Amelia 2.0
Amelia 2.0
| 04 August 2017 (USA)
Amelia 2.0 Trailers

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

Reviews
johngraham1964

I actually enjoyed this movie. It's not as challenging as it could be but there are some interesting twists and turns and all the leads put in good performances.The main question of the film is: has whatever makes up the 'soul' of Amelia been transferred to the android body, or is it just a computer copy (a simple copy and paste)? From parts of the procedure it looks like it's the latter, with the process called 'mapping' rather than a transfer. So if you follow that line of thought then the rest of the film is rather pointless. But if you think the scientists have really managed to transfer Amelia into the android then the arguments put forward have more depth.The scenes with the senator who opposes all such research are well-written, especially as he faces his own mortality.I'm not sure about the bit just before the end where the corporation decides to use the Amelia mapping data to create androids for everyone. If they truly believed they had transferred Amelia into the android then they would be (effectively) cloning her thousands of times over and then allowing people to reprogram her - not something an ethical corporation should do. Mind you, we're left in no doubt that ethics are not on the mind of the corporation. Just the doctor - who is then left out of the loop.The other ending - where the husband takes matters into his own hands - was much more satisfying and is probably where the film should have ended. Though finishing it with Amelia taking her own decision worked as well.It's not that demanding a film but it is thought-provoking is certain ways.Another reviewer bemoaned the CGI of the helicopter on the roof of the corporation and it IS dodgy, but mercifully brief. Other shots of the corporate HQ are also brief (and some at night) and are much better.And yes, there are comparisons to Ex Machina in the plot line but as I found that film very predictable and this one at least had a twist towards the end then I'd recommend an unchallenging viewing of this film on a lazy evening.

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alockwood-76149

I thought this was a pretty good film. It wrestles with the question of consciousness and what makes us human. As a drama it delivers plenty of emotionally charged moments that keep you invested in the characters and the story. The acting is believable and well written. I would recommend this movie.

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kristine-30486

This movie has provoked a hidden curiosity, maybe more so fear in me of how technology can/will dangerously minimize our human abilities. I think it's an important movie. It produces a motivation for education on what is to come for us in the not so distant future. Making the choice to deny our natural human emotions whether they are pain or joy, will have a negative consequence on all of humanity,makes me want to teach my grandchildren to garden, and build things so they don't forget what that is.. K.S.

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safeJ

Though set in a science fiction format, this movie centers on a deeply loving newlywed couple overcome by tragedy and how the husband deals with this issue. In his grief, he agrees to the plans of a corporate giant in the remote hope of "curing" his wife's terminal condition.Technically, the film is state of the art with some obvious exceptions. Note the aerial view of the corporate campus looking quite cartoonish, like an architectural drawing or SimCity home computer creation.The flow of action was quite uneven, spending long moments in philosophical discussions while skimming over the scientific elements of the story (the "how it was done" aspects). The ending was quite disturbing to me and didn't seem possible, given modern corporate security methods. It appeared that the film was running out of time (or money) and ended quite abruptly in poetry and bucolic bliss.

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