This movie bring me back to childhood! And is one of the reasons I fell in love with film making itself.This movie can be shared amongst generations to come, for it does not fall short of the American Dream, and what it takes to obtain it! For a cartoon, the characters are real life, the drama, personalities and more.The journey is what truly captures each viewer, for we all have a journey we seek, and attempt to conquer.Through diversity, a story is created, as well as an adventure to be shared. I spent times laughing, crying, and looking for my own adventure to discover growing up. And that is what makes this movie relatable, enjoyable, unforgettable.

Some folks complain that this movie doesn't equal to the original and they are right. It isn't as heart-warming, it isn't as dark and the voice and animation style is noticeably different. It relies heavily on sight gags and less on plot.That being said, I find very little wrong about those issues. I have a very hard time really pining down a solid plot for the first movie to begin with, since it's just a series of a scenes featuring Fievel just barely missing chances to re-unite with his family. In the second movie, he has a more pointed mission: to successfully warn/protect the mice from yet another self-appointed "sophisticate".The original movie was good and gave kids a glimpse into an important part of our history (immigration) but the theme was too slow and depressing to carry the full weight of two movies.The second movie, in addition to snappy animation and clever gags, brought on another 19th century mind-set, the prospect of the west and a future of not only being in America, but being a PART of America itself.Overall, despite this movie's differences from the original, it is still charming and a great deal higher in quality than other sequels.And let's be honest, what little boy doesn't dream about fighting alongside his hero?

When I was a kid I used to like the original first American Tail film, but then they started making straight-to-video sequels. This sequel is the only one I have seen, why did they have to make s sequel, at least as rubbish as this. Young Fievel Mousekevitz the mouse gets lost again (for a little while) and then decides to try and get rid of all the cats from the West part of America, where the story left off. The only parts I can remember of this film were the parts with Tiger the cat and John Cleese as the voice of the villain. Apparently there was also the voices of Jon Lovitz, and, in his last film before his death, Rear Window and It's a Wonderful star James Stewart. They are meant to be the reason for the film earning a second star. Pretty poor!

Fievel, the cute little mouse from An American Tail, is going west for Fievel Goes West. This is one of very few sequels that really deserve the title of the original classics. Fievel Goes West may not have as many touching moments as the original, but that's because it's more of a fast-paced western comedy rather than a heartwarming, sometimes tragic tale (tail?) as An American Tail was. A by-product of the comedic approach is the look of the movie. Instead of the dark, dull, forbidding color scheme of the first movie, the sequel is supposed to be bright, funny, and altogether welcoming. Thus, you get bright sunshine (sometimes a bit too bright from the characters' point of view) and varied color. The animation hasn't changed all too much, unlike The Land Before Time's sequels for video. The animation retains a bit of Don Bluth's touch, though still a bit different. Altogether, the animation is just about as good as it could be in 1991. The film as a whole is a gem, but the one thing truly, wonderfully beautiful thing about Fievel Goes West is James Horner's immortal soundtrack. The songs are just as good as An American Tail, which is saying a lot; besides, you have a brutally edited reprise of "Somewhere Out There" from the first film, sung by Tanya. Speaking of Tanya, she's voiced by someone different, presumably to allow for her great singing. For proof, all you need to do is listen to "Dreams To Dream". Great though the aspiring singer is, the end credits rendition of the song by the crazy Lindstradt lady is beautiful. In Fievel Goes West, our title protagonist is lost on the way to Green River, where he will supposedly find a new lease on life with his family and lots of other hopeful mice. But the dream is shattered when Fievel explores the train, and finds a bunch of cats and a huge spider, led by the smooth talking Cat R. Waul, plotting to befriend the mice before turning them into mouse-burgers by means of a mysterious "better mousetrap"! But Fievel is found out, and the spider knocks him off the train, leaving him hopelessly lost in the desert. I thought they might have made up something different, not the whole mouse-gets-lost-must-return-to-family routine. I couldn't help feeling they'd done that before. However, Dom DeLuise returns for a bigger part alongside the legendary canine sheriff Wylie Burp. So, overall, what of this sequel? Well, it certainly does the original justice. Yes, it does lack the heart of the original, but having less heart than An American Tail does in no way mean being heartless. Don Bluth might not have had a hand in this, but Fievel Goes West lives up to Bluth's classic story of a little mouse called Fievel.Animation-9/10; Story-7/10; Plot-7/10; Comedy-8.5/10 = Overall-8/10