Although no one would ever confuse Troy Donahue with John Wayne, Donahue does acquit himself well in A Distant Trumpet which turned out to be Raoul Walsh's final feature film.Donahue who made his bones in Hollywood playing mostly decent All American type young men. Here he's a fresh West Point graduate assigned to an Arizona frontier post where the army is busy subduing the last of the great Indian tribes, the Chiracauhua Apache. He's under the command of General James Gregory who was a mentor to him at West Point.In addition to fighting Indians Donahue has a romantic dilemma. He's engaged to Diane McBain who is Gregory's niece. But on the post now is an old flame Suzanne Pleshette who is married to fellow officer William Reynolds. Donahue has a similar dilemma faced by John Wayne in Fort Apache. As with the Duke, Troy behaves in an honorable fashion. In fact in his private affairs he's honorable if very tempted.Take note of a good performance by Judson Pratt as a superior and sympathetic officer to Donahue's plight and a really rollicking and unforgettable one by Claude Akins who is quite the flesh peddler to both the red and white race.A Distant Trumpet is not as sentimental as John Ford's cavalry westerns. But Raoul Walsh ended his career with a good one.

The more I watch this, the more I like it. Great epic scenes with a huge cast of soldiers, Indians, and horses in real American West settings. The wide screen Panavision photography (with original release prints in IB Technicolor) is excellent. CGI may be fine, but I have yet to see anything surpass the look of hundreds of REAL men on horses in stunning REAL outdoor settings. As for the story, while I thought the book was very good, the way the characters are handled in the film is better in some ways, and the ending of the film much more to my liking. One thing they did have to tone down from the book was the sex element. It appears WB even adjusted one sequence after prints were made up. This appears in Reel Two, where Matt Hazard (Tro Donahue) and Kitty Mainwarring (Susan Pleshette) are in thr cave together overnight. With Pleshette's back to audience line (apparently later dubbed in) says "Good night Matt" and there is an ABRUPT cut to daytime and troops coming into the fort. 35mm and 16mm prints I have seen all contain this SLICED cut. And the original 35mm trailer containing the cave sequence does not contain the "good night" line". I believe that originally there was an embrace and kiss between Troy and Suzanne and a DISSOLVE to the next scene (or fade out & in). In any event, as Westerns go, this has a good story and looks better all the time, especially wide screen.

Bringing closure to the Apache hostilities on the Arizona frontier is the subject of this cavalry-Indian dust-up. William Clothier's wide screen CinemaScope camera captures the colorful vistas and expanses of the southwest where the battles take place. The casting of the picture is somewhat off-beat, from the heroic Matthew Hazard to the Latin-quoting General Alexander Upton Quait and finally, and tragically, to the cowardly Private Cranshaw. The Indian scouts serve the cavalry with bravery and dignity while their wild and fierce brethren ride the warpath a final time to hold on to their way of life. There is also a romantic triangle that complicates matters at the post. Director Raoul Walsh, an old hand at action westerns, serves up several Indian-trooper clashes and Max Steiner contributes a very nice score that is reminiscent of his earlier music in John Ford's legendary westerns.

This may have started out as an "A" production and its visual elements are certainly first-rate. The ever-reliable William Clothier contributes sparkling color photography which fills the wide-screen with some of the most impressive vistas you're ever likely to see in a western. Unfortunately, by casting Troy Donahue in the lead role, Warner Bros. indicated it was relegating this production to "B" status, and the result is just another cavalry-and-Indians movie. Suzanne Pleshette shows promise as "Kitty" but it's hard to do good work when one's leading man is of the Ken-doll variety. Diane McBain has little to work with as the fiancee and merely adds to the feeling that "A Distant Trumpet" is a spin-off from Warner Bros. stable of TV westerns. At least the cavalry soldiers actually get dusty in this movie, and there's a good scene of Bobby Bare being branded on the back for cowardice.