titular sitcom and "Mary Poppins"), the people go through withdrawal syndrome. The results? Let's say whoever makes straight-jackets will be richer than the tobacco companies.Based on "I'm Giving Them Up For Good", an unpublished novel by Margaret and Neil Rau, "Cold Turkey", like the animated sitcom "The Simpsons" (note the similarities, people), takes no prisoners in its narrative. Corporate greed; political, entertainment and news manipulation; the naiveté, self-exclusion and self-exploitation of small-town America and the military-industrial complex (a colonel promises the installation of a missile factory, after the town gets the money) are targets, and Mr. Lear, who wrote (shared story credit with William Price Fox Jr.) produced, directed this yarn, is an expert marksman (and a World War II vet to boot). With a misanthropic tone, it's understandable that United Artists, the film's distributor, shelved "Turkey" for two years, but it's a crime, due to Mr. Horton's passing.Lear has a nimble cast; some players would later show up in his sitcoms. Mr. Van Dyke (who starred in the Lear-penned "Divorce, American Style") is righteous to save his town but careless with his wife (Pippa Scott) who's silenced by his pomposity while Mr. Newhart performs his signature buttoned-down mind routine with sly dog confidence and doe-eyed dopeyness. Other players include Tom Poston (Mr. Newhart's second sitcom) as a rich, die-hard lush; Barnard Hughes ("The Lost Boys", a recurring role on the aforementioned "Family") as a nicotine-loving sawbones; Jean Stapleton (also of "Family") as the mayor's neurotic wife; Paul Benedict ("The Jeffersons") as an anti-smoking zen Buddhist; Graham Jarvis (the aforementioned "Hartman") as an anti-"Big Government" wing-nut and (my favorite) Judith Lowry (also of "Hartman") as a foul-mouthed, Commie-hating crone. Vintage radio comics Bob Elliot (real and sitcom dad of Chris Elliot of "Get A Life") and Ray Goulding show up as walking parodies of famous newsmen ("Walter Chronic" and "David Chetley" may confuse young viewers, but there's the Internet!!!). Lear himself has a cameo as a crying man, going without a smoke.On the technical side, there's d.p. Charles F. Wheeler, who captures the sweet rural look of Eagle Rock with some helicopter shots and wholesome, rural street shots (predating the opening sequences of Lear's sitcoms) while editor John C. Horger masterfully employs quick-cuts, like Lou Lombardo on "The Wild Bunch", when displaying the slapstick "withdrawl syndrome"gags (i.e. a husband slaps his wife while driving; a dog's kicked (!); a bowler throws himself onto a lane, crashing into some pins, etc). Award-winning composer Randy Newman (the ToyStory films, "Monk") makes his film debut here; the ironic tune that bookends the film, "He Gives Us All His Love" is dead-on funny, sweet and sad. Bottom line (to borrow a line from Mr. Wren): "Cold Turkey" is about how society can be so dumb. The only heroes are the town's youth; "Eagle Rock, where's your head?" one young man chants in a circle of protest as the town becomes a tourist trap and enjoys being one. Like most of society, its' head is in a hole that's rank. The youth are ignored, but, by the end, they have the last laugh. So will you.

This movie isn't at all what I expected. I thought it would be much more predictable, more cartoonish, or childish, like "It's a Mad Mad Mad Mad World." Certainly there's a lot of slapstick, and a lot of the references and jokes are dated - but, for the most part, this movie stands up to the test of time, and is skewering so much more than the tobacco industry: the self-righteous Joel-Osteen-like preacher, the Tea-Party-like Christopher Mott Society, the product tie-ins to the city's stunt, the resulting media circus, the attempts by the town to make money off their stunt, the anti-capitalist protesters (Occupy Eagle Rock?), the armed militia, the corporate villains afraid of the movement, the new age guru… it's all here, just like now. This a darkly hilarious, searing, indictment of misplaced American values, most of which we're still embracing today. If you are going to watch, keep in mind that this is a very visual movie - most of the laughs, and the satire, come from what you are seeing, not what's being said, so you have to watch (no multi-tasking!). It's also a movie worth watching only on a channel that won't cut any of the very adult language. The almost-silent Pippa Scott almost steals the film, IMO - she's brilliant, as is her character. Second comes Judith Lowry as the gun-toting Odie. There's only one thing I don't like about the movie: Bob Newhart. He's more creepy than funny, which I didn't think was possible (I'm a big fan).

Every now and then some naive or scheming corporate executive comes along with such a stupid or outrageous idea to boost sales of a particular product, he believes no one can actually overcome his incredible challenge. Such is the basis for this film called " Cold Turkey." In the spirit of trying to imitate notable figures like Dr. Albert Schweizer or Alfred Nobel, Merwin Wren (Bob Newhart) a Valiant Tobacco executive convinces Hiram C. Grayson (Edward Everett Horton) of a brilliant, though patently ludicrous idea to increase sales, while at the same time appearing philanthropic and noble. His challenge to America is to offer a $25,000 million dollar prize to any city in America which can quit smoking for thirty days. Taking the challenge is a baptist minister (Dick Van Dyke) a Rev. Clayton Brooks, in Little Rock Iowa. Once the town is enrolled in the pledge, the fun begins. What transpires in the following weeks is sheer lunacy for the towns people, the Tobbaco company and the news media. Although the test is one of physical discipline, emotional struggle and civic patriotic commitment, it transforms into one of social upheaval when all involved realize the prize and it's future personal potential. This is a superb achievement in films and noted as Edward Everette Horton's final film. Tom Poston, Vincent Gardenia, Barnard Hughes and Jean Stapleton are simple magnificent. Excellent family fare and easily recommended. ****

Before he changed prime time television forever as the creator of shows like ALL IN THE FAMILY,MAUDE,THE JEFFERSON,GOOD TIMES,and ONE DAY AT A TIME, Norman Lear hit a bullseye as the director and co-writer of COLD TURKEY, a savage black comedy which takes a wicked swipe at the tobacco industry, thanks to a razor sharp screenplay and a first rate comic cast. This dark satire follows what happens when a tobacco company, so secure about the popularity of their product, decides to announce a nationwide contest where they agree to award $25,000,000 to any town where the entire population of the town can quit smoking for 30 days. A small mid western hamlet called Eagle Rock,Iowa decides to take up the challenge, led by the town's energetic minister, Rev. Clayton Brooks (superbly played by Dick Van Dyke). Some citizens are quick to balk at Brooks' challenge because he doesn't smoke and therefore it is no sacrifice to him. Brooks, a former smoker, silences these nay-sayers by agreeing to start smoking again until the contest starts, getting re-addicted and therefore making the same sacrifice he's asking the citizens of Eagle Rock to make. This lays the foundation for some outrageously funny scenes,including Brooks' efforts to get one citizen (Tom Poston) to participate who refuses not to mention how Brooks deals with finding a substitute for smoking after the contest starts. The first rate supporting cast includes Pippa Scott as Mrs. Brooks, Vincent Gardenia as the Mayor, Edward Everett Horton as the head of the Tobacco company, Jean Stapleton as the mayor's wife, and memorable comic bits also contributed by Bob and Ray, Barnard Hughes, Barbara Cason, Graham Jarvis, Judith Lowry, and Paul Benedict. A smart and nearly forgotten comedy classic that still holds up, thanks to the genius that is Norman Lear.