Plot-heavy detective programmer. Among the many characters, you may need a scorecard to keep up with who's impersonating whom. Nonetheless, Arlen's got the needed edge as PI Simon Lash-- (with a name like that, the creators may have hoped a movie series would emerge). Too bad that great vixen Veda Ann Borg can't seem to get motivated in what amounts to a crucial spider woman role. It's one of the few times I've seen her walk through a part. Though the many traveling shots along California's post-war highways and byways are well staged, filming lacks appropriate mood and atmosphere. Still, whose inspiration was it to film around that castle in the desert, a real one, not a studio creation. Those are memorable scenes and perhaps the movie's high point. At the same time, casting comes up with a number of colorful characters to spice things up-- Twitchell's cagey sheriff, Hodgins' assertive caretaker and Ford's craggy old man, for instance. A few period years later and a pretty good noir might have emerged to flavor up the turgid storyline. Anyway, for folks interested in vintage street scenes and isolated castles, this is a good flick to check out. Otherwise, the 60-minutes remains a flawed programmer that still manages a few compensations.

You could say the same thing for convoluted scripts, rushed out by the dozens after the popularity of film noir sprang up in the 1940's. This poverty row thriller offers some second string leads and sidekick character actors in the leads-former A star Richard Arlen and hard-boiled Veda Ann Borg headlining a puzzling story involving a private eye, a dame, a supposed missing husband and a fraud scheme.There's some decent dialog, a great car chase in the middle of nowhere and some interesting characterizations, but the plot and action are so all over the map, you need a compass to figure it all out. The supporting cast is entirely made up of unknowns, taking away from the sense of familiarity that you get from most old B movies. When they start showing the map of Arlen's trip and end up in Mesa, Arizona, I had to remind myself of my tag-line for the wretched horror film "Mesa of Lost Women", which like this, I referred to as a "Mess of a bad movie". That plot twist alone makes this seem like a separate film than the first half. The only accomplice to this is two thumbs down.

This film noir thriller was made by the notoriously cheap PRC studio although they do manage a handful of decently-shot car chases to break up the otherwise low budget narrative. It's a private eye film with Richard Arlen doing his best impression of Humphrey Bogart as a sleuth whose encounter with an old flame sets him off on a journey involving murder, deception, and all kinds of crooked activities.The plots of these films almost write themselves and ACCOMPLICE is a rather undistinguished film for what it is. Veda Ann Borg's femme fatale is a bit wishy washy and the actress lacks the kind of magnetism and charisma to make her character truly work. Arlen is a bit of a damp squib too, although some of the supporting cast make for delightfully weaselly characters.Once two thirds of the running time is up the action shifts to the desert and becomes more action-oriented, in fact it resembles a western for the most part which is a far cry from the metropolitan setting of the early part of the movie. ACCOMPLICE is a cheap and rather forgettable slice of film noir action although aficionados of the genre might well get a kick out of it.

Richard Arlen proved he hadn't lost his looks or his ability to put over his style of easy going acting but he was given no help in this movie which started off in an urban setting, moved on to a mink farm!! then ended up in the West where Arlen, by this stage of his career, was more at home. It was typical P.R.C. fare which meant it was not that great!!Arlen played Simon Lash (a pulp detective created by Frank Gruber who also had a hand in the script), a suave private eye who is approached by an old girl friend who left him at the altar to marry a rich banker, Bonniwell. He is now missing with suspected amnesia and Lash is convinced that the only reason for Bonniwell's disappearance is the old story - embezzlement of funds but Joyce (Veda Ann Borg) is convincingly upset enough to make him think there is more to it!! In the meantime another banker goes missing and Lash then finds a secret love nest that Bonniwell has set up with Evelyn Price (Marjorie Manners), the only person in the movie who seems genuinely concerned at events. Unfortunately she isn't around for long and once again Lash is on the trail of a mystery assailant who leads him to New Mexico and a castle run as a hideout by a crooked marshall for criminal fugitives.By the time the surprise mastermind shows up viewers are too bored to care - let's say that Lash had a lucky escape when he was left at the church. Veda Ann Borg made dozens of these movies and she was a welcome addition as the hard boiled Joyce. Every detective needs a side kick and Tom Dugan was adequate in the role. Silent movie hero Herbert Rawlinson has the small role of Springer. Director Walter Colmes tried to inject some excitement into the endless chase scenes by shooting close-ups of the speeding cars - close enough so you can read the make of the car!!