more than a good adaptation, it is a real useful history lesson. about Nazi regime. about the temptation of the evil. and about teenagers. like each Stephen King adaptation, it is far to be the expected one. nuances, details are lost. but the message becomes more clear and dark. because it has the chance of a good director and perfect actors. because Ian McKellen explores in wise manner entire potential of his character. and Brad Renfro redefine the portrait of typical teenager, the passion about a subject, the curiosity, the conversion in part of chosen theme. story of confrontation, with equal forces, it is one of the most useful films for a young man to understand the essence of totalitarian regime. and that does it more than a good film.

Totally Believable in its Unbelievability this is a Well Made, Acted, and Fittingly Disturbing Creep-Film from Writer Stephen King and the Sophomore Movie from Director Bryan Singer. There is Definitely Talent at Work here and No Play.There is not an Ounce of Joy or Humor in this Relentlessly Downbeat Study of Young Evil meeting up with Old Evil and Discovering a Kindred Dark-Half. It is not an Easy Movie to Like and it is not an Easy Movie to Dismiss, because it Never Resorts to Horror Story Clichés or Psycho-Drama Sameness. These are Demonic Personifications. There is one, a Death Camp Nazi that got Away and is Hiding as an American Citizen ("I vote, I pay taxes), and Another, a High-School Whiz Kid about to Graduate the Top of His Class at age 16, who is an Evolving Psychopath, and Hiding in His Clean Cut Suburban Home as a Clean Cut Athlete (He was such a nice Boy, no one had any idea, you can just hear the sound bytes in the future).There are other Things going on, like Impotence, Homosexuality, Murder, and Pedophilia just in case You were not having a Good Time. But that's the Point, this isn't a Good Time. It's the Holocaust of the Past and Spree or Serial Killer of the Future Passing Each Other like Satanic Ships in the Night. Out with the Old and In with the New.

APT PUPIL is the big budget film adaptation of the Stephen King novella of the same name, about an ordinary high school pupil who strikes up an unlikely friendship with a former Nazi. I remember the King story as being particularly chilling and disturbing given the subject matter, and it's no surprise the nastiness has been toned down for this big screen outing.APT PUPIL isn't a bad movie and indeed it starts off rather well. Ian McKellen, just before he hit the mainstream with X-MEN and LORD OF THE RINS, is outstanding as the former Nazi forced to relive his murky past, and the scene in which he dresses up in the full regalia is inevitably the film's chilling highlight.Unfortunately, at around the halfway point the movie starts to fall apart a little bit and the script lets it down. Brad Renfro just isn't a strong enough actor for the complexities of the lead role and McKellen isn't given enough to do in the latter stages. The excellent Elias Koteas bags a tiny yet highly sympathetic role and cult film fans may recognise James Karen in a one-scene cameo. But the story has been unforgivably altered and the lukewarm ending is a particular disappointment considering the potency of King's original climax.

In the late 1990's there was a small resurgence in interest in the work of Stephen King, who had been popularised in the 1970's and '80's as the prime horror author. What was slightly more interesting about this late reprisal, was that the stories were not directly linked to the horror genre, and led to one of the most loved films of the 1990's, The Shawshank Redemption (1994). Whilst this film did not do well in the cinemas, it made it's impact on video, and therefore the more dramatic, cerebral and often realistic King adaptation's were given the green light. Hot off the success of 1995's The Usual Suspects, Bryan Singer was brought in to direct this story of power over other humans, and the devastation this can cause.Todd Bowden (Brad Renfro) is a top student in his high-school, and the film opens on a closing class focusing on the holocaust. The subject has clearly opened up something in the young man. Being convinced that there is an ex-Nazi officer living secretly in his neighbourhood, he decides to pay the man, Kurt Dussander (Ian McKellen), a visit. What transpires is that Todd had collected research on the subject, and uses this to blackmail Kurt into revisiting and verbalising his war stories, with particularly macabre focus on the killing of Jews. As the relationship between the two progresses it becomes clear that what fascinates Todd the most, is the power that was exerted over a people, and he has a hunger to know what this power is like. This begins with his power over Kurt; he revels in a display of power after he purchases a Nazi uniform for Kurt and makes him march on the spot. However the power that Todd exposes, is also resurfaced in the very isolated old man.Well, as this is a Stephen King adaptation, the film obviously leads to murder. But the main theme of the film is the abuses of power, and the corrupting nature of power over others. It's a very interesting film, and Singer's direction is spot on. Seeing this now also highlights the loss of a very promising actor, Brad Renfro, who unfortunately died of a drug overdose in 2008. However, without any doubt this is McKellen's film. He is note perfect for this ageing, lonely man, who has had to live with his knowledge of the concentration camps for many years. The film does tend to lose it's effect at times, and falls into a clichéd trap; for example, after Kurt has attempted to kill a homeless guy, but has to get the young Todd to finish the job after suffering a heart attack, Todd repeatedly hits the tramp with a shovel - a jump moment proceeds as the tramp gets back up after 'being killed' - yawn. However, this seems mainly to be the fault of the narrative, and is easy to overcome, particularly with the two fine central performances.www.the-wrath-of-blog.blogspot.com