Another good picture that have bad reputation by IMDB's users,in my humble opinion because the movie show up so clear who really was Che Guevara by Sy Bartlett and David Kapp,this butcher tried made the same thing in Bolivia but there he wasn't successful with your communist ideas in a peaceful people mostly indians whom not to easy handling for the get the power....so Guevara realize in that country didn't have the same conditions to raise a true revolution,then he begining steal the own people who swore protect....this bloody killer was godlike by the reds as hero and later becames a legend for those who raise a red flag!! Poor people who believe in BUTCHER like that!!!Resume:First watch: 1993 / How many: 2 / Source: TV-DVD / Rating: 7

It is interesting to note that the film was made only the year after his death. I remember when it was issued - there was very much hush-hush about it, and Richard Fleischer would not publicly reveal the sources of many arguable details of the script. The account is convincing enough, and there has been no protests against any untruthfulness. Omar Sharif as Che makes a convincing character of great controversy and self-contradictoriness, while it is possible at the same time to understand him - why he abandoned the Castro regime as a hopeless case of either becoming a puppet of Russia or of America, to try to make an inter-South-American revolution of his own. Of course, it was utterly unrealistic, which he failed to realize, having no detachment but rather an obsession with any revolution at any cost.Jack Palance has been criticized for his almost caricature of Castro, but he has made the best of it, Castro was actually like that, and Palance has studied him carefully.There is nothing wrong with the film as film either. The quality has its flaws, but the direction and cinematic realization is practically flawless.The greatest credit of the film, though, is the unmasking of Che as the tragic megalomaniac he was, a sick man gone wrong from the beginning and getting stuck in a vicious circle of violence going irrevocably from bad to worse, his pride outgrowing him into arrogance and inhumanity leading only one way into self-destruction, a man obsessed with constantly worsening his own tragedy, made clear enough by Omar Sharif.In brief, an underrated film of great documentary objectivity charting the psychology of man at his most destructive.

The few scenes that actually attempt a depiction of revolutionary struggle resemble a hirsute Boy Scout troop meandering tentatively between swimming holes. When Sharif or, please God, Palance try their hand at fiery oratory, they sound like Kurtz swallowing a bug. The displays of strategic brilliance incorporate a map of Cuba replete with smiling fishies in the ocean, and a positively Vaudevillian hypothesis on how the Bay of Pigs came to pass. What does that leave us with? One comical dentistry scene; a surfeit of uppity Hollywood peasants who address the camera as though it were a moving train; and, just for kicks, a passel of homoeroticism that is not limited to Castro's manic and unremitting cigar-fellatio. Never trust a Medved, but even a busted clock is right twice a day: this is a HISTORICALLY awful movie.

With more than it's fair share of wooden acting 'Che!' seems doomed from the word go.Omar Shariff attempts to breathe life into his overtly asthmatic portrayal of the revolutionary icon, Ernesto Che Guevaro, but is held back by the sheer lack of factual references. Jack Palance portrays Fidel Castro, in a manner that could almost have been written by the US government, as a man not able to fully think things through for himself. The film portrays the July 26th movement as an inept band of unwashed desperados who want to take over Cuba, but with only sheer luck, & government ineptitude, helping them to ultimately win through.Covering the period of time from Che's first arrival on Cuban soil in 1956 until his Bolivian death in 1967, 'Che!' struggles with both poor screenplay and locations, but still trys to maintain a sense of purpose throughout. It could have been so much better. The political oppression that led to the overthrow of the Batista regime is totally glossed over & the rebels life, in the Sierra Madre, is portrayed as almost luxurious with Batista's troops wandering around waiting to be shot. Constant monologues, as a means to link scenes, prove to be more irritating than useful, and you find yourself wishing for the what little action there is to resume.The film truly dies when Guevara leaves Cuba for Bolivia, with Shariff becoming more asthmatic and psychotic by the minute, until his ultimate capture in the mountains and his eventual murder in the backroom of La Higuera's village schoolhouse.Any half decent film director would probably relish the chance to make a bio-pic of the legend that is Che Guevara. Che is an icon who deserves to have a film biography worthy of his legend, in the same manner of the bio-pics of Chaplin, Gandhi, Biko, Morrison etc.