Hugo Friedhofer's musical score, the enchanting beauty of Greek islands, and the incredibly luscious Sophia Loren combine to make this film memorable despite the thin story.Alan Ladd steps out of the saddle to play an archaeologist that is determined to preserve Greek treasures for Greece. Too bad he wasn't around to save the Elgin marbles. He teams with Sophia Loren to retrieve "The Boy on a Dolphin" and kept the evil Clifton Webb (three Oscar nominations) from spiriting it out of the country.Sophia Loren was only 23 when this film, which is almost as old as I am, was made. Those who have never seen her in her prime would do well to see what you fathers lusted after when your mother wasn't looking. If all you've seen is Grumpier Old Men, you may wonder what all the fuss was about.As a bit of trivia, she was required to walk in a trench in this film in order to give audiences the impression that her diminutive co-star, Alan Ladd, was taller than she.Not to dismiss Loren, the beauty of the Greek islands where this was film equals her allure to me. A film made in Greece is always worth watching, especially one that shows it before it was ruined by tourism.

Sophia Loren vibrates and pouts through this film in a manner I'm sure was intended to be sexy, but isn't. She tries to convey earthy sensuality but can't carry it off. It's an embarrassing and tacky performance with a lot of shouting, odd body postures, and ridiculous extremes of emotional response. Alan Ladd, on the other hand, could use a little of Loren's extremism. He is even more wooden than usual, and that's saying a lot. He also appears bloated and heavily made up, especially around the eyes. Clifton Webb gives the only good performance in Boy On a Dolphin, but unfortunately Webb doesn't have enough screen time to save the film. The copy I saw was not of sufficient quality for me to really appreciate the much-vaunted scenery and color photography, so I can't comment on them. Clifton Webb always is worth watching, but otherwise Boy on a Dolphin is a pretty weak effort.

This is an amazingly lifeless movie despite it being filmed in Greece and being Sophia Loren's first American movie. While the Greek scenery is lovely, it's obvious that the biggest reason they chose Ms. Loren for the film was because of her ample breasts. Throughout the film, but particularly in the first diving scene, they are featured very prominently and it's a very risqué piece of film work for the 1950s (sort of like the movie THE DEEP in the 1970s). And, unfortunately, she is given a role that is very inconsistent and not particularly likable. Much of the movie concerns her wanting to help steal a valuable ancient statue she accidentally discovered while sponge diving. She is, through much of the film, amoral and self-centered. And, not very convincingly, at the end, she falls for Ladd and does the right thing with the statue! Predictable but also a bit ridiculous.Now to make things worse, some boob had the bright idea of pairing Loren with Alan Ladd--one of the shortest leading men of all time and about four inches shorter than her. This meant they had to do some interesting camera-work so she wouldn't tower above him. In addition, their chemistry is, at best, tenuous despite this being a love story. There just doesn't seem to be any "spark" between them. As for Ladd, his role is pretty mellow and subdued. Apart from some scuba diving, he just doesn't do all that much in the film. The bottom line for Ladd, Loren and the rest of the characters is that the parts just weren't written all that well and the people (aside from her little brother in the film) weren't very interesting or compelling. A dull time-passer and certainly no indication of the acting ability of either of its stars.

Ah, yes! Who can forget that image of Sophia, climbing aboard a small fishing vessel, her peasant blouse opulently revealing why she first became a movie star? 20th-Century Fox wisely featured a snippet of that scene in "Previews of Coming Attractions" for this film when it was first being distributed. The production itself benefits hugely from the gorgeous locations of its story and the Hollywood professionalism of everyone assigned to it. All that, plus Julie London lending her breathy vocalizing to the lovely title song.One of the things I recall about it was Sophia's retort when asked how much would be sufficient compensation for the ancient treasure she'd found under the Aegean. "For me, plenty of money is enough!" How convincingly she delivered that line and how lucky we've been ever since that her stardom led to many better displays of her talents.Where, oh! where is the DVD (CinemaScope ratio preserved, s'il vous plait!) of this sunken treasure?