Cement
Cement
R | 14 April 2000 (USA)
Cement Trailers

Take a walk on the seamy side of town, where you can’t tell the difference between the bad cops and the crooks. Bob Holt, a corrupt detective knee-deep in kickbacks, has an uneasy partnership with a drug-addicted cop and an even shakier alliance with a notorious mob syndicate. When Holt pours the youngest mob brother into a cement freeway structure, it sets in motion a twisted tale of revenge.

Reviews
merklekranz

Bad cops, mixed up in corruption, turn on each other in this dark noir film. Chris Penn heads the list of characters, none of which are likable. Jeffrey Wright is Penn's partner, who owes him for saving his life. Sherilyn Fenn is very forgettable as Penn's unfaithful wife, who sets the betrayal and paybacks in motion. The script starts and stops a lot, with joke telling and other nonsense filling in between bursts of violence. Bottom line, the only reason to watch "Cement" is for Chris Penn's intense performance. Other than that, there is little entertainment value, and I would avoid the letdown. ...................... MERK

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dawn1129

I feel Chris Penn is at his best "cop/mobster" characterization in this movie. He's the central character who's life affects every others' after he experiences a life-revelation. Sorry this is so cryptic, but I don't want to reveal any of this twisting plot. Similar movies would be; "Reservoir Dogs", "Internal Affairs".

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George Parker

"Cement" is a bad movie about a bad cop (Penn) with a bad attitude and a bad disposition who has a bad guy in a bad way up to his cajones in fast drying concrete. While we're waiting for the cement to dry and the film to figure out what it's about, we're periodically jerked back in time without rhyme or reason so we can watch events leading up to the cement thing. A boring junk flick overall, "Cement" suffers from lack of a story, a clumsy execution, and that most ubiquitous of filmdom's faults; no reason to care. A time killer for the needy couch potato at best. (D+)

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spitcher

Bad cops, stoned cops, cheating girlfriends, oh my! I saw this film at the Houston International Film Festival and was completely blown away. Adrian Pasdar's directorial debut was one of the finest I've seen of the film noire genre. It was reminiscent of many evil-cop flicks of the 50s, with the lines between the police and the criminal element just a thin, gray blur. Chris Penn's bad cop routine was anything but cliched, though, and Jeffrey Wright was phenomenal as the drug-addicted partner/narrator. Complex characters, rich dialogue, and cutting-edge cinematography made the dark, twisted plot more fascinating. Keep an eye out for Pasdar's in-joke with clips of his short-lived FOX series `Profit'.

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