This Universal B picture is yet another example of Hollywood taking a famous character of the old west and fashioning their own story about him without a bit of reality to it. All that I can say is that Black Bart did go by the real name of Charles Bolles and they did do his crime thing in California in the 19th century. Other than that this film has nothing to do with Black Bart's real story.Among other things Black Bart was always a gentleman and left a bit of poetic verse at the scene of each robbery. Not a line of poetry comes from Dan Duryea's lips. As Black Bart died in 1888 and Lola Montez died in 1861 it's highly unlikely they ever even met.Yvonne DeCarlo plays the exotic dancer who had King Ludwig of Bavaria panting for more. But that's all done with, Lola's in America on a tour and she's now in San Francisco. On the way there she meets up with Black Bart when he holds up the stagecoach. Also along are a pair of Duryea's associates from his past, Jeffrey Lynn and Percy Kilbride. They know Duryea even behind the mask and want in on the set up. Lynn also wants in on Lola Montez.Black Bart despite its gross historical inaccuracies is an interesting and unique film. No happy endings for anyone here as Duryea and Lynn go out like Butch and Sundance. Yvonne DeCarlo is properly fetching as Lola though I think the one who should have played Lola in a better film of her life should have been Greta Garbo.

This film starts with two outlaws by the names of "Charles E. Boles" (Dan Duryea) and "Lance Hardeen" (Jeffrey Lynn) being led to a hanging tree out of town after committing several crimes. However, before the nooses can be put around their necks another outlaw named "Jersey Brady" (Percy Kilbride) ambushes the hanging party and springs his two friends. Once freed Charles decides to split up from the other two and heads for California with all of the money taken from a previous heist. Not long afterward he dons a mask and upon assuming the nickname of "Black Bart" proceeds to rob stagecoaches belonging to Wells Fargo. As luck would have it one of the stagecoaches he robs has both Lance and Jersey as passengers along with a famous dancer from Europe by the name of "Lola Montez" (Yvonne De Carlo). Needless to say, their lives become intertwined from this moment on. Now, rather than reveal any more of the film and risk spoiling it for those who haven't seen it I will just say that this was a watchable Western movie for the most part. Although I liked the performances of Yvonne De Carlo and Percy Kilbride to a certain extent, to be quite honest I didn't think Dan Duryea possessed the necessary screen presence to handle the starring role. Likewise, I also thought some of the scenarios were a bit too fanciful and unrealistic for my tastes. Again though, it's certainly watchable and worth the time spent if one is inclined to movies of this type. I rate it as average.

Black Bart is an interesting movie and well above the norm for the standard studio product of its day.Not only is it splendidly photographed,with a lustrous use of colour that sets it apart from the herd,it has a wonderfully dry and laconic wit that adds a touch of verbal eloquence to proceedings.Indeed I was reminded at times of "Butch Cassidy and the Sundance Kid"in the banter between characters some of which would have sat well in the mouths of characters in a Philip Barry movie or other practitioners of the drawing room comedy.The script is also insouciantly epigrammatical with a pleasing sense of amorality--its leading characters are outlaws and perfectly at home with themselves and their profession.Naturally.this being a 1948 movie they are not allowed to get away with it but the morality is quite unique for the periodWe first meet Charles Bowers,later to become the title character,when he and his compadre "Lance"are about to be hung,a fact they greet with stoicism and flippant banter,when they are rescued by ex banker turned outlaw the grizzled veteran Jersey--well played by Percy Kilbride(old Pa Kettle Himself)They split up and Charles ,with the connivance of an old friend,sets himself up as Black Bart a black garbed highwayman making away with Wells Fargo bounty in a series of stagecoach robberies.Lance and Jersey re-appear,recognise him and try to cut in on the deal.Matters get complicated when Bart falls in love with Lola Montez the celebrated singer and dancer who reciprocates the feeling but insists Bart lay aside his illegal trade and turn to more legitimate pursuitsIt is a well acted movie with Duryea and Kilbride especially fine and De Carlo enters into the spirit of things with a brash and outgoing performance Minor but interesting and I enjoyed it .Give a go -you won't regret it

Can you be disappointed if you had no expectations in the first place? In this case: yes. This less than a classic western has an above average idea it fails to deliver. The triangle romance between the zorro- like masked villain, the posing- as- a- good- guy villain and the European dancer- and- mistress- to- the- emperor- of- Austria- turned- saloon singer is actually quite original.The film, however, is not. The standard western imagery and unimaginative cinematography/direction condemns this film into the "forgettable"- category. Still it must be noted that there is no hero in this western: just two outlaws and a corrupt dame. Although they get their due in the "grand" finale, themes like that are not frequent in the westerns of the classic era but associated usually to westerns in the late 60's and 70's.