¨Ashanti , land of no mercy¨ is an amusing picture with great loads of action , thrills , violence and adventures . It has a passable direction by Richard Fleischer , a superb casting and spectacular scenarios .The picture begins in the following sentence : ¨ Slavery stills exists today ,thousands of people disappeared in Africa last year . This story is based on fact ¨. The film's "Ashanti" title refers to the name of a proud African tribe who fought the Dutch and British armies during the 18th and 19th Centuries , the descendants survived to form the modern African state of Ghana . It deals with a doctor named David Linder (Michael Caine) along with his wife Anansa Linderby (top-model Beverly Johnson, she also was the only female character in the cast) acting as missionary in a medical mission in Africa . When the wife is kidnapped by a slave trader named Suleiman (Peter Ustinov, publicity for the film stated the part was Ustinov's first out-and-out bad guy role in his then thirty-year-long career) begins a relentless pursuit . From this moment the doctor finds himself alone in a battle to rescue her from a band of slave traders . The chase spans many Middle Estern countries and starts to look bleak for our man . Later on , David is helped by Malik (Kabir Bedi of Sandokan ; though Omar Sharif was originally going to play this type role of desert-guide Malik but had to bow out ; instead, Sharif played the smaller role of Prince Hassan), an expert Arab seeking vendetta . Only two men could rescue her , one driven by love, the other by revenge. In this weak film there are thriller , suspense , emotion , frenetic action and for that reason is amusing . Apparently, the flick is actually allegedly based on a real true-life story . This adventure movie also contains fantastic elements as when the sorcerer boy kills a nasty and has gorgeous moments when the desert pursuit and there appear slavering children . This movie about modern slave-trading was developed, made and released right on the heels of ¨Roots¨, a popular high-rating television series about historical slavery . On a hand it is an enjoyable adventure film , including usual ingredients : deserts , camels , jungles , oasis , Tuaregs and many other things . On the other hand the valuable cast and promising screenplay are undone by sometimes slow pace . The picture is based on a novel with same title by successful Spanish author , an adventure expert and prolific author called Alberto Vazquez Figueroa who gets numerous cinematographic adaptations such as ¨Manaos¨ , ¨The Iguana¨ , ¨Ocean¨ , ¨Oro Negro¨ and ¨Rottweiler¨ . Publicity for this picture stated that the United Nations had at the time the film was theatrically released a Special Committee on Slavery operating within the UN's Human Rights Division. Factual reports on slavery presented to the UN were a key source when author Alberto Vázquez Figueroa wrote this movie's source 1975 novel "Ebano". The picture was distributed by two studios, Warner Brothers and Columbia Pictures, depending on the territory . Excellent and talented cast as Michael Caine as an unexperienced man who faces off extraordinary dangers , he has said many times that he acted in this film purely for monetary reasons and considers it the worst project , most wretched film he's ever done . In addition , gorgeous supermodel turned actress Beverley Johnson was the first ever African-American model to be featured on the cover of "Vogue" magazine in 1974 . Peter Ustinov goes through familiar role as the villain as well as Omar Sharif . While top-stars are really wasted as Rex Harrison and William Holden as a mercenary , helicopter pilot have little more than cameo characters , this is one of the final feature films for both actors . William Holden accepted a lowly seventh billed role on this picture so he could work on location in his beloved Africa where he owned a safari club . Furthermore , Johnny Sekka , Jean-Luc Bideau and veteran Eric Pohlmann as a swarthy portly man in one of his last acting . Colorful and shimmer cinematography by the Italian Aldo Tonti filmed on location in Israel , Kenya and Sicily, Italy and scenes set in the Sahara Desert in North Africa were actually filmed in the Sinai Desert in Egypt. Director Fleischer and cinematographer Tonti previously worked together on Barrabás . Functional musical score though composed by a TV composer by means of synthesizer . The motion picture was middling directed by veteran filmmaker Richard Fleischer who replaced Richard C. Sarafian, the film's original director, who dropped out of the production, though the action is in his safe hands . About four years prior to this picture, Richard Fleischer directed another film about slavery called Mandingo. Richard has directed all type of genres , such as classic adventure : ¨Vikings¨ , ¨20.000 leagues under sea¨ , noir cinema : ¨Narrow margin¨, ¨Clay pigeons¨, ¨Trapped¨ and Sci Fi : ¨Fantastic voyage¨ , ¨Soylent Green¨ . However , ¨Ashanti¨ resulted to be a failure at the international Box office , being today better considered .

