All Over the Guy
All Over the Guy
R | 10 August 2001 (USA)
All Over the Guy Trailers

A contemporary romantic comedy exploring the unlikely pairing of two 20-somethings thrown together by their respective best friends in hopes of igniting their own romance.

Reviews
Gordon-11

This film is about the rough and eventful journey of two couples until they find love.One striking thing about this film is the production. The sets, the costumes and the scenes are just like a big budget movie. It is impressive that they got a nice budget for a gay film! Another striking thing is that there are two big mainstream stars in the move: Lisa Kudrow and Christina Ricci. Lisa Kudrow's role is small and dispensible, which is a pity as it is not everyday that a mainstream star agrees to star in a gay film. Christina Ricci's role is more substantial, but still dispensible. I particularly applaud Ricci because it is not the first time she stars in a gay related film that I watched, the other being The Laramie Project.The plot itself is quite complex, with the main story with two small side plots about the two main characters telling their story to other people. A typical romantic comedy has a join-split-join setting, and yet in this film there are more split and joins that I almost lost track.It is a refreshing film, entertaining and fun. However, it is forgettable and does not leave a big impression in viewers' hearts.

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arizona-philm-phan

This has gotta be one of the most under-rated and "under-known" US-made gay movies out there (well, maybe not under-rated since nearly 75% of the comments here award a 7- to 10-Star rating). But how could it have gotten by without having kicked up more dust?Each time I watch it I enjoy it more, each time I watch it I appreciate it more. It becomes like picking up and studying a finely crafted object; it suddenly hits you: hey, there're no seams here, no rough joints; its finish is wonderfully even. How'd they do this? And then you think: Well, Goldberg and Alexander......sure, they've been around for awhile and are truly spot-on here, but.....Bucatinsky...who is this guy??!!?? (only the one who crafted/wrote this play-to-movie, of course).....and Ruccolo...wow...where'd all this acting depth come from of a sudden? And however in the world did one apparently straight guy actor playing against one apparently gay guy actor get this so right? Well, the answer has to be, of course, that they understood if it's about love, it doesn't matter whether 2 guys, or guy and gal, or 2 gals are the focus. These actors obviously came to realize that, and so it became easy for them to act that. (Not something that two other guys, named Ennis & Jack, were ever fortunate enough to learn in time, eh?).Well, on to a bit of what this movie's all about. A pure romantic comedy this is NOT.........perhaps, more correctly, it's a "dramedy." After all, how many mainstream gay movies have you seen in which a character utters such descriptively jarring words (see title of this comment, above) after a sexual act that's earlier taken place? Yes, this movie's for real and is very much a real life movie. Just stop to think about it---that when you've had Eli's and, particularly, Tom's kinds of childhood---well, you'll then have a great deal to overcome in adult life, whether it be a heterosexual or homosexual one. And if you, dear reader, haven't grown up in a household where alcohol has been a parental "drug of choice," then don't presume to judge Tom's behavior in this movie. Most realistically, Ruccolo has made Tom a direct product of his parent's relationship. In this dramedy Ruccolo gives us an especially intense performance which is actually easy to see, if you will only carefully watch his scenes: the telling facial expressions and eye movement; his body-set when he, for example, moves to stand against Eli in one scene, or to unobtrusively cup Eli's hands in another; even his movement of jaw muscles (did someone think his role through, or not!) His end-of-film, wedding kitchen tirade ("Hey!!!!!........") is more than enough to almost scare and stop any viewer short, as it certainly does Eli in that scene. This guy is one hell of an actor......why haven't we since seen a lot more of him? (The "curse" of playing a gay role, the hex of giving us such an intense guy-on-guy bedroom scene; is there such a jinx as this?) Yet it is in Eli's control freak behavior that lies Tom's salvation. For, of all the inappropriate things Eli's shrink parents (and they're marvelously performed) have given him that they shouldn't have, it's his capacity for being understanding (which they also bequeathed) that will in the end save Tom......and Eli, himself, for that matter. And Bucatinsky is just great at showing us a little bit of ourselves (or, perhaps, a lot) in his skillful portrayal. If you're reading reviews for a movie such as this, then please accept my recommendation to make it a part of any DVD collection you may have.....it's more than worthy of repeated viewings.......you'll catch so much more each time that you do.PS--Oh, oh.........almost forgot to give you your Possible Spoiler, so here goes. At movie's end we find our struggling duo sitting and conversing in a garden, when all of a sudden you can see in their eyes and faces---as if the proverbial light bulb's been turned on---each one realizing that they have in the other what they've been needing and wanting all along. What a great heart-swelling moment for us, eh?PPS--You're missing out on a really good "insider's" comment on this movie if you haven't read the one by keithla43 (from Culver City, CA), posted at this site on 20 May 2003, under the comment title, "Classic love story." ****

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PDXozoner

Richard Ruccolo is remarkable- hot and engaging and intelligent and brittle attractive and unlikable and totally human and recognizable in this film. And that pretty much describes the film as well. It takes something special to get me to watch any movie more than once. I've watched this one, in parts or in total, a half dozen times. I start because I really like watching Ruccolo and then stay because the supporting cast is as good as you'll find in any major studio "romantic comedy" (including a hoot-out-loud cameo by Lisa Kudrow) and the script is much, much smarter than most. Actually, I'm watching the movie as I write this and I have to stop and pay more attention because it's better than I remembered.

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ALAF

The characters are so full of life that in the end of the movie we have that urge to know what happened in the day after. That's how embracing this movie is. People will always be people when the subject is relationship. No matter each ones' preferences are. This movie definitely should become a sitcom. A good one, by the way. The dialogs and scenes edition are so full of rhythm that we barely blink an eye. Chemistry is the best word to define the exuberance of acting that the actors and actresses provided to us. A fun movie. Total entertainment with no aggression to the intelligence of people with good sense. Can a movie be more like LIFE itself than this one? Still waiting.

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