This is one of those films, where you kick yourself for listening to critics who, at the time, trashed this film. Finally saw it and while it is, as some suggest, "trashy," this is one of the most entertaining films I've seen in quite some time.I've always admired the talent of Mr Corman and his production of BBM is, for me, one of the highlights of his career. I've no illusions that his fans will suggest otherwise however this is a film that grabs you by the lapels, if one has lapels that is, and doesn't let go! Steve Carver takes a VERY low budget and gets the maximum out of it, there are some performances in this movie that will demonstrate the talents of some of your favorite actors that other, more popular and acclaimed films will NOT. As someone who is NOT a Tom Skerrit fan I've got to admit he was the standout actor in this, (I refuse to refer to actresses as 'actors', he really is a talented man. However the standout is the truly gorgeous Angie Dickinson, I knew she could act, I just never realized just how beautiful and sexy she really is, until this film. She singlehandedly transcends the material and thereby lifts BBM out of "trash" into a slam-bang adventure/crime/sex romp that is stunning. The supporting cast is excellent, however outside of 'Succubus' I've not quite gotten the appeal of William Shatner, at least in any serious sense. think we all realize how much talent got early starts in Corman films and I think you will also enjoy noting those who went on to do excellent work in other films and especially TV, such as Michael Talbott of "Miami Vice" TV series.After watching this film I felt rather upbeat, BBM is the sort of fun film that we used to see more of, sans all that CGI and other expensive and often tawdry special effects, good entertainment that takes one out of the humdrum and into a place where ordinary belief is suspended and one is cheering for the heroes, albeit not the nicest heroes/heroines, wink.One can only wonder if there is a Director's cut somewhere as this is rated 'R', Angie Dickinson, Wow! Did I mention Wow?

Roger Corman-produced junk which struck a chord with audiences in the early years of cable-television. Depression-era Texas widow with two sex-happy daughters plans to rob and swindle her way to California, picking up a two-bit gangster and a penniless con-man on the journey west. Some of the hillbilly dialogue, as well as an early sequence where Mama tries door-to-door moonshining, is very funny (perhaps due to the script contributions of the estimable William Norton); otherwise, there isn't much to this narrative apart from the embarrassing overtures to "Bonnie & Clyde" and Angie Dickinson's intermittent nude scenes. Self-conscious, ugly-looking picture flails sloppily away at would-be action scenes with energy but no talent. The direction, the editing, and most of the acting is positively atrocious. Followed by a sequel in 1987. * from ****

I was so enjoying this film. I had rented two films, both from the seventies, one a big budget comedy and then this low budget Corman show. I hated the big budget and loved this one, until the political demon started barking up the plot's far-left sleeve. The heart on the sleeve, that is. I mean, we all enjoy watching films when the rich are being taken from, and the poor get to steal it. That's the basis of all crime movies and why we like them; and why we root for the bad guys so much. But this movie actually mentions such things, and they are mentioned by the "filthy rich", and you can tell when certain lines are uttered, they're in it for a reason other than dialog/conversation. In one scene a rich guy at a party mentions about how bad taxes are because they "tax the rich" (as if the rich are the only ones taxed), in another a guy gives a speech about how bad socialism is: both characters are filthy disgusting villainous types and are made to look stupid. And in the end, or towards the end of the film, a rich girl with an inheritance is kidnapped by the main characters who'd been having a blast robbing banks before, and from that point the movie goes from a fun romp into a mean spirited film with social envy written all over it. Oh well. For an hour I had fun. Till it all started getting see-through. And then, I saw through. As usual. Pity too. I love watching movies. I just wish they'd all keep their agenda to themselves or else better obscured so that we can all enjoy ourselves, not just those in the blue states.

Wilma McClatchie (Angie Dickinson) wants more for her two daughters than depression era Texas can provide. With no money to speak of they set off for California to find their fortunes. Along the way, they rob a bank, pick up a bank robber, mug a preacher, steal the take from a racetrack, take on a penniless drifter from Kentucky, kidnap an heiress, and kill a few people. It's just an ordinary cross-county trip.This is one of my favorite of the Roger Corman produced movies. I realize that it's basically trash, but what fun trash it is. Around every turn there's a robbery, a car chase, a gun fight, or someone having sex. These people are ruthless and will do whatever it takes to get the money they desire. Amid the violence, though, the movie is not without it's moments of comedy. The opening wedding service is simply sublime. I actually found myself laughing out loud.The cast that Corman was able to assemble rivals that of the best movies from the 70s. Angie Dickinson, William Shatner, Tom Skerritt, and Dick Miller are wonderfully cast. But my personal favorite is Susan Sennett, playing one of the daughters. As far as I'm concerned, she steals every scene in which she appears. It's a shame she didn't make more movies.