Cheerfully surprised at this extremely cute time-travel-to-save-Japan Toho offering. The best surprise was the introspective look at Japan's "lost decade" due to over-speculation in real estate. Interestingly, this film comes out just before America's "banking and real estate crisis," and if the film has any insight, that American event could easily be called manipulated also. Having lived through it, Paulsen especially worked with swift rigid detachment that smacked of both collusion and human disinterest. ANYWAY, back to the movie.The leads are wonderful, mugging and shining. The plot takes several twists and turns that are indeed reminiscent of Spielberg's BACK TO THE FUTURE. The humor works, though sometimes it's a bit silly. Take some time off and watch this delightful little film.

It's no coincidence that just as the perception of the breakdown of family and traditional roles led to nostalgia for Jidai-geki period costume dramas a few years earlier, the mid-to late 2000s similarly saw a surprising amount of time-travel films in Japanese cinema. It was as if the desire to escape from the current period of economic uncertainty and social upheaval was so strong that the only way to restore a sense of order and pride in the nation was to really literally go back in time.Some of these films, like Katsuyuki Matohiro's Summer Time Machine Blues (2005) used the idea simply as an excuse for comic adventure, while others like Metro Ni Notte (2006) exhibited a disturbing escapist longing to not only turn back the clock and seek refuge in an idealised version of the past, but expressed an almost wish-fulfilment desire to trace the roots of the malaise and actually alter events - and even the outcome of the war - so that the crisis in the future might never happen. Yasuo Baba's 2007 timeline shifting comedy Bubble Fiction: Boom or Bust, manages however to indulge a bit of nostalgia for the style, music and attitudes of the decadent profligacy of the 1990s boom period in a way that put the seismic cultural shift that has occurred in the intervening period into stark relief, while at the same time finding a very humorous way to point out exactly where it all went wrong.Mayumi Tanaka, is a not terribly bright nightclub hostess who is in mourning for her recently deceased mother and in grave financial difficulties, her boyfriend having skipped town, leaving her with a huge debt to pay off the local criminal loan sharks. Mayumi is not the only person with financial problems in 2007 however. The whole Japanese nation is on the brink of complete economic meltdown and - strange as it may seem - Mr. Shimokawaji, an official from the Ministry of Finance believes that the debt and grief-stricken Mayumi could be the saviour of the nation. But what is it about a photo of her mother Mariko in an old newspaper from 1990 that interests the government official so greatly and leads him to put his faith in Mayumi? Well, it's just that her mother looks exactly the same in the 17 year old photograph as she did a week ago when she "died".Mariko, it seems has stumbled upon a time machine while working on research and development of household appliances. Having converted a washing machine into a time machine, Mariko has taken it upon herself to skip back to 1990 to try to convince Mr Serizawa, a prominent minister in the Japanese government, not to make a crucial announcement about new property legislation and banking deregulation that will end up causing so much damage to the Japanese economy of the future. Mariko has disappeared however, clearly without having achieved her goal, and only her daughter has the necessary family connection and right shape and size, if not the brain cells and financial acumen, to go back and help complete the mission which will not only erase Japan's debt, but also the 2 million yen that the loan shark is pressuring her for. That's the kind of motivation Mariko understands.The science of building a time machine then is a little bit fuzzy - detergent is added to the washing machine, just in case - but obviously, there's quite a bit of intentional humour in the treatment here that helps the rather more serious questions to come out in the wash, so to speak. With the impact of the economic crisis an unpleasant reality for many, there is certainly some amount of wishing to turn back the clock involved here, but the film is under no illusions about what really is the underlying cause of the banking meltdown. And, no, despite what we've been lead to believe, it's not all Gordon Brown's fault. While the film has considerable fun with 1990's styles, at the fashion and the thickness of women's eyebrows, glamorous discos and mobile phones the size of bricks, Bubble Fiction: Boom or Bust's funny conspiracy theory action drama actually makes it quite clear who is to blame for spending us into a debt crisis. We all are.Maybe I'm just getting older then, but when exactly did 1990 become a year to get all nostalgic about? Bubble Fiction does well however to capture the heady decadence of the time in the "period detail", with some cultural references that are specific to Japanese culture and celebrities, but with music, style and attitudes and extravagant spending that will be recognisable to everyone. But were men back in 1990 really such lecherous and sleazy operators as Shimokawaji, the official from the Ministry of Finance? Actually, don't answer that one...Bubble Fiction: Boom or Bust does inevitably stretch credibility as much as any film that meddles with time-travel high-jinks and alternative timeline paradoxes, throwing a good global conspiracy in there for good measure, and it does draw what seems to be a rather simplistic moral platitude out of the resolution (Work hard and look after your family), but in reality it actually has a good point to make, and it does so in a clever and often very funny way. And after all they've been through, who can deny them a little bit of wish fulfilment.

