Change of Heart
Change of Heart
NR | 18 May 1934 (USA)
Change of Heart Trailers

Catherine and Mack and their close friends Chris and Madge graduate from a West Coast college and fly to New York City to find work.

Reviews
JohnHowardReid

Copyright 15 May 1934 by Fox Film Corp. New York opening at the Radio City Music Hall, 10 May 1934 (ran one week). U.K. release: 8 September 1934. Australian release: 10 October 1934. New Zealand release: 29 December 1934. New Zealand length: 7,824 feet. 87 minutes. U.S. length: 6,937 feet. 77 minutes.SYNOPSIS: After graduating from college, four friends seek fame and fortune in New York.NOTES: The Academy of Motion Picture Arts and Sciences granted a miniature statuette to Shirley Temple "in grateful recognition of her outstanding contribution to screen entertainment during the year 1934." DVDs of this movie are currently offered by Public Domain suppliers.COMMENT: Although this movie was certainly released in 1934 (it ran a week in May at the Radio City Music Hall), it is extremely doubtful if the Board of Governors had this picture in mind when awarding Shirley her miniature statuette. Even though her name is prominently displayed in the film's advertising, it's nonsense to talk about her being in this movie. As a passenger in an airliner en route to New York, she's on screen for about 3 minutes! (Admittedly, I'm talking about the 77-minute USA version)."Change of Heart" is primarily a Farrell-Gaynor vehicle — their last. The combination is stale here. Miss Gaynor looks old too (though she was reportedly only 28 at the time), being flatly photographed and rather dowdily dressed. The photographer and costumer do similar disservices to Ginger Rogers and Drue Leyton, though Barbara Barondess looks attractive in her brief appearance. As for Charles Farrell, he is, would you believe, somewhat wooden and charmless? Farrell was handsome enough and well-spoken enough to survive the transition to sound, but he floundered, partly due to lack of talent (although this didn't deter many other people), but mostly due to sheer laziness. He simply didn't like to work for hard taskmasters like Frank Borzage or F. W. Murnau. Easy- going Johnny Blystone was definitely his favorite sort of director.So it's no surprise to find the support players are not much better. James Dunn is always talking about his singing career, but outside of a bit of clowning around, doesn't sing a note (whereas minor player Dick Foran sings solidly for two whole minutes — and alas that two minutes is the sole extent of his on screen contribution. What a pity his part isn't larger)! Nonetheless, Mary Carr makes the most of her one-take scene. And it's always good to see Jane Darwell, even though she is glimpsed but briefly.Blystone's direction starts briskly at the graduation, which is nicely paced and composed, but once in New York his efforts become quite routine and undistinguished, although the deft cutting of Margaret Clancey does something to spark a bit of dramatic life into certain scenes.Production values are moderate. Stock footage of New York is used liberally throughout. Although treating the girls somewhat harshly, Hal Mohr's lighting is rich in attractively glossy blacks. Aside from the opening graduation scenes, the sets, however, — even those supposed to be luxurious — prove disappointingly drab.

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blanche-2

Janet Gaynor, Charles Farrell, James Dunn, and Ginger Rogers all experience a "Change of Heart" in this 1934 film about college graduates moving to New York City to "make it." It's the last of 12 pairings of Gaynor and Farrell.I love old films because of what they tell us about the past - you could read it in a history book, but somehow, it's not the same. It took FIFTEEN HOURS to fly coast to coast in 1934. And I complain that it takes five now. Outrageous. If you look really fast when they're on the plane, you'll see Shirley Temple getting a paper airplane. Those curls are unmistakable.Gaynor is in love with Farrell, Farrell is in love with Rogers, Dunn is in love with Gaynor. Rogers is a golddigger and takes off early on to be with rich and important people who can further her acting career. You can guess all of the rest.Rogers is beautiful and vivacious in her role, Gaynor is sweet and likable, Dunn is charming and cuddly, and Farrell is mysterious and handsome. It's really a lovely movie with an attractive cast that captures the excitement of young people starting out in the big city.

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edwagreen

Very dated 1934 with Janet Gaynor again playing a sweet, loving girl who with 3 friends come to N.Y. to find fame and fortune after graduation from college. The 3 friends are James Dunn, Charles Farrell and a spunky, but nasty Ginger Rogers.Basically, a love quadrangle soon develops. Farrell loves Rogers, Gaynor loves Farrell and Dunn loves Gaynor. Of course, a selfish Rogers, runs off with a wealthy guy and soon realizes he is not for her. In the interim, being nursed back to health after falling ill, Farrell realizes that Gaynor is for him and the two wed and live in a 4th floor walk-up. Is this almost "Seventh Heaven" again?At least, this film ends happily.

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drednm

Change of Heart is the last of 12 films Janet Gaynor and Charles Farrell starred in together. From the late silent period til this 1934 film, they were among the most popular of screen teams. Here they play college graduates aspiring to make it in New York City along with pals Ginger Rogers and James Dunn.Pleasant story of ambition and love among the young set. The film also boasts some solid supporting players, including Jane Darwell, Beryl Mercer (excellent as the salvage lady), Mischa Auer, Dick Foran (billed as Nick?), Irene Franklin, Lillian Harmer, Bess Flowers, Gustav von Seyffertitz, Nella Walker, Mary Carr, Mary Gordon, Shirley Temple (on the plane) and James Gleason.This was one of Rogers' last supporting parts (same year she became a star in Flying Down to Rio). She plays (she's excellent) the selfish Madge who marries a rich man rather than stick with the group and find work. This is probably Rogers' most unsympathetic role. Dunn is a bit much as the Irish crooner. Farrell plays the lovesick goon, and Gaynor (one of the most sympathetic stars of the 30s) plays the fiery redhead who keeps everything going.Nice film with a good view of New York City in 1934.

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