Black's Game
Black's Game
R | 12 February 2013 (USA)
Black's Game Trailers

In the mid to late '90s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland's underworld.

Reviews
morrison-dylan-fan

Taking a look at a fellow IMDbers reviews,I was thrilled to stumble upon a Nordic Noir film that I have never heard of before,with one of the executive producers being auteur film maker Nicolas Winding Refn.With having been in the mood to watch a new movie from the Nordic Noir genre,I felt that it was the perfect time to join in the game.The plot-Iceland 1999:Arrested for assault, Stebbi is told by the cops that he could face 5 years in jail.Leaving the police station,Stebbi runs into Tóti,a childhood friend who he has not seen for years,and has heard is a major player in the Nordic underworld.Catching up with his old pal,Stebbi tells Tóti about the possible jail term hanging over his head.Knowing a good lawyer who will get all the charges dropped, Tóti offers the lawyers number,in exchange for Stebbi doing a favour. Terrified of spending the next 5 years behind bars,Stebbi accepts the deal.Getting dropped off outside a major drug dealers flat,Stebbi is told that he must go and find some hidden "chocolate bars." Looking round,Stebbi uncovers a huge amount of hash.As he gathers up the hash,the drug dealer arrives and catches Stebbi in the middle of his thieving. Withstanding the dealers punches,Stebbi starts to hit back,and begins to enjoy the adrenalin rush.Entering the flat, Tóti is amazed to discover that Stebbi has beaten the dealer to a bloody pulp.As they gather the drugs,Stebbi & Tóti set their sights on changing the Nordic underworld map.View on the film:Filmed after all the major banks in the country had gone bust,writer/director Óskar Thór Axelsson & cinematographer Bergsteinn Björgúlfsson open ever wound of Iceland to splatter a brittle Nordic Noir atmosphere across the screen,by making every building in the title look covered in charcoal,and the deep snow opening up the cold hearted brutality of the underworld characters.Digging into the minds of Stebbi & Tóti, Axelsson superbly dazzles ultra-stylised, over-lapping images across the screen,which pull the viewer into Stebbi and Tóti peak moments of heightened hedonism.Shooting Stefán Máni's true crime book on to the screen,the screenplay by Axelsson leaves any hint of a "journey/learning the error of their ways" at the blood-soaked door,thanks to Axelsson making the Nordic underworld run on Film Noir loners whose sole reasons for living are cold,hard drugs,cash & blood.Running at a trim 104 minutes, Axelsson slowly sinks Stebbi deeper and deeper into Tóti's merciless black tar,as Steebi's "favour" is revealed to be small fry,as he joins Toti in smashing up the old board of a ruthless game.

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movies-by-db

That's what this great movie reminded me of: An Islandic Goodfellas. A morality tale with a comparable "inner circle" of criminal drug-buddies that go through the rise and fall of their own empire.Stylish as hell, with again many moments that reminded me of Goodfellas and in a way the films of Guy Ritchie, but still with it's own originality and raw power. This combined with great acting all round, especially from the lead "Stebbi Psycho" who kind of keeps a somewhat naive innocence about him, compared to his mostly pretty psychotic buddies, makes this a highly entertaining and engaging watch. Indeed the beautiful Islandic backdrops that pass by frequently deserve to be mentioned as well. Makes a nice contrast to the greyish slightly dreary Reykjavik suburbs that the story takes place in.7/10

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Bene Cumb

In spite of its smallness and remoteness, Iceland has lively and notable film industry, with several remakes made in Hollywood and world-famous actors included. This century has seen the development of thrillers, often based on real events - in the line of other Nordic countries. Svartur á leik is a fine example of them: realistic plot and characters, twists in the scenario, witty ending... Well, unlike in Hollywood films, there are no constant chases, shootings and explosions, characters are not dealing with thoughtful sayings and not escaping in the very final moment... Nevertheless, there is a kind of Nordic style, splendidly complemented by nature scenes and club milieu. The actors and scene feed may seem a bit torpid, but so the Nordic people are... Recommended to all those fond of Nordic crime films, and not thinking of Iceland as an idyllic and static country - international crime and addictions have reached this distant and thinly populated island as well...

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dadatuuexx

Well,i,m not hip to this filmmaker,but i am hip to a good movie.I watch crime films,and action,and i know what i like.This film is way worth a watch.The copy i saw was dubbed to English,but its from Iceland ,or Norway(not too sure),but it does not matter,i watch movies ,from anywhere,in many languages,so i,m glad i could understand it.The visuals were great,and i liked the pace.The story was cool,and was based on true events i heard.The actors did a fine job,and the movie follows the main character thru a good story of choices,and crazy turn of events that get him deeper,and deeper in the crime syndicate he gets introduced to.A childhood friend helps him out of a jam,and thats where it all starts.I was pulled into the story right from the start.If your into crime,and action films,and don't care if it does not have a lot of trendy American actors,and just want to see a good movie,watch this one.i did,and was glad i did.

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