Interestingly, this film was produced and directed by William Conrad--THAT William Conrad. Yes, the one who played Cannon on TV back in the 1970s! "Brainstorm" stars Jeffery Hunter (here billed as 'Jeff Hunter'), Anne Francis and Dana Andrews. It begins with Francis attempting suicide and a stranger, Hunter, saving her and bringing her home to her husband--a man of is extremely rich and powerful. Soon after, Francis begins contacting Hunter. She's bored and wants him to play with her! He resists at first but soon they become lovers. This is a problem since she's married and because when Andrews learns about this, he appears to be a clever and vindictive man and makes Hunter's life very, very difficult. So, Hunter concocts a plan--since Andrews is making people think he's crazy, let's go all the way--fake being crazy so he can then get away with killing Andrews! While all this might sound a bit hard to believe, stick with this film. It's so well-written and directed that towards the end you start to realize that there's FAR more to the movie. I could say more but it could spoil the film. Let's just say that Hunter does a great job and all the loose ends seem accounted for and well done. A nearly perfect suspense film. Just stick with this one, as it only gets better and better as the film continues. Excellent in every way.

Lots of small pleasures in this strangely compelling William Conrad-directed mid-60s noir sleeper. Among other things, the unusual cast is very game. Sci-Fi veterans Jeffrey Hunter (the first Captain of the Enterprise) and Anne Francis (the cause of Walter Pidgeon's "Monsters of the Id" from FORBIDDEN PLANET) team up in this effort to hoodwink the system by having Hunter feign insanity. Hunter, whose tragic life seems to mirror his desperate character here, is impressive in a demanding role requiring more emoting than he generally showed in his more typically laconic choices. Hammer veteran Viveca Lindfors is particularly effective in the analyst role, appearing to be sympathetic and caring but really only doing her own cold-blooded job. Cast is rounded out by noir vet Dana Andrews. It's a shame Conrad didn't really pursue directing much after this effort; the clever little script takes a different approach to psychotherapy and insanity which is well-suited to the low budget Conrad had to work with. The music, cinematography and fashions are all pure mid-60s, a compliment to a bygone era full of excesses but also occasionally blessed with productive experimentation. I would count this movie as one of the productive attempts, particularly worthy of your time if you're a noir or Star Trek Classic fan. Not a masterpiece, but certainly worthy of the cult status it has attained over the years. 8/10

What I found most interesting about this movie was the idea of Jeffrey Hunter's character feigning insanity. I wondered was he really faking or just deluded? Because, the idea of pretending to be insane to the nth degree sounds, well, insane. I thought the movie was well cast. However, Jeffrey Hunter steels every scene he is in as he seemed to revel in this role. It was good to see Jeffrey Hunter in a role he could sink his teeth into. He did a good job in communicating his desperation. It would have been nice to see him in more character roles. If you want to see Jeffrey Hunter in a role that is out of character then this is a movie worth checking out.

Like Raymond Burr, William Conrad started out in late-40s film noir as (no surprise) a heavy, and also ended up in series television ("Cannon"). But he also produced and directed both TV and some movies. His Brainstorm arrived in 1965, smack in the transition period from big old films made in the style of the studios to the newer kinds of filmmaking in the 1970s renaissance. It's an offbeat but interesting movie. The first third recalls Max Ophuls' Caught, the middle Billy Wilder's Double Indemnity, and conclusion Samuel Fuller's Shock Corridor. Jeff Hunter is a computer whiz working in some top-secret aerospace concern run by sinister mogul Dana Andrews. One night Hunter finds a car stalled on a railroad track with a woman (Anne Francis) passed out inside. He rescues her, and she turns out to be Andrews' wife, who was making a suicide attempt. Major complications ensue, with romantic involvement leading to attempts to "gaslight" Hunter which in turn engender a plot to murder Andrews. Viveca Lindfors turns up as an enigmatic psychoanalyst in this roiling plot that, in the spirit of the 60s, poses the question, "Is insanity contagious?"