Dodgy spiv record promoter Danny (Daniels) appoints himself manager for spunky but homely and not particularly talented New Wave singer Kate (O'Connor), fires her band and recruits a new one dubbing them 'Breaking Glass'. Immediately a spark ignites and Kate's position is improved as she finally has a band worthy of backing her. But that is far from all that is needed.Harried by drunken club goers, skinheads, police, striking workers and the excesses of the music industry they find their niche. Having sold out to a record company they are gradually played against each other by music executives and a sly producer (Finch). Danny is induced to quit. Gradually the rest of Kate's band quits or are fired and her music becomes more commercial but completely insincere.This examination of life in the recording industry from gruelling bottom to lonely top is very satisfying in a lot of ways. The inside dope on how record companies manipulate chart position is particularly amusing.

Here it is, 2012, and I just watched Breaking Glass, though I actually recognize a couple of the songs (possible I was listening to the movie at another time in my life).This movie, cheesy and spunky and rough around the edges, but what a fun time I had watching it. The music transported me back to when I was fresh out of high school, in the Navy, going to clubs in NY, Chicago, Orlando and Seattle with my buds and listening to this style of music everywhere. How I love the punk and post-punk era. Some of the best music was came from the UK during this time.The movie was the perfect anecdote for artistic exploitation amidst unrest, racism and rampant abuse by authorities. I loved the emotion and terror of the scene with the rioting skinheads and Kate singing Blackman.Still the best scenes were reserved for the performances (dubbed, but who cares). I was overwhelmed by the performance of Eigth Day. Superb in every way.I just can't believe it took me this long to see it!

It's almost impossible for me to be objective about this film. I first saw it in 1981 as a 12 year old drummer with stars in my eyes. I immediately begged my dad to get me the soundtrack on vinyl and was off memorizing the entire album. It is, by far, one of my favorite movies of all time. The story is decent, the acting is good, and the music is absolutely in tune with the period. The depiction of the music industry with it's main players often exploiting every new trend, sound and artist until it and they are completely exhausted is spot-on. What truly makes this film is the music. Each track is a perfect reflection of Kate's (Hazel O'Connor) journey and is pretty darn catchy to boot. (You'll be humming "Big Brother" for days.) I highly recommend this film, as have others in the forum, for anyone aspiring to be a musician for a living. It is a brilliant parable of having and maintaining control of your art and destiny.

I have watched this movie and although it is dated and low budget there is much more to this movie than "A low budget post punk Star is born!" There is the main story about a rebellious anti-establishment singer "Kate" played by Hazel O Connor who in order to "make it" has to give up control of her music and is forced on to the record company "bandwagon". This results in her losing the bands manager "Danny" (brilliantly played by Phil Daniels)who feels he is losing control of the band! But more than this, the movie is an accurate reflection of the post-punk anti-establishment feeling in England which I lived through at the time. The lyrics of Hazel's songs depict this and still have something to say today regarding Government and establishment control! However, the greatest irony is the climax of the movie where Kate (Hazel O Connor) is singing the song "Eighth day" as a protest against the establishment when she herself is having to "fit in to the establishment" to perform the song. Well worth another look!