A Man and a Woman: 20 Years Later
A Man and a Woman: 20 Years Later
| 13 May 1986 (USA)
A Man and a Woman: 20 Years Later Trailers

Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big-time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.

Reviews
writers_reign

Actually, along with several others, I went to watch the original Un Homme et une femme from 1966 - which explained why the cinema was three quarters full on one of the hottest days of the year. It was a one-off screening past of the 'Sunday French Classics' series but somehow what we got was A Man And A Woman 20 Years After, possibly the renters shipped the wrong title. It was certainly not something I would have turned out for even on a much cooler day but as long as I was there I figured I'd enjoy looking at Anouk Aimee and anything else would be a bonus. Lelouch is far from the most stable of filmmakers at anytime, as a director he reminds one of Michael Caine as an actor - both are so prolific that every eight or nine films they turn up with something worth seeing. Alas, this was somewhere between one and seven which means that the best things in it were the clips from the original.

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Rodrigo Amaro

In 1966 a beautiful and very artistic film with a very simple story caught the attention of many movie lovers, the romantic and deep "Un Homme et Une Femme", directed by Claude Lelouch and starred by Anouk Aimee and Jean-Louis Trintignant playing the title roles. The movie won the Palm D'Or at Cannes and 2 Academy Awards and was well acclaimed by the public and the critics. 20 years later the same team returned and that return was named properly as "Une Homme et Une Femme, 20 ans Deja" ("A Man and a Woman, 20 Years Later"). The result is quite different of the original film but it has it's good moments and it's full of charm.Jean-Louis (Trintignant) and Anne Gauthier (Aimee) were a happy couple in the 1960's but for some odd reason they split and follow different paths. Both got married with different persons. The former race car pilot married with a younger woman and now he drives in rallies; the actress is now a film producer married with a TV newscaster. Anne and Jean-Louis have the chance to meet each other again when Anne is producing a movie about their relationship and she wants his consent to make the film and remember the good old days, when they met, they got involved with each other and the song of their lives. But their partners aren't satisfied with that meeting and their jealousy might disturb the calm and lovely encounter.OK, many have said that this film was unnecessary sequel, that it's weaker than the original film, that this a waste of time and that sometimes was hard to follow because it has an minor plot that looks dislocated of the movie and only near of the end you understand why the minor plot appeared. My opinion over "Un Homme et Une Femme, 20 ans Deja" is that Lelouch missed a good chance to make a great movie, way better than it is. It looks like a poor sequel of a great film mixed with Truffaut's "Le Nuit Americaine" ("Day by Night"). In Truffaut's movie we see all that happens during the making of a film, the actors relationship and the problems that happens while a movie is made. Same thing here. We don't have the chance to see the emotional changes between Anne and Jean-Louis, we've only seen talking about the film she's making and a little bit of their memories. It could have been like "Before the Sunset" was to "Before Sunrise", the reunion of what a passionate couple and their views on life, romance, marriage, fears, secrets, and other similar things discussed by couples when they split and met again years later. It lacked intelligence here, it lacked humor also. But at least you can see the physical difference between Anne and Jean-Louis. Lelouch alternate a few moments with scenes from "Un Homme et Une Femme" and this film. She's still beautiful, very charming; he looks like a villain taken of some B-movie, with beard, nothing similar to what he used to be, seductive and handsome.Francis Lai's theme music appears here in a Jazz style, way different of the original film but it's still good, a very romantic theme. I liked this sequel because of its nostalgic moments, the city of Paris is beautifully shot, the behind the scenes of Anne's film is very interesting and to see two great talented Jean-Louis Trintignant and Anouk Aimee, they're great together even if the movie is weak. If it wasn't for the scene where Jean-Louis's wife goes crazy in the desert I might give an 10. 9/10

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michelerealini

Sometimes Claude Lelouch makes good films or masterpieces, sometimes not at all.This sequel of "Un homme et une femme" is useless. It's not a bad movie in itself, because it's well acted, well made and very refined -high quality is a trademark in Lelouch movies. That's why I give 4 stars out of 10...But it's a useless project. Was it necessary to go back to the story and spoil the original picture? The 1966 film is very simple -it's a masterpiece because of that. There are only Jean-Louis Trintignant and Anouk Aimée, the chemistry is incredible. The film is really poetic, we don't want to know how their love story goes on.In the 1986 sequel we find them 20 years later -Lelouch tells us what they have become and how they meet again. There are other characters and facts which intersect with them.As I said not a really bad movie, but it doesn't stand comparison at all with the original. It would have been better not to produce it.

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Amiesart

Having exquisite memories of the first film, "A Man and a Woman", I looked forward to seeing the sequel, "A Man and a Woman: 20 Years Later."Yes, there were the famous faces and superb actors (Aimee and Trintigant), looking very little the worse for wear; in other words, wonderful. So expressive, both of them, in facial expression, mood expressions and fantastic acting. However, they are in a losing vehicle, with this film. It is so unmoving, that it relies on several subplots to impart to it some action. Hardly fair to two such stellar actors! They deserve better. And the viewer, alas, deserves better. I am, however, grateful for small things - and if seeing those two magnetic characters again thrilled and elated me...what's a plot? Yes, I would recommend it to any viewer who feels as I do about great actors. Just don't look for anything more; simply bask in their respective glows. Hence, my title: A Bittersweet Viewing Experience.

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