This movie was a lot of things, funny was not one of them. It seems like the writer took all possible stereotypes, wrote individual story lines, and then shuffled them together not paying attention to what would actually work. This movie actually would have worked better as a drama. No part of it was even remotely funny, let ALONE hilarious (as one reviewer suggested). I would never categorize this movie as a comedy. The "jokes" (I didn't even notice any?) should have been deleted and they should have just done it as a heartfelt love story (which would have worked). Some stories took forever to get going and then played out in 2 seconds. Others were just incredibly unbelievable. I frequently found myself doing a face palm at how embarrassed I was for the people involved. I can't even say this was a good effort. It felt like no one actually read the script or watched it after editing to see how it all came together. I hope this was a first effort and her films have learned from this one's mistakes.

My review is motivated by what appears to be some negative over analysis of a delightful little film. As they say, "Sometimes a cigar is just a cigar."I found this film very easy to follow. Intended or not, this film has a decided message. We are all people, human beings with prejudices, frailties, strengths, weaknesses, wisdom, or not. Through it all, Doolin shows us we all have the ability to understand, if we want to, and the ability to change. Change our thinking, our perceptions, and how we choose to handle life's little curves.To accomplish this, Doolin uses stereotypes. Images and ideologies we have all seen, witnessed or felt. We have quite a few somewhat colorful and interesting, if not fun characters in this film, covering a good part of the questions and attitudes we usually see in society. The conservative religious elitist, liberals, gay and lesbian, all juxtaposed against a canvas of a wedding shower, which unexpectedly reveals greater issues beneath the surface.Doolin handles such deftly,and considering the issues discussed, same sex marriage & gay relationships,some rather heavy issues, she gets her point across with humor and a lightness which makes it easy to appreciate. Doolin makes no preachy commentary of the subject matter;l She exposes the issue of gay relationships, sex and loving a person of the same sex for what it is. All of us want to feel close to another, and want to be loved. How it manifests, and comes to be, is only as it is. (and) as it is, is really no big deal. All the fuss, a lot to do about nothing.Trish Doolin is a very talented writer/directer/actor. if you are secure enough in your own self, and don't mind watching a comedy with gay subject matter, you may find this film quite enjoyable.My parting advice to other critics, Don't over think it. It's really pretty simple.

OK granted this isn't the best movie in the world but it left me with a smile on my face. Some of the characters wouldn't be out of place in a pantomime and it made up group of stereotypes that weren't necessary for the major plot but the comic effect was well worth it. The best character in my opinion has got to be the mother, to go from proud, to devastated, to accepting and to happy all in the space of an hour (if only real life was so easy!). The only down side I can mention is the convoluted firemen having to save the day, There really was no need for them in this scenario but they were played to be idiots so....If your looking for a light-hearted romance tale then this is well worth the watch.

April's Shower reviewed by Sam Osborn rating: .5 out of 4 Working as the Director, Writer, and Lead Actress, the failure of April's Shower weighs primarily on Trish Doolan's shoulders. This is a miserable film from start to finish; melodrama not worthy of even daytime cable television. And in the midst of such subtle, humanistic portrayals of homosexuality (Brokeback Mountain, Walk on Water, De-Lovely, Capote, etc.), April's Shower stands as a bluntly annoying exercise in morality.As its title suggests, Doolan's creation documents the outlandish happenings at April's (Maria Cina) wedding shower. It opens tamely enough; with Alex (Trish Doolan) scrambling to finish the myriad of dishes she's cooked for April's party, guests slowly trickling in one by one. Each of these guests has only one agenda and they each spout this agenda over and over and over again in some strange and grating attempt at repetition humor. For instance, one woman has lost her baby and is trying for another. She wanders around bemoaning her inability to become impregnated, yelping in tears whenever somebody mentions a child. Another is a psychotherapist who constantly dishes out unintentionally funny "therapeutic" advice, handing out her business card with every turn of a character's frown. None of these characters have depth past this one dimension. When they all gather around later, in Doolan's attempt mimic the great back-and-forth girl talk of, say, Sex and the City, each character seems to be talking to herself, repeatedly offering the same advice or lamenting the same loss. This is one dimensional writing at its worst.As the party continues on and April strides in feigning surprise (she knew of the party in secret beforehand), it's soon revealed that April and Alex were once passionate lovers. Here we're presented with Doolan's rendition of tension between homosexuals and heterosexuals. Her strokes are broad and blatantly without passion. It's as though she has no interest in delving into these problems, but simply labeling them and denouncing them as a whole. In one instance, April's mother is shocked to find her daughter once was a lesbian and prays to an alter and a muttered Saint. Later we find her having a heart-to-heart with another mom and soon April and her mother are reconciled and she accepts her daughter's homosexuality. There are good intentions here, sure; but no sentiment or enthusiasm. The small zest Doolan does contain she throws into the bouncy, sitcom-esquire score that flips about all the scenes posing as comedic.In fact, the comedy is sometimes the most maddening aspect of April's Shower. Doolan refuses to allow her audience to be absorbed within her drama; instead hesitating and falling back to half-hearted comedy at every drop of a tear. Her humor is assuredly unfunny and detracts from whatever fragment of heartfelt drama she might have mustered. In some cases, her humor even undermines the morals she's forcing into view. One young girl begins asking each of the guests if they've ever kissed another female. Eventually, when one character takes the cue and leans in to kiss her, the young girl's closet-opening moment is made into a gaudy bit of weary satire. One scene later, we're back to solemnly discussing the tension of hiding the characters' homosexuality.It's frustrating to see such a screwball mess result from a justly capable premise. Where Doolan's characters and story threads could be thoughtfully interwoven, they're instead pieced together with desperate, clumsy hands that would rather reach to the moon for a laugh than take a glance at the real world and find honest drama. Where good intentions and smart messages should be injected with subtle grace among the narrative, they're made centerpiece, forcing unearned melodrama out of what could have been quietly forceful developments.I wanted to like April's Shower. I hoped for it to work as a superbly modern entry into the recent wave of gay/lesbian film. But even when the production values reached skywards with smooth and richly colorful camera work, April's Shower still broke down quicker than a rusty lawnmower. Its fault is in its creator. Trish Doolan's film shows that her understanding of film's elementary elements falls frightfully below rudimentary. Her intentions and ideals are good and fine, but her execution on them is dirt poor at best. All the characters scream and guffaw and squirt tears, but forget their duty is to spark these same reactions from the audience. We're left bored and weary from the crying shoulders and clunky messages, checking our watches at the end of each scene, wondering when the teary mess of April's Shower will finally be done with.