I was surprised after watching the film, It kept me attached to the end. This is a story of a Cat who has two characters: The Cat accompanies a girl named Zoé while her mother is busy with her police work. And also he wanders in the night with a thief.A captivating and thrilling experience I never expected from a movie. This is worth an Oscar Nominee.

A charming, if somewhat trite, tale about the night life of a pet cat, Dino, who wanders off every evening, where he leads a second life as a partner in crime for an extremely elastic burglar. During the day he accompanies the mute Zoe, having lost her will to speak after the abrupt death of her father, murdered by villainous art thief Costa. Both her parents married into the police force, so now her mother, Jeanne, places great focus on pinpointing and capturing the elusive and ruthless crook.The odd, yet arresting, traditional animation are extremely stylish, visibly marking the specificity of French animation, seen also in similarly caricatured human drawings of Sylvain Chomein ("The Illusionist"). Drawings are kept simple, yet layered, with well animated figures, inspired by unique lack of symmetry oft found in children books, not by the strive for perfection of Walt Disney animation. Whereas the throwback-style of animation brings about a sense of unique charm, the story itself really doesn't venture into any unknown territory, instead delivering a well-mannered simple tale, which - unfortunately - does not always seem suitable for children given the simmering brutality (dogs being squashed by large bricks or a surprisingly direct level of aggression in the final act) and the drastically building tension levels in the second act. Nonetheless the entertainment value, significantly enhanced as an ode to the old-style heist genre, makes it an enjoyable affair, just as long as expectations keep the audience very close to the base ground level: just enjoy, don't analyse.Well-paced with a decent amount of action, after a more muted, restrained beginning, the voyages of a French cat thoroughly engage, leaving a level of satisfaction, not hampered by the overall triteness and familiarity of the whole affair. Naturally, French wouldn't be French without homaging and referencing other movies, hence the feel of old Closeau and Pink Panther movies is omnipresent.

A Cat in Paris is touching, uplifting entertainment for the young and old. The young will like it for its extreme simplicity, in contrast to many bombastic, whiplash-inducing animated films of the last decade, and the old/older will appreciate it for its beauty and sound.Prior to its Oscar nomination for Best Animated Feature, A Cat in Paris, or Une Vie De Chat, its French title, was seldom seen in America. Its animation style is gorgeous and instantly flashed me back to the big, colorful storybooks that were one of the dominant factors in my youth. The scenes look to be lifted directly from a large picture book, with its colors mixed and warm and its characters appearing like simple human-beings. I expected a watercolor style similar to Chico and Rita, another Best Animated Feature nominated from 2011, which had a heavy emphasis on character detail and environment artistry. A Cat in Paris seems more concerned with the environment and how it appears and feels as a whole, rather than the detail of it.The film revolves around a young mute girl named Zoé, who lives with her workaholic mother named Jeanne and her black cat. Zoé feels constantly in a competition to get her mother's attention, and is in dismay when she reacts in anger to her collection of dead lizards brought home by the cat. Unknown to both Zoé and her mother is that their cat lives a double life; he assists Nico, a local jewelry burglar, in his late night heists. The cat sneaks out in the middle of the night to return home soundly the next morning and wind up in Zoé's arms. One day, Zoé, the adventurer she is, decides to sneak out and follow her cat to see where he goes, despite the cat's protest. The cat winds up leading her into a mess involving gangsters, searching for a rare, expensive statue. The result is a cute, lively cops and robbers film providing goofy laughs and delightfully whimsical material.The jazzy soundtrack is instantly lovable, the action is in short bursts and surprisingly fluent, the animation is easy on the eyes, and the fifties look and feel is all present. A Cat in Paris is a film of low-key charm, beautifully rendered images, and a series of lovable little nuances all captured within a slender fifty-eight minute runtime. Perhaps, due to its shadowy effect and gorgeous style, you could refer to this as "animation-noir." Voiced by: Dominique Blanc, Bruno Salomone, Jean Benguigui, Bernadette Lafont, Oriane Zani, and Bernard Bouillon. Directed by: Jean-Loup Felicioli and Alain Gagnol.

touching, nice, interesting. not very moral, in fact, but this is not great problem. its virtue - the colors and game with Paris symbols, Eiffel Tower or Notre Dame de Paris as perfect actors. in same measure, a pleasant music. and adorable moments. a policier ad usym delphini. but really good for science of measure, for the art to create a puzzle with ordinary pieces but not boring. a cat as axis of events. a mother, her daughter. and the group of evil gangster. a poor dog, roofs, trip in zoo, crumbs from Persepolis animation. revenge, love story, wise thief with brave heart and slices of seduction. nothing new. nothing complicated. but beautiful. and this is the point !