I think I'd seen a trailer for the film a long time ago, I remembered it mainly because of the leading actor, I was certainly interested to see what I would make of it, directed by Ken Loach (Kes, Sweet Sixteen, Looking for Eric). Basically set in 1987 Glasgow, Scottish bus driver George Lennox (Robert Carlyle) meets Nicaraguan woman Carla (Oyanka Cabezas), living a precarious, profoundly sad life in exile. They do eventually get closer, the first time they are about to make love George is shocked to see Carla's back is scarred, she explains that she is suicidal because her boyfriend is missing and her family has dispersed, George decides to take Carla back to Nicaragua to find out what has happened to them. Once there, Carla is haunted by nightmarish memories, she and George are thrown into the middle of the war between the United States and the Sandinistas, there is a mystery over where the boyfriend is, but Carla's American aid worker friend Bradley (Scott Glenn) is the key to his whereabouts, Carla does find her family in the end. Also starring Salvador Espinoza as Rafael, Louise Goodall as Maureen, Richard Loza as Antonio, Gary Lewis as Sammy, Subash Singh Pall as Victor, Stewart Preston as McGurk, Margaret McAdam as George's Mother, Pamela Turner as Eileen and Greg Friel as Keyboard Player. Carlyle, in between the time of Trainspotting and The Full Monty, gives a charming performance, Cabezas as the exotic refugee is alright, I agree with critics that their time in Scotland is interesting, but once they get abroad the film goes a bit downward, I have to be honest that I got a little bored, even with war stuff going on, overall it's a fairly forgettable romantic drama. It was nominated the BAFTA for the Alexander Korda Award for Best British Film, and it was nominated the BAFTA Scotland Award for Best Feature Film. Okay!

One of the biggest problems of European and Northamerican movies about Latinoamerica and its problems, is that most of the those have strong neocolonialism "poor latinoamericanos, they are so poor, have so big troubles, the governments are always guilty and they need our help (Europa or Northamerica) to continue",and this movie is not an exception of it. Ken Loach is known for the high and strong social and political views in his movies,but here the neocolonial look is clear, and you can see it at trough all the movie and at is best, when a Scotish Bus driver, who drives perfect machines in good roads, drives a 5th class bus trough a typical rural road in Latinomarica (the worst road in the UK is not the half of one of those), and with a single gun defeats a trained army,something that none of the locals has done, it looked like Rambo with social beliefs, and it is great to have movies about these subjects, but please, not with this prejudgment.

I am Nicaraguan by birth, but stayed away from politics while I lived in that country, although my family and myself experienced the anxiety, and sometimes the horror, of living under a totalitarian regime, even one supported by the US, such as the Somoza dynasty. Although I left for the USA three years before the final triumph of the Sandinista revolution, I visited the country many times during the Sandinistas' 10-year rule, and saw first-hand the good and bad sides of the revolution, as well as the economic hardships caused by President Reagan's (though Olly North and the CIA) support of the counter-revolutionary thugs called "contras", who decimated a whole generation of young people in that unfortunate country.I watched this movie last night and was impressed by how true to life Ken Loach managed to keep it. Although to some people it might appear as propaganda, my own experience tells me that everything that was depicted in the film (as far as the situation in Nicaragua in 1987 is concerned) was very realistic. The enthusiasm, especially among the poor and young for the revolution was true, I saw it with my own eyes. The fervor of the literacy campaign volunteers was admirable, even though some of them were targeted as "strategic" targets by the contra forces. Also targeted for destruction were health centers (which had never before existed in many remote villages), grain silos, tobacco sheds, etc., in the areas bordering Honduras, which is where Carla's family lives. The nighttime contra raid was very realistic, I must say, even though I myself never had to live through one. But I knew people who did. The cruelty of the contras depicted in the movie was well documented by American and other media at the time.Oyanka Cabezas' portrayal of the young woman is remarkable, and Robert Carlyle's young bus driver is spot-on. The role of Scott Glen as a reformed CIA agent, although good, is the only one I could find fault with for being a little political and perhaps preachy, but I think his comments were based on facts.In summary, I enjoyed the film very much. You don't have to be political to appreciate injustice, poverty, love and human decency. These human vices and virtues are all very well portrayed in this story. Kudos to all involved in its making.

I will always recommend a picture that reflects the reality of a place, and Carla's Song shows Nicaragua very authentically. That, in addition the fact that the film was a quality piece overall. You will see the Nicaragua that I saw, very faithfully represented (I'm not talking about the politics, an issue I will stay away from. Just the reflection on the feel of the country.) As the story developed in Scotland, I said to myself "I just know this is going to turn into a hokey travelogue when they get to Nicaragua". But that's not what happened. Bravo!