For twenty five years I have carried this film around as a pre-prepared answer to any question which includes the words "worst film". Of course I have seen worse films on TV at strange hours of the afternoon or early morning, but I have neither watched them in their entirety nor handed over my own hard-earned cash to see them. I reserve scores of one out of ten for some of those movies, and this one merits a score of two purely because I did manage to endure it all.This film is a tragic waste of the talent assembed to produce it. I'm not sure whether it's the script, the editing, the direction or all three which conspired to make it so bad but it's almost an achievement in itself that so many fine comedy actors were employed in pursuit of such a lost cause. The Carry On franchise was never intended to be thought-provoking but it's irreverence and cheekiness evoked a more innocent time which, while it may not have really been as innocent as it made out, was well and truly over by the time Columbus hit our theatres. Even with those qualities intact it would have been fairly excruciating in 1992, but it wasn't even that good. It isn't so much of an anachronism as an embarrassment and I'll bet there were a few tense conversations between actors and agents in the period following its release.

I love the carry on films and will defend this particular one as I think it was good, it was not as bad as some people make out, the only thing I hated about it was that they had Americans in it and they should never have done that, the carry ons are not about the Americans, but apart from that I found it a funny film and Jim Dale is brilliant in it as usual. I know it didn't have the rest of the cast in it that we all love and no so well, but come on guys this film was not that bad and was a nice tribute to the originals. However I do think that no more carry on films should be made now as the talent just isn't there anymore, the stars of today are just not carry on material, they are not funny and do have enough to class to make a carry on film work, we should all just remember and cherish the originals now and forget about making anymore.

This film is the biggest pile of doosh, it's been my misfortune to endure, I love the carry on films, and because I do, I have problems even excepting this pityful movies exsistence. Barbara Windsor and Joan Sims did the wise thing and refused to have anything to do with this debarcle. To include so called modern comics such as Rik Mayell, Alexi Sayle etc is an insult to the Carry on name. A movie HAS to be bad if the normally grotesque Julian Clarey, gives me the only chuckle of the film. The only 'true' Carry on regular in this movie was Jim Dale (and Peter Gilmore at a push). June Whitfield, Leslie Phillips, Jack Douglas & Bernard Cribbins, all made only a handful of appearances in the series, and do themselves no favours appearing in this arsefest. Lets put this into perspective.Sid James is Dead, Kenneth Williams is Dead, Kenneth Connor is Dead, Charles Hawtrey is Dead, Hattie Jacques is Dead, Peter Butterworth is Dead, Joan Sims is Dead. Bernard Bresslaw is Dead.These people along with Babs and Jim, WERE the Carry on movies, it was their magic and their comedic timing and delivery that made these films charming. Not because they were 'Carry on Films' but because THEY were in them, and the rapport they had as a working team, (even though Sid and Williams disliked each other), made that Carry on Magic. This film was nothing more than ghostriding.And if This movie wasn't damaging enough to the Carry on name, then I'm sure you'll all be sickened to hear that they're planning to make another. STRUTH!!!!

Christopher Columbus, with the help of the Spanish queen, gets on board to discover India. He does America instead, that is full of tricky aborigines.A foolhardy and predictably doomed attempt to get recovered a formula that worn out its date twenty years ago. The once-individual humour of double entendres, sex-overdose and sheer crudity, which has always depended very much on taste, no longer raises even chuckles. Tired antics of a loosely assembled new cast helps no more than the insignificant minority of once-regulars (Jim Dale, June Whitfield, Bernard Cribbins, Jon Pertwee, Leslie Phillips, Jack Douglas, Peter Gilmore).