Exciting and thrilling submarine movie dealing with the Nautilus captained by Nemo well played by Robert Ryan who along with his crew save some survivors of a drowning from a shipwrecked . When a ship is sunk , some passengers (Chuck Connors , Nanette Newman , Luciana Paluzzi , Alan Cuthbertson..) are rescued by a submarine and they are taken and get thoroughly involved with power-hungry captain Nemo (Robert Ryan) and take an extraordinary adventure underseas in an advanced city ; however they may be trapped for the rest of their lives. Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the riveting underwater city of the future .Silly but agreeable adventure with action , thrills , love story , full of fun and amusement , including some spectacular sets . Surprise-filled entertainment and with plenty of action on middling scale with acceptable though Naif special effects and some submarines by maquette or scale model . The underwater scenes , pyrotechnics, flood , flamboyant FX to make large-size Squid seem like horrible monster , all of them are spectacular and the film is another acceptable British product . Edge-of-the seat thrilling scenes as when happens an exciting pursuit among two submarines : Nautilus 1 and Nautilus 2 . Director James Hill renewed his acquaintance for little boys with this enjoyable and amusing movie . Our heroes incarnated by a throughly believable casting of the first-rate character players get stuck in the underwater city and Nautilus , undergoing numerous adventures and suffering innumerable perils . Memorable and great cast as Robert Ryan , Chuck Connors as a senator , both of whom have to grit their teeth and play it for real . English's Kenneth Connor and Bill Fraser provide light and brief relief and some laughters as a couple of not-too-intelligent greedy men . They were a pair who worked as a comical duo in various films . Gaudy camera work by excellent cameraman Alan Hume , the cinematography results to be clear and glimmer . Atmospheric and vivid score by Walter Stott . The motion picture made at Metro Goldwyn Mayer British studios was middling directed by James Hill . He was an expert on children films and serials for showing at schoolboy cinema . Hill designed his acquaintance with amusements for the young generation and costume adventures blending with Lions (Born free , The lions are free , The lion at world's end) , Horses (Black Beauty) , Foxes (The Belstone Fox) , Elephants ( An Elephant called Slowly) and sea animals as Sharks and Squid like this ¨Captain Nemo and underwater city¨. ¨Born Free¨ remains his triumph in which the way the protagonists romp with three lionesses who play Elsa at several stages of growth is near-miraculous . Forever in search of a similar movie to equal this hit , he never quite found it . James Hill best movie turned out to be ¨Studio in terror¨ a Sherlock versus Jack Ripper terror thriller with lurid killings . Other films dealing with Jules Verne's Captain Nemo and his Nautilus are the following : the vintage story are an old mute (1916) by Stuart Paton . The classic movie marvelously directed by Richard Fleischer starred by Kirk Douglas , James Mason , Peter Lorre , Paul Lukas . And for TV directed by Rod Hardy with Michael Caine , Mia Sara and Patrick Dempsey ; and directed by Michael Anderson with Ben Cross and Richard Crenna ; furthermore a cartoon movie directed by Arthur Rankin. The motion picture will appeal to fantasy-adventure buffs and it's a wonderful popcorn story . Rating : 5, 5 . Acceptable and passable .

Casual viewers could be forgiven for believing that this is an Irwin Allen production even though he had nothing to do with it. It bears a lot of his 1960's hallmarks such as a simplistic approach to story-line, showy-yet-tacky production design, name brand stars and unfunny comic relief. Connors plays a US Senator during The Civil War who is shipwrecked and picked up (along with five others) by Ryan, a gifted, but rather despotic inventor who has created an incredible underwater metropolis. Newman and her young son Hartstone, claustrophobe Cuthbertson and gold-obsessed brothers Fraser and Connor round out the "guests" of Ryan, who soon find that they aren't permitted to leave the underwater city. Ever. Most of the castaways greet this news with despair, but Newman and Hartstone actually discover they like the place. Where else could one enjoy an endless supply of gourmet seafood, live in rooms that are accented with pure gold and swim in the plant and rock accented community pool run by curvy Italian bombshell Paluzzi? Of course there is that pesky giant manta ray that occasionally swipes by for a bite of human flesh! Connors is his usual square-jawed self and, though not particularly well-cast, he does an adequate job. Ryan plays his role with an overdose of dourness, robbing the part of any irony, flair, camp or flavor. Newman is appealing (and even attempts a small bid at women's lib!), but isn't given much to do. Paluzzi (who is given one really ugly ball gown and an even worse hairdo to go with it in one scene) has a crazed musical number in which she opens a box and "plays" a golden stick with leaves on it as the camera attempts to focus on her through the cheesecloth. She and Newman go scuba diving and inexplicably have their hair fully exposed and unrestrained so that it floats everywhere including over their face masks! Fraser and Connor are presented as bumbling idiots and they only cease to be annoying when they finally begin to forgo their pointless buffoonery. Turner appears as Ryan's faithful first officer and has one of the few roles with more than one dimension. The film is packed with bright, colorful, eye-popping imagery along with many goofy costumes and props. Check out those scuba suits with the gold-plated tank holders and the clear "wings" on the shoulders! The alarms in the city have lobster claws on them! Some of the underwater photography is far too murky and under lit to enjoy fully. It isn't a bad time killer and fantasy fans will enjoy some of the model work, gadgetry and hilarious "science". Irwin Allen would actually tackle this material for television a few years later with Jose Ferrar as Nemo. Also, some of the elements seem to have inspired Ross Hunter's dreadful 1973 remake of "Lost Horizon".

Shipwreck survivors are rescued by an authoritarian ruler of a secret underwater city during the 19th century. Nice underwater photography, enough action and special effects to offset wooden acting and less-than-sublime script. (Rating B+)

This film is a pleasant surprise with much charm. No, it is not on the same level of Hollywood's best adventure-fantasies, but I thought it better than other Jules Verne adaptations, such as the recent TV movies or something like FROM THE EARTH TO THE MOON. This particular motion picture is neither a sequel nor a prequel to 20,000 LEAGUES UNDER THE SEA nor MYSTERIOUS ISLAND; indeed, its premise (which one may or may not warm up to) is to ignore the other tales and try acting alone as its own story. The result is a weird amalgam of 20,000LEAGUES UNDER THE SEA and LOST HORIZON. It benefits from some lavish, if glossy sets, and the casting of Robert Ryan as Nemo, which for its time was offbeat. In recent years, stars, such as those of Michael Cain and Patrick Stewart, have played Nemo so far differently from Verne's original that Ryan's interpretation almost seems faithful. While purists may be put off by Ryan being so very American and lacking the swarthiness, exoticism, and aristocracy of previous actors, he nevertheless exudes a saturnine authority and substance that's right.All in all, the movie falls short of the eyefilling fun of the best Verne adaptations, but it's still watchable. It must be seen letter-boxed.