Elliot Richards (Brendan Fraser) is lovesick, desperate, oblivious, eager to please, lonely and a doormat. He works at IT support. His coworkers avoid him. He's obsessed with Alison Gardner (Frances O'Connor) but she doesn't know him despite being in the same company for four years. The Devil (Elizabeth Hurley) offers him seven wishes in exchange for his soul.I really dislike Elliot right from the start. I wouldn't prank the guy but I can understand his workmates. I couldn't get away from him fast enough. Right from the start, this movie annoyed me and it never got me back. I find none of it funny. Brendan Fraser does a lot of fake makeup. However I never find any likability about his character. Even at the end, he goes nuts on his annoying workmates. From start to finish, I never like Elliot. I like the Devil more.

Elliot (Brendan Fraser) is a nerdy office drone who his co-workers try to avoid as often as possible. He adores another of the employees, Alison (Frances O'Connor), and more than anything would really like to be with her. One night, a sinfully sexy Satan (Elizabeth Hurley) comes to him with a proposal. If he promises to sell his soul to her, she'll grant him seven wishes. He wishes for some of the obvious things - wealth, prosperity, knowledge, physical prowess - but she's sneaky enough to give all of the various scenarios an unfortunate catch.As co-written and directed by the late Harold Ramis, this 21st century update of the fondly remembered Dudley Moore / Peter Cook comedy never generates any great comedy fireworks. At its best, it's just sort of mildly amusing. It can't really sustain itself for a full hour and 33 minutes, with the more entertaining gags weighted near the beginning. At least it espouses some reasonable themes about selflessness and the idea that life is what we make it.What really drives the 2000 version of "Bedazzled" is an engaging star duo. Fraser, who'd proved his comedic chops in the past, does his able best to sell the material from sequence to sequence. You could say that he gives 110%. Hurley is extremely enticing, especially with the constant costume changes. She looks especially fetching in the cheerleader and cop outfits. O'Connor is perfect as the object of Frasers' desires, while the supporting cast - Miriam Shor, Orlando Jones, Paul Adelstein, Toby Huss - gets to strut their stuff in multiple roles. Ramis casts his repertory player Brian Doyle-Murray as a priest.Overall, this is likable but never really inspired.Six out of 10.

Big fan of original and thought I wouldn't like this because of that, but when I eventually saw it, I liked it. It restyles the wishes for a modern day audience and they were mostly very funny. My favourite was the sensitive boy, the funniest by a long way. The two dogs named Dudley & Peter was a nice little nod to the innovative original too.Hurley was surprisingly good in her role and having a Brit starring in it was a the right thing to do. Frazer is a very good versatile actor, always good at comedy. It's more OTT than the original and it didn't last the distance quite as well, notably sagging in the last third, I thought. The script is funny but not subtle and witty like the 67 film. That script had a lot of Peter Cook gems in and is worth watching just to see a different type of humour.The remake didn't murder it at all, like some have wrongly said. It was a quite different version of it for more in your face modern tastes. Stands up on its own well if you didn't see or want to see the original, making it a worthy remake project. Thought it missed a trick by not including the seven deadly sins in person as the original did, one of my favourite scenes of the 67 film, however it helps make both films quite different watches. Just choose the version to suit your mood.

Well, I start this reviewing saying how much I enjoyed this movie. "Bedazzled" has a very original story, in which a loser signs a contract with the devil in order to gain 7 wishes-- that are actually a curse in disguise. One thing to congratulate is the extremely professional way that Brandan Fraser portrays some characters; an actor needs to be very careful to perform such imitation. At some points I thought the story would go into a creepy stuff, and happily it didn't-- that wasn't the point of the movie afterall. It's also great that writers didn't appeal to any religion or lack of religion, allowing every kind of spectator enjoy this without feeling insulted. Moreover, it doesn't have any moral lesson to leave the spectator feeling cheesy. Great movie, indeed!