Anger of the Dead (aka Age of the Dead): This is the full length film inspired by the short but little remains of that apart from the bridge scene. A pregnant woman and two men make there way across the Zombie infested countryside in the hope of reaching a ferry to an island refuge.In a parallel story-line a woman is kept captive and experimented on by a Walking Dead Governor type who hopes to find a cure for his Zombie wife.An adult film with some gruesome scenes, even though the worse is implied rather than shown. 6/10

Complete garbage. Same horrible special effects and makeup. Acting by most of the actors was terrible. Zombies were ridiculously cheesy. Just another cheap horrible zombie film. Why do people keep making these things the same horrible way? Everyone is trashing this one particular zombie film and these producers thought"hey let's do the exact same thing they did"! Unlikable characters survive together after well it's not clear what happened but now there's zombies and medical experiments on humans. The story jumps back and forth a lot and is easy to get confused as to what is going on.The camera angles were also pretty bad too. Only good thing I can say about this film is the music score was decent.

In a world ravaged by a virus that turns people into cannibals, survivors endeavour to reach an island, however, it's not just the zombies that are a threat. Right from the opening where a little girl gets eaten you know it's not going to be a fluffy DTV addition to the genre. Writer/Director Francesco Picone's offering looks bigger than it is with real locations, lots of gore and a steady pace. Zombie completists au fait with Eaters (2011), Apocalypse Z (2013) aka "Zombie Massacre" and Zombie Massacre 2: Reich of the Dead (2015) will be familiar with the makeup style and saturated look that the talented (and friendly) Luca Boni and Marco Ristori have delivered in the past. Here they hang up their directing hats and don producer roles (along with Uwe Boll who incidentally has very little involvement, House of the Dead - this is not). Picone takes up the reins and delivers similar aesthetics to Boni and Ristori. Jokes aside I tip my hat to Boll and company who appear to be single handily reviving the Italian zombie scene with another sub-genre addition. However, Picone's film is more refined, it's void of comedy, the make up is more realistic and the script along with the acting are better.The blood, bite wounds, severed limbs are effective. After the strong opening it then jumps four months after the outbreak with a road trip story that includes a pregnant woman Alice played memorably by Roberta Sparta. It has emotion and some tension between her and Peter as they are chased down by the sound attracted fast moving infected. The characters have to make hard choices along the way. Both Désirée Giorgetti as the Prisoner and Aaron Stielstra as Rooker are notable, their story is hard hitting at times with a nasty female abuse subplot reminiscent of Joe Chien's Zombie 108's (2012). However, when the story follows Alice and Peter and the zombies are in the forefront it works much better. The acting, make up effects and camera work is solid enough, and even though all the players appear to be named after characters or actors synonymous with the zombie genre it's not a Syfy channel production. Also refreshing its not set in the USA, the locations are quite interesting and to Picone's credit it benefits from a nihilistic down beat ending. Anger of the Dead (A.K.A Age of the Dead) is worth viewing especially if you liked the aforementioned films, that said Picone's offering is appreciatively far more serious and debatably superior due to it's darker tone.

Horror movies today survive on effects budgets and the number of graphic deaths on screen--unfortunately. But bad acting is death. To see bad acting in a film of any genre is death, this because the audience immediately doesn't believe the behavior they're seeing. Luckily this movie doesn't discount that important fact. Here, the cast is very strong and they assist the mediocre story past its dubious outcomes and character motivations. The zombies who run rampant are eclipsed by a cast of humans more messed up and nasty than most. Aaron Stielstra (as a demented, sadistic warlord) is not to be forgotten, as are attractive leads Roberta Sparta and Marius Bizau, both lending gravity to the usual doomed zombie escape- plans. Desiree' Giorgetti is memorable as the movie's damaged mute prisoner. Despite some melodramatic music pieces and the fact that the protagonist seriously lacks Mommy skills--due to the script--the movie has an excellent pace and is beautifully photographed. Carlo Diamantini's makeup is to be applauded, as well. Some dodgy locations may bewilder viewers accustomed to seeing familiar American sights, but the overall nightmare-fantasy quality to the movie will hopefully silence continuity geeks. Geeks who should be grateful for the acting, rather than squealing about occasional weird-looking license plates. Overall, a strong and vivid flick. But without its equally vivid cast, may not have survived exile to the Walmart bin. Check it out!