If you've been reading my reviews under my username for the past two months, you probably know that I've been going through various films and TV appearances of the original "Dallas" cast in chronological order since the day after the new one on TNT premiered. So it's now 1961 with a Barbara Bel Geddes performance in a role familiar to anyone who knows her as Miss Ellie on the show-that of a mother and wife who's not afraid to confront and comfort her husband and son without at least trying to understand their troubles. Hubby is Efrem Zimbalist, Jr. and son is George Hamilton. The latter gets mixed in with a woman named Veronica played by Yvonne Craig-you know, the one who later became Batgirl on the Adam West series. Supposedly the leading lady is Lana Turner but her scenes come and go so much that it feels she's just as much support as a pre-Archie Bunker Carroll O'Connor as a cop, or Thomas Mitchell-a player of my favorite movie, It's a Wonderful Life-who commands the screen whenever he's on which is much more than Ms. Turner, I must say. Other worthy players of note include Susan Kohner-reuniting with her previous co-star from Imitation of Live, Ms. Turner-and Jason Robards, Jr., years before his consecutive Oscar wins for All the Presidents Men and Julia. I really liked the way the complexities of the characterizations were handled here and how the subject of accusation of rape was addressed. So on that note, I highly recommend By Love Possessed.

I had to see Lana Turner with Efrem Zimbalist, or the other way around. It was a curiosity – superstar with moderate actor. However, she did have some less than star quality leading men. Zimbalist is GQ for sure, and that voice - attractive shell but hollow performance.There have been other films with the same deficits of this one that have come across. Usually, the higher caliber actors can put it over. Someone must have called for flat line, and they all adhered. What comes out is exactly what one can find on daytime soaps. Everyone was at some stage of pathetic. That would except the Mitchell character, who was a breath of fresh air. They could have called this "All Fall Down." Too bad Helen didn't pass around the cleaning fluid and clear out all the suds. The simultaneous make-ups at the end were so low on the meter, they hardly registered. This one lacked a pulse from start to finish.

What can be more laughable than a film that attempts to skewer wasp hypocrisy and small-town stereotyping, but uses such stereotyping in it's presentation of characters? This is an unabashed attempt to gather the Peyton Place fans by bringing back Lana Turner to a New England setting in Autumn, along with the period Boy-Man of angst, George Hamilton. While Turner is so good that she can do this type of role in her sleep, and still come off well, the rest of the cast is pretty wooden, especially Efrem Zimbalist. It's easy to see why he could portray an FBI agent on TV so well.Nothing more than a turgid melodrama, so popular at the time, filmed in color with a panoramic view so that it could lure the women of 1961 away from the B&W small-screen TV daytime soap operas, to see the exact same stuff on a big screen. Pass on it and get Peyton Place instead, unless you're a Lana Turner fanatic.

James Gould Couzzens wrote one novel that was almost great-Guard of Honor-and a lot of melodramatic junk that was wildly over praised at the time of publication.The ne plus ultra of his Literary artlessness was undoubtedly By Love Possessed. When it was published, it was a wildly praised best -seller. The only dissents came from Dwight McDonald, who wrote a hilarious assault on the book called "By Couzzens Possessed", and William F.Buckley, Jr. who took a page and a half to sink it beneath the waves in his National Review. Of course, like all melodramatic best sellers, it eventually had to be made into a Hollywood film. Unfortunatly, the only Hollywood directors capable of making it into a good movie were Sirk (and maybe, just maybe, Preminger).Sirk, in fact, with his exquisitely controlled irony, and his insight into American manners and mores would have produced a chilly, superbly calibrated, yet compassionate melodrama, comparable to All that Heaven Allows, Written on The Wind, or Imitation of Life. Unfortunatly, Sirk had fled Hollywood, and Preminger was busy making Advise and Consent. So the decadent Hollywood system in its "genius' gave it John Sturges. Result, a movie that looks like a Sirk film( thanks to Russell Metty), sounds like a Sirk film, and has the cast and plot of a Sirk film..but isnt a Sirk film. Result..bloated, turgid melodrama, without a drop of genuine wit, irony, compassion , or human insight. Well, maybe Couzzens deserved it