Ambitious movie, it ends on a poetic miserable and full of stereotypes vision typical of a Hollywood brain that looks at and judges while ignoring completely European world: despite the war they are living Italians are seen as idiot pricks always ready to sing as jesters in the bar, while the captain has his head into pussy rather than the fate of his soldiers; poor Germans then are the eternal bad guys, that even if motivated by a flash of humanity or living passion, as in the case of the captain, remain those cold like robotic thinking- machines unable to love or feel ... Well! maybe the intent was to obtain atmospheres or emotions like in "Mediterrano", but Salvatores is something else. Director should change job, loss of time !

I have just returned from Kefalonia. That's the only reason for marking this movie with "3". I like the Island...I simply have no idea what's wrong with John Madden. On the paper, the guy seems to know what he's doing. Seems to be able to differ good from bad (if we take that there is no right and wrong). But after letting myself finish this movie (since I seem to be a masochist when it comes to finishing everything I am watching) I have got the impression that this fellow had been directing this in a complete emotional chaos because I can not believe that his fellow citizen Louis de Bernières had anything close to this idea. Love story?! Goddammit no! Let's start with the casting. Nicolas Cage?! Let's see, his character is a profligate Italian occupier fighting along with the Nazis under Mussolini and seducing a wive of an honest Greek patriot who goes to war to prevent his home Island being occupied...On the scale of charm from 1 to 10, that actor must have been something like 15 to even having any chance to make his character acceptably nice so one could even finish watching the movie! There were only two movies in the entire career of Nicolas Cage when he reached above 5 on such scale and where he has been able to transfer some kind of emotion through his character: Leaving Las Vegas and Face Off. However, considering that something above 5 is way below required 15, I have a feeling like I have been raped after watching this movie to the end.OK, I understand. The history of art deals with probably the greatest anguish of mankind - the unpredictable ways of love. But after she (Pelagia - Penelope) was able to deceive and leave her handsome, honest, simple-minded patriot Mandras played by Bale (probably the only one partially rising to the occasion along with Penelope here) for the (above described) Cage, I believe the only honest feeling one could actually gain would be to support the angry Kefalonian inhabitants by marking her with βρώμικο πουτάνα - sporca puttana (for the ones still liking the Italian lover :) No really, even John Waters' Pink Flamingos love does not seem so repulsive anymore.OK, I could be moving on with this, but I believe I have made my point clear enough.

"Kefalonia,Greece,1940".We know that because it's just been on the screen.In case we think it's Kefalonia,Mississippi,presumably.Then to make sure we are on message a Greek dance starts up.To allay any lingering doubts,another ten minutes into screen time and there's another Greek dance.OK,thank you,we got it the first time. Unfortunately all this desire to impose ethnicity is thwarted by the appearance of the very English Mr John Hurt as the wise doctor/philosopher Iannis and the very Spanish Miss Penelope Cruz as his daughter Pelagia. Mr Hurt has a grey walrus moustache and disconcertingly black hair. He doesn't speak so much as spout wise doctor/philosopher stuff so you just know he is really really wise and really really loves his daughter in a wise fatherly way.She becomes engaged to Mandras a simple fisherman after he throws her into the sea.Then war comes and her simple fisherman goes off to fight the Hun.Irrepressible child of nature that she is,Pelagia skips gaily along the footpaths surrounding her village.The island is invaded by the Italian army with only one thing on their minds singing extracts from Puccini and playing various stringed instruments. Well there is one other thing on their minds as exemplified by that dratted handsome Capt Corelli when we first see him looking in his dress uniform as if he would be happier piloting Thunderbird 3.On spotting Pelagia in the crowd as they march through town to accept the surrrender he orders his men to salute "Bella bambina at 2 'o clock" thus identifying himself as a dog and a sexist at once.A stereotypical Italian then. Mr Nicholas Cage plays Capt Corelli in a way that clearly pleases him. He and child of nature fall in love which Miss Cruz valiantly tries to depict,her brow furrowing with effort from time to time.Wise doctor/philosopher Iannis thinks no good will come of it.The Italians surrender as soon as is decently possible leaving the dour humourless Germans to fight alone with entirely foreseeable results. Not to be confused in any way with the well - received novel of the same title,"Captain Corelli's Mandolin" sets cliché upon cliché and devil take the hindmost.It tries for the sweep of a David Lean but lacks the absolute control of his subject that categorised his work. Should American viewers wonder why Europe is still so bedevilled a continent then they can rest assured that the Greeks still hate the Germans,the Germans hate the Italians and the English hate everybody. Peace - to Europeans - is merely a continuation of war by other means.

I actually was looking forward to this movie. After reading a number of reviews before the release, it sounded like a genuinely nice film, one that was beautifully filmed and one with an interesting cast (Nicholas Cage, Penelope Cruz and John Hurt.)Well, it might have been all of those things BUT it is so boring that I defy almost anyone to sit through this in its entirety and keep attention. Also, Cage's attempt at speaking with an Italian accent is embarrassingly bad. He's such a good actor that I cringed every time he spoke in this film. 'Disappointing" seems to be the most-often word used by reviewers here to describe this film, and I totally agree.I guess it didn't take long for word to get out about how bad this movie was because, like Cage's accent, it did not do well.