There are a lot of complimentary things one could say about HBO's "All The Way": great acting, historical ambiance, and cohesion of narrative. What really makes this a truly great film, however, is how its themes are just as relevant and striking here and now as they were in the 1960s.For a basic plot summary, "All The Way" tells the story of President Lyndon B. Johnson's (Bryan Cranston) first year in office. The primary focus is on the Civil Rights Act of 1964 and the type of political and social upheaval/compromises that here undertaken to make it a reality. Key personal/political figures of the early Johnson Administration also feature heavily, such as Martin Luther King Jr. (Anthony Mackie), Lady Bird (Melissa Leo), Senator Richard Russell (Frank Langella), Senator Hubert Humphrey (Bradley Whitford), & J. Edgar Hoover (Stephen Root).It is amazing (and equal parts inspiring and sad) to watch "All The Way" and understand how the Civil Rights Act was neither the beginning nor the end of race issues in this country. In this current era of Black Lives Matter and other racial-based demonstrations fighting for justice, the struggles of Dr. King, the NAACP, the American government, and the populace at large are driven home even further (as they are so much on the forefront of politics and society right now).Acting-wise, the performances are solid all-around, with Cranston especially shining (when does he ever not?!) as LBJ (from what I have read/seen, an uncanny resemblance in terms of mannerisms). Cranston first inhabited this role on Broadway in 2014, so it makes sense that he is the most comfortable here.Thus, with the combination of tremendous acting and incredibly relevant themes, I consider "All The Way" to be a biopic of the highest order (my only slight complaint would be it perhaps could have been trimmed by 15 minutes or so). I'm a big fan of the biopic genre, as I feel like it has so much power (along with a high degree of responsibility, obviously) to bring the past alive and more relate-able than a textbook or tome ever could. "All The Way" succeeds wildly in this regard.

Cranston? He had the good luck to get on one good television show but he is lucky, not talented. He tries too hard and it is painfully obvious when he inflects mannerisms we expect from LBJ. It is annoying, lip-smacking, guffawing, twitching, cursing, drinking – everything he does is planted, obvious, and insincerely done because he acts. He is not a natural. The story is interesting but again, it is told from the perspective of the writers, not necessarily historical. Did they intentionally get actors all shorter than Cranston so he would appear tall like LBJ? To those who did not live and play attention at the time these events took place, this is a movie, not a historical reenactment. On the up side, some of the characters do a great job or entertaining the viewer. Always remember to vote with your wallet – if an actor decides to tell us how to live, don't make them wealthier by seeing their work – entertain me, don't tell me how my country should be – I do not want your opinion.

History has not been kind to President Lyndon B. Johnson - inheriting essentially a poisoned chalice of a Presidency from the assassinated John F. Kennedy and The Bill of Civil Rights that had yet to be passed through congress. The political forces of the south are determined not to see that happen, thus Johnson finds himself in a political quagmire of trying to appease Martin Luther King and do what he knows is right on the one hand, while battling congress on the other.Let's be clear from the beginning here - 'All The Way' is not just a film about Lyndon B. Jonhson, it is a film about what went on behind the scenes that led to the change in the law in America that led to desegregation and voting rights for all Americans. One of the reasons this film is so good is because it ably does both that and gives us a fly on the wall insight into a complicated man, Johnson and those around him during this period of history. Rarely does a film give us so much on so many levels. Byran Cranston shows us all why he is one of the best American actors living today. He doesn't give us an impersonation of Johnson, he makes you believe your truly watching the man. No doubt this will be all but forgotten come Oscar time, but his performance is truly extraordinary and makes the film a must watch for this alone. It would have been easy for this film to play Johnson as one dimensional but he is truthfully depicted as not being below a few dirty tricks himself. The back and fourth between the two sides makes for compelling viewing in a story extremely well told. However it would be remiss of me to not mention the other performances from the supporting cast, all of whom are universally excellent. Anthony Mackie brings his own steadfast performance to Martin Luther King while Stephen Root is the paranoid Hoover. Melissa Leo, an actress we really should see more of, is fantastic as the Presidents suffering wife. The film covers many key moments of this turbulent part of US History. It's easy to see why actress Aisha Hinds never stops working in her riveting cameo as Fannie Lou Hamer, giving evidence of the despicable brutality meted on her while trying to register to vote. Equally Tod Weeks as the Presidents Chief of Staff is a beautiful seamless performance, that could have easily been lost in the shadow of Cranston, but ably holds your attention whenever he is on screen. Frank Langella is both confidant and adversary in the fatherly Senator Richard Russell, am actor I am always grateful to see. The performances would be nothing however without a great script and to incorporate a sense of who all these characters were, the key events of the time, including the murder of the three civil rights workers and Johnson's numerous idiosyncrasies is nothing shorting amazing so credit must be given to the writer Robert Schenkkan for taking his play and transforming so well to the screen. Johnson was a complex man and perhaps not an entirely likable one but this film brings to our attention that while Kennedy may have been the man who started The Bill for Civil Rights and Doctor King may have created the public pressure in which to light the fuse, it was the efforts of Johnson and his staff that finally got it pushed through. In his short tenure in office he also achieved a great many other things and was perhaps a far greater President than has been remembered by history. I am certain Johnson would have been happy with this portrayal of himself.Highly recommended and easily one of my favorite films so far of 2016 and this coming from a Brit who has a limited interest in American politics.

Dear movie lovers This was an extraordinary movie. I am an enthusiast of American culture and All the way granted me another great opportunity to take a glimpse into what makes the USA great, its politics! Bryan Cranston all the way! Cranston's accent in the voice over (verbal stream of consciousness/internal monologue) was very realistic, and to my knowledge accurate. There was never a moment that I didn't take my eyes off the screen. How greatness is portrayed in this film inspires action. The cinematography was done brilliantly, to the extent where I thought that the original material was incorporated. However, Mackie did a great job I enjoyed David Oyelowo's performance in Selma more. Warm regards