The Booth brothers have had a long career in soft-core porn, but in this stinker, they've branched out into "documentaries" about the paranormal. I put "documentaries" in quotes because usually documentarians at least make some effort to depict real events. I guess stars Keith Age, John Zaffis and Steven LaChance (billed as an "extreme haunting specialist" whatever that is) did actually visit the locations depicted in the film, but that seems to be where the connection to reality ends.There is so much wrong with this film, I'm tempted just to put it in a list. I did, in fact, make a list as I was watching it, and Googled some of the claims made, just to see if it added up. Some of what they said actually was factual, but a large portion of the information presented was simply fabricated. It doesn't start well when the star, paranormal grandstander Keith Age, interviews a woman in a cemetery who seems to be some sort of expert. You'd think she'd dress a little nicer, but hey. Age asks her leading questions about the local orphanage, rather than getting actual information from her. Later, footage from old silent films is shown in such a way that the viewer is led to believe that this is actual footage from these old orphanage. The filmmakers also present the fact that many children died in this orphanage as evidence of some sort of wrongdoing, ignoring the fact that many children died even in loving homes before antibiotics were available. Also, the "unmarked mass graves" Age talks about date to 1918, a year the filmmakers and Age didn't bother to research. It was the year of the flu epidemic that killed millions.Then there's all the footage of various video and audio tricks and effects, done like a goth-metal music video. My particular favorite is that of a Yamaha audio mixer with all the sliders mysteriously zipping down to zero. (the sliders on Yamaha digital mixers do that when you reset them). The bros Booth also need to hire a better script supervisor, because their titles and other text are rife with misspellings ("he 'through' her doll into the fireplace"), odd capitalization and misuse of its/it's ("The US Military occupied the building, where it interrogated 'it's' Nazi POWs."). Which brings me to another point. The Booths play fast and loose with the facts. At the Pythian Castle in St. Louis, a title says POWs were kept there, but Wikipedia and the castle's own web site tell a different story. The army used the castle as an officers' club, and prisoners were kept at a hospital behind the building.Speaking playing fast and loose with facts, one Rosemary Ellen Guiley is interviewed in the film, and introduced as a Ph.D. That's a pretty straightforward piece of information, so I went to her web site. There is no mention of her earning a Ph.D. Seems like a pretty good credential to leave off your bio. To confirm, I went to Dissertation Abstracts, a database that lists pretty much every Ph.D dissertation published in US. No Rosemary Guiley. I found Carl Sagan and Newt Gingrich's dissertations, though! I could go on, but it's really tiring going over all the "evidence" they fabricated. I realize that they may have dramatized some of it for effect, but there really is a lot that's faked, and to me that's fraud. If you don't have adequate evidence, don't make a documentary. Reality is interesting enough with fakery. So, unless you like cheese ball effects, portly paranormal investigators dressed in paramilitary fashion and a lot of misinterpreted BS masquerading as "evidence" steer clear of this turd. It might be worth watching for sheer ridiculous entertainment, though; a "Plan 9 From Outer Space" of paranormal documentaries.

This the highly anticipated follow-up to the Booth Brothers 2006 documentary Spooked: The Ghosts of Waverly Hills Sanatorium. This haunted Indie film is one of the finest that I have seen in many years. And so like its predecessor this film delivers more non-stop chills from the very first frame. Many thought the Booth's could not top Spooked The Ghosts Of Waverly Hills Sanatorium their first paranormal documentary outing, but in truth they have surely surpassed it. Many herald The Booths work as a new breed of great paranormal TV to explore. The Booth's unique camera perspective and fantastic direction, editing and score are part of the haunted magical mind's eye that they possess collectively. It is "The Must See" of all that is haunted! More then just a cut above the rest it sets a new standard that many will find hard to reach. This movie is now what I would call a Paranormal Classic Indie Film!

This "documentary" was very entertaining as well as informative. I loathe the scene recreations rampant in these types of movies/shows, but I suppose it's something one has to live with in order to watch these things. I seriously doubt that some of the footage was 100 percent untouched - but then again - I'm one of the biggest skeptics around. Having said that, parts of the documentary - most especially when they got to the Zombie Road section - gave me the willies and I will admit (shamefully) that I slept with my bedside lamp on that night. Now I am determined to do my own investigation of Zombie Road and I cannot wait (I say as I sit in a well lit & locked house). I'd love to see more of this from these guys!

I have to agree that the credibility of the investigations is sketchy based on how the information was presented. There's just way too much additional "drama" involved. If there was compelling evidence, the added recreations and images of dead people weren't needed. Perhaps they wanted the film to be two hours and needed to add in some time. The fact that John Zaffas was involved, as a credible and experienced demonologist, helps their credibility but I'm not so sure he was any more impressed with the final product than we are. Who knows. I still found many things included to be interesting and some of the evidence impressive so I'd say anyone interested in the subject of the paranormal should still give it a look-see.