This is the sort of thing that the studios were experts in grinding out in the 40s and 50s. The opening credits are flung across the screen in huge crimson letters. The musical score, by Franz Waxman, resembles on a lower plane the exquisite bombast of Eric Wolfgang Korngold, who was referred to by one of his detractors as Wolfgang von Korngold.That fact is only worth mentioning in passing but so is this entire movie. I liked it, especially when I saw it as a child in the Mayfair Theater in Hillside, New Jersey. I thrilled at the boom of the cannon, shivered when a protagonist was threatened with death by cutlass, chuckled when Thomas Gomez as Blackbeard swilled wine and overturned wooden tables, and stirred in my seat when the pale, prim, innocent Debra Paget was thrown into Captain Paradise's cabin with her dress half torn off.That particular incident went nowhere because the captain was Anne of the Indies, Jean Peters. As the stern, scowling pirate captain, Peters, I think all of us must admit, was a little butch but she was heterosexual. She proved that when she made chaste love to her prisoner, played by the handsome, suave, organically grown Frenchman, Louis Jourdan. That lovemaking wouldn't be so pure in one of today's movies. And I'm not so sure that Debra Paget would have remained unscathed.The plot. Some nonsense about rivalries and possessions and revenge involving Peters, Gomez, and Jourdan. Peters, having discovered that Jourdan and Paget are married, is convulsed with rage and jealousy. She maroons the two of them on one of those desert islands with nothing but sand and she sneers as she describes the horrible deaths they will suffer because they have no food or water. Actually, I think if they dug deep enough they'd find a fresh water lens. I don't know about the food situation. The best they could hope for would be crude versions of moules mariniere or zarzuela de mariscos.Jean Peters plays the role of the unlettered Pirate Queen in a blunt and one-dimensional fashion. She was really good in Sam Fuller's "Pickup On South Street." Louis Jourdan is too debonair for me. I suspect he wins a lot of good-looking women just because of his French accent. Fine for him, but what about the rest of us? Thomas Gomez is fine as the blustering, uninhibited, proudful Blackbeard. He looks as if he's wearing a fat suit. I met him in a now defunct San Francisco night club called Finnochio's. Debra Paget has very little to do except look distressed.

Fox must have had a lot of left-over sets from Tyrone Power's THE BLACK SWAN (and a trunkfull of period costumes on hand) when they decided to film ANNE OF THE INDIES. It provides JEAN PETERS with a flashy role as a lady pirate (a la Ann Boney), but her swagger seems more like the pose of a well-rehearsed actress willing to submit herself to a pirate film totally lacking originality aside from starring a lady pirate.All the clichés are here, including the black-hearted Blackbeard the Pirate (THOMAS GOMEZ) given the hammy, tongue-in-cheek style usually reserved for such an outgoing villain. This time the captive is not a beautiful woman but a handsome Frenchman (LOUIS JOURDAN) who, naturally, catches the eye of the tomboyish heroine and makes her wish she looked more like a woman. What she doesn't know is that he does indeed have a wife (DEBRA PAGET) who fills the role of conventional beauty nicely.Some of it is actually fun to watch and it's a no-brainer that, given the standards of the 1950s, the ending will conclude the way it does. I like JEAN PETERS very much, but this is one role that would have served MAUREEN O'HARA better. O'Hara had a more convincing way with a sword and the fiery temperament to go with the role.

I like the film, it´s the best pirate-movie I watched hitherto (forget silly Errol-Flynn-stuff and Pirates of the Caribbean). This movie is wonderful melancholic. I compare it with "Johnny Guitar" at the sea-side (but 3 years earlier), two women fighting for a man, where mad love might lead one.The character of the female (anti-) heroine, Anne Providence, is superb, acting without compromise like a child, lost alone on her search for a own female identity in a real man´s world. She´s a quite strange movie-hero, not a funny pirate, as most of her companions in this genre, not making jokes all the time, fighting for the poor and good and only killing the stupid spanish or british soldiers or - better - sly governors, but she´s murdering all the poor prisoners of war, after she captured a ship (look careful at this at the start of the movie), she´s primitive (she can´t even read), she is desperated and she get´s an alcoholic, she looses all her friends as consequence of her obstinacy and she´s wearing rags most of the film. This film shows a pirate "hero" a little (!) bit as he (or in this case "she", but there has been a female "Anne" buccaneer, Anne Boney) might have been in brutal reality.The film is quite short and the story is told in a breathtaking manner. Certainly, a film from the 1950s has no exciting special effects for present time viewers (the ships swim very obvious in a bath tube), but this real drama about love (that kills), trust, betrayal, revenge, hatred and sacrifice drives one crazy. Maybe, Anne is even supposed to be Judas Iskarioth and Jesus from Nazareth in one person, being betrayed by her friend (the french LaRochelle) as Jesus; after being disappointed by the friend, delivering him to a death penalty (as Judas); than getting remorse about this (like Judas, who commits suicide according to the gospel of Matthew); and in the end sacrificing herself for the rescue of the beloved enemy (as Jesus). But, even if you are not interested in this philosophical questions of guilt and atonement, the film brings a lot of (cheap) action as sword fights and burning (plastic) ships for a very short one and a half hour.

Directed by Jacques Tourneur (Cat People, Out of the Past, Night of the Demon) and written by Phillip Dunne (How Green was My Valley) Anne of the Indies is a quite interesting adventure pirate movie. Its main character of captain Anne Providence is based on a real woman-pirate Anne Boney who actually lived and sailed through 18th century's Atlantic. The film begins with the sea battle where Anne's (Jean Peters) pirate ship attacks a trade ship that was on its way to Europe from the South America. As a result a treasure of great value is captured along with a handsome French officer Pierre La Rochelle (Louis Jourdan), who is taken prisoner. Anne ends up falling in love with him and apparently her feelings are reciprocated but it's only till she sets him free when she discovers that he has a beautiful young wife Molly (Debra Paget) with whom he pretty much in love with. Anne begins planning revenge on both of them but in an unexpected twist of fate ends up making a great sacrifice in order to save them instead. The pirate movie cliché figure of `Black Beard' also makes his appearance here, this time played by Thomas Gomez.Though Anne of the Indies probably appears to be no more nor less than a revisiting of pirate movie clichés, it still has its classical moments in beautiful visuals and sea battle sequences filmed in Technicolor as well as in some aspects of the story and most of all in personal touches in directing of all of it by Jacques Tourneur. 7/10