I think the film addresses two questions: 1. what is love and what is sex? 2. how far will you go to let your loving one happy with having sex with another one (whether same-sex or not) but suffer yourself from that happiness? One thing definitely for sure is that this film is NOT about homosexuality. Definitely not. This film is worth watching. It's fun, logic (but not the end), and interesting. I mean it's interesting in the sense that it challenges the typical understanding and view towards love and sex as a unity.This film makes me thinking if it is really possible that you can have sex with someone but refuse to love him/her? If the answer is yes, it's more like an open relationship. One can HAVE FUN with anyone and at the same time he/she claims you are the (life) parterre and you do the same. If the answer is no, it's like "Rai's situation." You are just afraid to love someone. Rai is just afraid to love, to fall in love with someone (for not being hurt or unable to sustain the hurt of possible separation. ) What he brings to the couple, a couple's love in a traditional view point is the purity/ type of love.However, I don't think the ending can be happening in the real life. If one can have sex without falling in love with him/her, what makes them stay together? Friendship? Moral ethics?

I absolutely loved this movie. I feel like I only get a great film like this every year or so and I was so excited when it turned out to be so good. I definitely added it to my favorites list with "Weekend", "Private Romeo", "The Dreamers", "Loose Cannons", "Shortbus". I hope there are still more films out there like this one that I just haven't found yet. The acting was great by all of the main characters. The quality of the film was top notch which is often a bummer in gay films. The look and feel of the movie kind of reminded me of "mammoth" or "babel" which I loved as well. I am no expert but I have watched more movies than I can count especially in this genre and if you like any of the movies I listed I am guessing you will like this one too.

just fresh. a love story with three partners, without many inhibitions, nice, seductive, collection of slices from an age and an universe. nothing special. and nothing boring. honest, touching and with few crumbs of sex. and the secret is the cast. and performance as mirror of reality. smart, interesting, far to be boring, without real ambitions, it is a good manner to be more than illustration of thesis or scene for a cause. it is not a real gay film and the cause remains the puzzle of nuances. it is not a manifesto because it reflects common facts. the joy, the ambiguous feelings makes it credible. and refreshing. the message is universal. and the performance, not bad.

A 2-guys-and-1-girl comedy (with a modicum of kitschy dramatic tone), zeroing in on the pan-sexuality relationship conundrum happened in Barcelona, a modern tale smells like teen spirit from director Xavier Villaverde (a 10-year-absence since his last feature, THIRTEEN CHIMES, 2002). The film kick-starts with a Hip-Hop routine performance and ends up in a casual and cozy dancing moment in the room with the three protagonist, the harmonious denouement maybe ephemeral since the trilogy linkage very likely falls apart when life goes on (a feeble solidification which counters the basic triangle axiom owing to human being's innate doubt and lust), but the film graphically proffers some sincere perception into the young generation's vintage point about love-romance (in alliance with the progression against homophobia discrimination), which is a further step over the rather stale coming-out melodrama during last one or two decades. The three main actors are cleverly selected, Astrid Bergès-Frisbey (afresh from PIRATES OF THE CARIBBEAN: ON STRANGER TIDES 2011, 5/10) is much confident and versatile in her mother language; Álvaro Cervantes has a killing charisma which could be perceived and indulged by both genders (complies with the character's "seducer"tag and his unorthodox but quite common pan-sexuality attitude - it is the particular individual who we fall for, it is nothing about gender). Llorenç González, as the befuddled and jealousy boyfriend who has his immature trait but at least honest with his feelings. Pitifully besides that, other sidekicks are plainly foils without any distinctive antics to be remembered. The film contains quite a few explicit sex scenes (between boy-girl, boy-boy and a three-way smooching near the end), may be a bit superfluous (beautifully shot though), and the plot has a sinuous redundancy of buzz-killing twist-and-turns, which could hinder the revelational message the film engages with. Personally I will give one thumb up to this film, simply because it is an innovative torrent of the genre and turns out be to a refreshingly uplifting adventure for the viewers (again sexuality is irrelevant here). p.s: my Oscar race, Astrid and Álvaro both enter my top 10 of leading actress and leading actor race respectively.