The movie is about a mother and a daughter team going back in a time machine the mother invented to 1990 when Japan was experiencing an economic bubble.The year is 2007 and Japan's national debt is rising above 8 trillion yen. Isao Shimokawaji (Hiroshi Abe) sees that Japan will be bankrupt in 2 years. He learns that his ex girlfriend Mariko (Hiroko Yakushimaru) has accidentally invented a time machine while designing a front loading washing machine. He asks her to go back to March of 1990 when the Japanese government announced a tightening of real estate transactions (which triggered the collapse of the bubble economy) to stop the passing of this law. She obliges, but has lost contact after she gets there. Shimokawaji then asks Mariko's daughter Mayumi (Ryoko Hirosue) to follow her mother to investigate what happened. Mayumi is sent back to 1990, and contacts Shimokawaji of that era. He of course doesn't know who she is, but together they gradually find out their true relationship, where her mother is, and what was the true intention behind the passing of the law.There is another famous Japanese time travel movie called "Girl who leaped through time", but this is done with different take on how people react when they become time travelers. Two women are sent back in time, but their reaction to the trip are completely different. Somehow the daughter convinces Shimokawaji to buy into her plan by giving him enough evidence to show that she really is from the future. While situations are exploited to their max to get the comical effect, the writer of this story was probably seeing a more serious side to his story. This can be seen where Shimokawaji of 1990 express to Mayumi, "Then the people 17 years from now are feeling that Japan is no longer a good country, with no bright prospects for its future." and Mayumi replies "I don't know, but the future you seems to think so.". This probably sums up the feeling of Japanese people in 2007. The culprit of the economic collapse in this movie was not accidental, but was planned by greedy international bankers, and investment bankers who had deep connections in the Japanese government. Although there're no proof to this, but it is no secret that one of the first western envoy to Japan, Thomas Grubber was a Freemason, and although they've financed Satsuma, and Choshu clan in the Meiji reform, it failed to have the kind of effect they had in the Russian revolution. It's also no secret that most of the Japanese prime ministers were masons like Shigeru Yoshida who's adopted family was Japanese outpost of the British East India company, and the grandfather of recent prime minister Yukio Hatoyama was a grand mason of the Japanese lodge. Its plausible that such grand scheme is not without its purpose, and complete economic control of the country might indeed have been part of its agenda. Otherwise events like the recent theft of 2.4 trillion yen by Ichiro Ozawa doesn't make much sense. This is way too much money for any one person's need to live well for himself.So the movie while kept light hearted, has many facets to its story, and is a very entertaining piece.This is a great movie, and is highly recommended for viewing for all audiences.

I will try to refrain myself from giving out any spoilers...The movie is about a time machine and going back in time to save the Japan's economic crisis, as well as the mother (Hiroko Yakushimaru) of the main character (Ryoko Hirosue). The time machine in "Back To The Future" was heavily-modfied De Lorean, but in this movie, it is a washing machine from Hitachi!The movie has values as a modern history study of Japanese culture, in 1990. Do not miss it!PS: if you like this film, try other films directed by Yasuo Baba as well. You'll love those!