I was an extra on this film, which was made in Victoria, BC, Canada in 1986, and wanted to share the "behind the scenes" stuff: most of the actors were friendly, especially Karen Allen who would play touch football while waiting for shooting; I worked in scenes with Jeff Fahey who prepared intensely, and it was interesting to see the acting process; and the Director's son hung around and was an extra as well, when he wasn't cruising the town in a rented Chrysler convertible. The director himself was extremely reserved and almost seemed to be immobile, leaving preparation to Tak Fujimoto, who has done some great work aside from this little $6 Million movie. The make-up and costume people were also great, and the set had an almost carnival atmosphere. When I finally did see the movie, I thought it wasn't too bad. It is certainly an interesting moment in the careers of the fairly well-known group of actors that were in it.

Donny McAndrew a Vietnam veteran is haunted by the experience of the war, and his conditions seems to be getting worse. His wife Mara seems concerned, but there's something greedy about her intentions when one night Donny finally cracks.Likable, slick mystery thriller that works due to it not overly being too clever, but managing to stay one step ahead in its jaded mix of stimulating seductiveness and growing psychological tension. The shady web of paranoia, passion, deceit and underlining guilt never lets story become too comfortable, despite its casual air and fundamental process. Larry Brand and Rebecca Reynolds' compact script plays more towards the taut drama and keeps to this trend, than anything involving charged thrills. But director Gilbert Gates doesn't discard this aspect, but delivers a pinch-full of jarring jolts to feed the story than to just shock. The film's slight conclusion makes sense and threw me off, but it seems vague to how it came to end with this payoff, especially after what came before it. I wouldn't be surprised if you find it simply plain answer. Gates' expertly handles the excursion with neat, and profitable precision. He peppers up a few atmospheric set pieces, but not in heavy doses. The flowing photography is sharply poised and an extremely effective music score is scorchingly bold. The performances of the three leads; the superbly sly Karen Allen, a wonderfully enigmatic Keith Carradine and Jeff Fahey's terrifically scarred Donny are engrossingly delivered. Dean Paul Martin, Bernie Casey and Dwight Koss provide fine support.A well-devised and at times innovative film that kept me entertained, even with the structure's creeping ambiguity.

Some of the best thrillers I've seen got incognito releases in the eighties (Michael Winner's "classic" Scream for Help springs to mind!) and Backfire is another decent little thrill ride from the best decade for trash movies. This film does well in that the plot is simple and easy to follow, yet it still manages to keep you guessing all the way through. Don't get me wrong, I love a good complicated thriller; but sometimes keeping things simple can work just as well, and Backfire goes some way to proving that. The film, like many American movies, has a backbone that centres on the Vietnam War and how it invades the lives of those that fought in it. Donny is a Vietnam Veteran who supposedly lives a perfect with his lovely wife Mara in their nice big house. However, he is plagued by nightmares of the war he fought in, and when these nightmares start to become reality; it would seem that there is foul play involved. But, all is not what it seems and the plot thickens when Mara meets a stranger in a bar.It has to be said that the character drawings are not particularly impressive and could have used some work to make the film work better than it does, but the script is generally good enough to hold the plot up and keep things flowing well. The cast isn't overly impressive either and doesn't feature any massive names, though the actors involved fill their roles fairly well. The female lead is Karen Allen, who you may remember as the leading lady in Raiders of the Lost Ark, while there are also roles for Keith Carradine and Jeff Fahey. The film doesn't have much in the way of atmosphere, though the war themes are well utilised. Many eighties thrillers were of the 'steamy' variety, and it has to be said that there isn't a lot of that here. There isn't much in the way of violence either, so the film mostly relies on drama to portray the story, and that seems to work pretty well. I have to say that the ending came as something of a surprise as I thought it was all building into something much impressive! Still, if you get a chance to see this you might as well; there are certainly worse films out there!

"Backfire" is a reasonably well-made little thriller. Consistently interesting and well-paced, it keeps you guessing all the way. But when "everything" is gradually revealed, the whole thing doesn't add up to anything really extraordinary. And the ending is somewhat muddled; maybe some further explanations would have helped us to set everything straight in our minds. An agreeably absorbing film, but don't expect TOO much....