There have been far too few mainstream films set in post-colonial Africa, and the ones that have are a mixed bunch. This one, with its altruistic pretensions to expose slavery in the 1970s, shows the best and worst values of Africa, which turn out not to be too different to the values of humanity as a whole. It also has shortcomings, given the undue influence of western pre-conceptions of Africans and, especially, Arabs.Dr Anansa Linderby, the beautiful African-American wife of the English doctor David Linderby, is captured by Arab slave-traders, along with a teenage Sanufu girl and a young boy. The lead slave-trader, Suleiman, is every bit the stage Arab, with his flowery and sometimes humorous rhetoric, and gestures to match - which would not be out of place on "Carry On Follow that Camel" but are not up the standard this film deserves. Peter Ustinov of course had more than enough skills to address some of the shortcomings of the script, and he rescued what could otherwise have been a woeful one-dimensional character.Continuing the stereotypical theme, all three of Suleiman's Arab employees are unintelligent and one has paedophilic tendencies towards the boy, which thankfully are not portrayed on the screen.One of David's first ports of call is the local police officer, a stereotypical pompous and incompetent African bureaucrat. David then meets two stereotypical white ex-pats, an Englishman (Walker, played by Rex Harrison) and an American (Sandell, played by William Holden). Sandell is a mercenary with "conventional" views on mixed-race relationships, who initially refuses to help unless David provides payment up front. Won over by David's love for Anansa, and conscious of his own inability to find love, he agrees to take David up in his helicopter to help search for Anansa. They find Suleiman and his captives crossing the border and are unable to pursue them into the neighbouring territory - as a result of Sandell's hesitation and David's lack of experience with firearms, his helicopter is shot down but David survives.We then see David introduced to Malik (Kabir Bedi), an African who has lost his family to Suleiman and is now only driven by vengeance. They find the Sanufu girl with a group of Tuareg and know they are on the right track to find Suleiman.In one of the most heart-rending scenes they kill a party of slave traders only to find that it was not Suleiman's group, and have no choice but to send their captives to the Tuaregs they met earlier.Later on we discover that the young boy who had been raped is a witch doctor and, in an excellent scene with supernatural overtones, he uses his knowledge to kill one of Suleiman's henchmen. Anansa on her part - and despite the scepticism of the boy - manages to engineer the demise of Suleiman's two other employees.By this time Suleiman and his slaves are within days of reaching the slave market.Suleiman, now in no doubt that Anansa is "trouble", attempts to sell her to an obscenely wealthy Arab prince (Omar Sharif) who is corrupt but intelligent. On discovering that Anansa is an American working for the U.N., the prince rather unwisely decides to carry on with the bargaining without considering the consequences. The scene where the two men haggle is one of the best in the film.At the slave market, the young boy is sold to a middle-aged German paedophile, and we are left to guess whether the boy will still be considered "wunderbar" when his owner is on the receiving end of his witch-doctoring skills.David and Malik finally confront Suleiman and there is a bitter-sweet ending from Malik's point of view.Ultimately, David and Anansa are re-united, and Malik, whose life is in ruins, can console himself with having seen the task he set himself completed.The overall plot of the film is excellent but it loses marks for its stereotypical portrayal of nearly all the leading characters. Credit must go to all the leading actors for addressing many of the shortcomings of the scripting.

Beverly Johnson and Michael Caine as an interracial marriage of doctors try to help some African kids when the woman is abducted by a ruthless slave hunter (Peter Ustinov). Seeing that the local officials are not too willing to do anything about it, Caine decides to take the justice into his own hands and starts chasing Ustinov across the vast deserts of Maghreb.Despite all the warnings, not that bad movie. The pace is somewhat slow, and the acting somewhat absent (though both Malik and Ustinov try to do their best), but generally, an acceptable filler on a rainy afternoon. The high points are the shots of North African desert and the Omar Shariff's short appearance.Beverly Johnson is pretty chick, but she's seen only periodically (still she has one scene of full frontal nudity, although very brief). And the grimy subject definitely deserved a better treatment. All in all, not a definitely bad movie; just nothing really memorable, exceptional and shining here. 5/10.

An obscure film, but so what? IF you do find it give it a lookThe worst element may be lousy music score really knocks this down several stars. But at least there isn't a lot of music.Does Caine really think this is worse than BEYOND THE POSEIDON ADVENTURE, BLAME IT ON RIO, JAWS 4, THE SWARM, or even the recent THE WEATHERMAN? He was probably really hot on location and that's all he remembers. Good to great actor though he is, this isn't really in his worst 10, not in his best 10 either but...it's well worth watching.He does seem to have chemistry with the wife character and there is a memorable scene with him and a bunch of slaves who don't want him to leave them. Also an early scene involving his wife's abduction is very well done--so the story gets off to a good start.Director Fleischer was friends with Rex Harrison, who is just fine in the film, and Holden is okay too. This film always remains interesting even it may not catch fire--it actually drags in the middle but has a pretty lively wrap up--but everyone treats it with seriousness. A noble cause sort of thing.It may well be the last really serious role Ustinov had certainly one of his few villain performances. Shariff is also good and helps juice up the ending.The photography is beautiful and the locations are very well used, too bad it sort of stumbles around about a third of the way in. It has a good sense of place in the details throughout.Aside from a blandly shot helicopter crash the action, what there is of it, is well done. I believe Fleischer took this over from another director and probably deserves credit for what's good about the film more than what's weak.Worth a look, though the ancient full frame VHS doesn't do it justice in 2014 a good looking DVD finally became available.