Having seen pretty much every football hooligan based film available, I was pleasantly surprised by this film. Perhaps the fact that the film is based on a true story explains why the storyline seems so fresh and original. Clearly there is the classic basis of a plot as for most films of this nature - new guy in the firm; earns respect; works the way to the top; gets a family; suffers a traumatic event (or 2) and then seeks revenge. I think the reason that this film didn't bore me with the storyline is because you got a lot of background information on the main character Carol (a.k.a. "Cass"), which is different to a lot of other films of this sub-genre.The film has a good balance of drama, comedy and violence. The drama is focused mainly on the main character and his relationships with the people closest to him. The comedy is very 'laddish', usually focused around sex and violence (as you would expect of a film of this type!), and is very dry.As for the violence, I was very impressed about the varying ways it was shot. In the big fights in between the firms the camera puts the viewer right in the middle of the action with shots coming from the centre of the firms as they run towards each other. This is not to say you don't see any individual one-on-one scraps, but it is refreshingly varied.To conclude this is a very good film that drew me in quite quickly. The main character is very well played by Nonso Anozie and it is easy to understand how he became to be how he was. I would recommend this film to anyone who is bored of the other 'hooligan' films and wants to see the hooligan life from a slightly different angle. The only thing to note about this film is that there is very little focus on the actual football side of things, so don't expect to see the firms at any matches! All in all this is a great film and I would give it a 9/10.

There's many British gangster movies / football hooligan movies. Cass i certainly a candidate for being one of the better ones out there. I never go into story lines etc and try to keep my reviews brief and to the point here on IMDb. Basically if your a fan of the better UK movies like Football Factory, Green Street, Rise Of The FootSoldier, Clubbed etc then there's no way you will not enjoy this. Being based on a true story makes it even more engrossing for me and it's one i would recommend hence me giving it 8 stars.One downside is that it gives off a bit of a budget look... almost older then it is look with the visuals but its a solid British flick. Deffo check it out.

An orphaned Jamaican baby, adopted by an elderly white couple and brought up in an all white area of London, became one of the most feared and respected men in Britain.Cass grew up in a time before political correctness and was forced to endure racist bullying on a daily basis, until one day when the years of pent up anger came out in a violent burst. Cass found through violence the respect he never had and became addicted to the buzz of fighting. His way of life finally caught up with him when an attempted assassination on his life, saw him shot three times at point blank range...After a string of dismal football hooligan movies and dodgy sequels, and the majority of Nick Love films and the fact that Tamar Hassan is in it, you'd be forgiven for giving this a wide birth.but this isn't just another football film, this is about a man who wanted prejudice to be about who he supported, not the colour of his skin.It's a very gritty made film, with not a lot of violence, and it feels like it's the eighties, not looking like the eighties, if you know what i mean.All of the cast are very good (even Hassan), and although some of the settings are reminiscent of the original 'The Firm', this still stands head and shoulders above films like Green Street, Football Factory and ID.Not for everybody's taste, but a very heartfelt story, and proof that people could stand up in Maggies Millions

This is the film adaptation of how one Carol "Cass" Pennant rose from being an orphaned black boy, adopted by a white middle aged couple, to being a leader of the notorious football hooligan firm, The ICF.You know what's funny? That one of the most well known names in the world of British Football Hooliganism is the last in the line of football violence related medium's. Had this film, and Cass' book been ten years ago, it surely would have had a greater impact. Going back to when the Brimson Brothers decided to write about a topic nobody but those involved understood in the mid 90s {source Everywhere We Go}, there has been books galore from what seems almost every footie hoolie mob going. Throw in all the film's and documentaries that have found a distributor since Gary Oldman starrer, The Firm 1988 {ID, Football Factory, Green Street and The Rise Of A Footsoldier etc}, well it's a pretty exhausted subject. So much so, that it's only really those of a certain age, and of an inclination to the topic, that can get much out of what essentially feels like a belated cash in.In Cass' favour is that Pennant does have an interesting back story from which to launch from. His upbringing, and early struggles with racism is nicely dealt with. It put me in mind with Caroline Gall's book about hooligan outfit Zulu Warriors, where the black and white mix of races became united at football matches {see what I mean about this film trailing in others wake's}. So it be with Cass, it does have a bit of heart to go with its obvious shouty muscle. But here in lies another problem with the film, where does it want to go? What is it asking or telling us? Is Cass conflicted emotionally? Or is he merely using his troubled youth as an excuse for pounding some poor Newcastle fans head in? Pertinent questions that aren't properly answered I feel. There's a nice sequence with Cass in prison, as his racial standing is called into question by a patois spouting convict, but outside of that the film flits between being about a troubled man to an all punching thug. Something that, as I mentioned earlier, is pretty much old hat now guv.Nonso Anozie does good work as Pennant, and Natalie Press continues to be effective in these type of roles {see Fifty Dead Men Walking}, while the underused Tamer Hassan asserts his scenes in another typecast role. I personally enjoyed the film because I can see that those involved thought a good film could be made about the matters at hand, but I'm afraid that anyone hoping for something fresh are in for one big let down. 6/10